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Electronic and Experimental Music Technology Music and Culture

Electronic and Experimental Music Technology Music and Culture

Electronic and Experimental Music: Technology Music and Culture Sixth Edition presents an extensive history of electronic music—from its historical beginnings in the late nineteenth century to its everchanging present—recounting the musical ideas that arose in parallel with technological progress. In four parts the author details the fundamentals of electronic music its history the major synthesizer innovators and contemporary practices. This examination of the music’s experimental roots covers the key composers genres and techniques used in analog and digital synthesis including both art and popular music Western and non-Western. New to this edition: A reorganized and revised chapter structure places technological advances within a historical framework. Shorter chapters offer greater modularity and flexibility for instructors. Discussions on the elements of sound listening to electronic music electronic music in the mainstream Eurorack and more. An appendix of historically important electronic music studios around the globe. Listening Guides throughout the book provide step-by-step annotations of key musical works focusing the development of student listening skills. Featuring extensive revisions and expanded coverage this sixth edition of Electronic and Experimental Music represents an comprehensive accounting of the technology musical styles and figures associated with electronic music highlighting the music’s deep cultural impact. | Electronic and Experimental Music Technology Music and Culture

GBP 48.99
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Music in the Human Experience An Introduction to Music Psychology

Music Production Learn How to Record Mix and Master Music

Innovation in Music Future Opportunities

Music Studies and Its Moment of Truth: Leading Change through America's Black Music Roots CMS Emerging Fields in Music

Music Studies and Its Moment of Truth: Leading Change through America's Black Music Roots CMS Emerging Fields in Music

Music Studies and Its Moment of Truth: Leading Change through America’s Black Music Roots presents a new framework for racial justice discourse in the context of music studies and education. Centering on Black American Music the book issues challenges to both the conventional music studies paradigm and decades-old reform efforts. While Black American Music ranks high among America’s contributions to world culture and offers musicians powerful tools for musical practice and understanding this musical legacy remains remarkably marginalized even in activist conversations. The author argues that this reflects lingering and unexamined racist patterns that persist even among the most fervent voices for anti-racist interventions and addresses the need for a higher-order activist framework within music studies. Delving further into the transformative changes needed to pursue racial justice the short pieces collected in this book discuss topics including a shift from multicultural ideology to a transcultural model of musical pluralism analysis of the multi-tiered nature of musical racism the whitewashing of music studies activism K-12 music teacher education as the locus for paradigmatic change and the potential for a transformed model of music studies to catalyze an overarching revolution in creativity and consciousness in both education and society at large. Critiquing the failures of progressive reform efforts and conventional reaction this book argues that major changes are needed to the discourse on racism in music studies and envisions new paradigms for the future. | Music Studies and Its Moment of Truth: Leading Change through America's Black Music Roots CMS Emerging Fields in Music

GBP 48.99
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Women Music Culture An Introduction

Gateways to Understanding Music

Gateways to Understanding Music

Gateways to Understanding Music Second Edition explores music in all the categories that constitute contemporary musical experience: European classical popular jazz and world music. Covering the oldest forms of human music making to the newest this chronology presents music from a global rather than a Eurocentric perspective. Each of 60 gateways addresses a particular genre style or period of music. Every gateway opens with a guided listening example that unlocks a world of music through careful study of its structural elements. How did the piece come to be composed or performed? How did it respond to the social and cultural issues at the time and what does that music mean today? Students learn to listen to explain understand and ultimately value all the music they encounter in their world. New to this edition is a broader selection of musical examples that reflect the values of diversity equity and inclusion advocated by North American universities. Eight gateways have been replaced. A timeline of gateways helps students see the book’s historical narrative at a glance. Features Values orientation - Diverse equitable and inclusive approach to music history. All genres of music - Presents all music as worthy of study including classical world popular and jazz. Global scope within a historical narrative - Begins with small-scale forager societies up to the present with a shifting focus from global to European to American influences. Recurring themes - Aesthetics emotion social life links to culture politics economics and technology. Modular framework - 60 gateways - each with a listening example - allow flexibility to organize chronologically or by the seven themes. Consistent structure - With the same step-by-step format students learn through repeated practice how to listen and how to think about music. Anthology of scores - For those courses that use the textbook in a music history sequence. Gateways to Understanding Music continues to employ a website to host the audio examples and instructor’s resources.

GBP 84.99
1

The Music Producer’s Survival Guide Chaos Creativity and Career in Independent and Electronic Music

The Music Producer’s Survival Guide Chaos Creativity and Career in Independent and Electronic Music

A music-career book like no other The Music Producer’s Survival Guide offers a wide-ranging exploratory yet refreshing down-to-earth take on living the life of the independent electronic music producer. If you are an intellectually curious musician/producer eager to make your mark in today’s technologically advanced music business you’re in for a treat. This new edition includes industry and technological updates additional interviews and tips about personal finances income and budgets. In this friendly philosophical take on the art and science of music production veteran producer engineer and teacher Brian Jackson shares clear practical advice about shaping your own career in today’s computer-centric home-studio music world. You’ll cover music technology philosophy of music production career planning networking craft and creativity the DIY ethos lifestyle considerations and much more. Brian’s thoughtful approach will teach you to integrate your creative passion your lifestyle and your technical know-how. The Music Producer’s Survival Guide is the first music-production book to consider the influence of complexity studies and chaos theory on music-making and career development. It focuses on practicality while traversing a wide spectrum of topics including essential creative process techniques the TR-808 the proliferation of presets the butterfly effect granular synthesis harmonic ratios altered states fractal patterns the dynamics of genre evolution and much more. Carving out your niche in music today is an invigorating challenge that will test all your skills and capacities. Learn to survive—and thrive—as a creative-technical professional in today’s music business with the help of Brian Jackson and The Music Producer’s Survival Guide! | The Music Producer’s Survival Guide Chaos Creativity and Career in Independent and Electronic Music

GBP 48.99
1

Popular World Music

GBP 74.99
1

The Music of Film Collaborations and Conversations

Black Popular Music in Britain Since 1945

Teaching Music in American Society A Social and Cultural Understanding of Teaching Music

Teaching Music in American Society A Social and Cultural Understanding of Teaching Music

Teaching Music in American Society Third Edition provides a comprehensive overview of social and cultural themes directly related to music education teacher training and successful teacher characteristics. Music teachers need to be not only knowledgeable in conducting and performing but also socially and culturally aware of students issues and events that affect their classrooms. This book is designed for educators seeking K-12 music teacher certification to teach in American schools. At the conclusion of each chapter is a summary of the chapter and a list of key items and people discussed plus a series of related questions for students to consider. Current topics in the third edition include: • an emphasis on social justice sensitivity to transgender students and bullying • the influences of social media • a focus on urban music education and • a new chapter on diverse learning. Further recent policy issues are addressed in this new edition: • the evolution of the No Child Left Behind Act into the Every Student Succeeds Act • the increasing emphasis on charter schools the privatization of public school • changes in how schools are assessed and • changes occurring within the teaching profession—and how all of these affect developments in music education. A major structural change is the chapter on equality of education has been split into two chapters providing a stronger focus on both educational equality and diverse inclusive learning. | Teaching Music in American Society A Social and Cultural Understanding of Teaching Music

GBP 48.99
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The Routledge Companion to Popular Music Analysis Expanding Approaches

The Routledge Companion to Popular Music Analysis Expanding Approaches

The Routledge Companion to Popular Music Analysis: Expanding Approaches widens the scope of analytical approaches for popular music by incorporating methods developed for analyzing contemporary art music. This study endeavors to create a new analytical paradigm for examining popular music from the perspective of developments in contemporary art music. Expanded approaches for popular music analysis is broadly defined as as exploring the pitch-class structures form timbre rhythm or aesthetics of various forms of popular music in a conceptual space not limited to the domain of common practice tonality but broadened to include any applicable compositional analytical or theoretical concept that illuminates the music. The essays in this collection investigate a variety of analytical theoretical historical and aesthetic commonalities popular music shares with 20th and 21st century art music. From rock and pop to hip hop and rap dance and electronica from the 1930s to present day this companion explores these connections in five parts:Establishing and Expanding Analytical FrameworksTechnology and TimbreRhythm Pitch and HarmonyForm and StructureCritical Frameworks: Analytical Formal Structural and PoliticalWith contributions by established scholars and promising emerging scholars in music theory and historical musicology from North America Europe and Australia The Routledge Companion to Popular Music Analysis: Expanding Approaches offers nuanced and detailed perspectives that address the relationships between concert and popular music. | The Routledge Companion to Popular Music Analysis Expanding Approaches

GBP 48.99
1

Metal Music Manual Producing Engineering Mixing and Mastering Contemporary Heavy Music

Metal Music Manual Producing Engineering Mixing and Mastering Contemporary Heavy Music

Metal Music Manual shows you the creative and technical processes involved in producing contemporary heavy music for maximum sonic impact. From pre-production to final mastered product and fundamental concepts to advanced production techniques this book contains a world of invaluable practical information. Assisted by clear discussion of critical audio principles and theory and a comprehensive array of illustrations photos and screen grabs Metal Music Manual is the essential guide to achieving professional production standards. The extensive companion website features multi-track recordings final mixes processing examples audio stems etc. so you can download the relevant content and experiment with the techniques you read about. The website also features video interviews the author conducted with the following acclaimed producers who share their expertise experience and insight into the processes involved: Fredrik Nordström (Dimmu Borgir At The Gates In Flames) Matt Hyde (Slayer Parkway Drive Children of Bodom) Ross Robinson (Slipknot Sepultura Machine Head) Logan Mader (Gojira DevilDriver Fear Factory) Andy Sneap (Megadeth Killswitch Engage Testament) Jens Bogren (Opeth Kreator Arch Enemy) Daniel Bergstrand (Meshuggah Soilwork Behemoth) Nick Raskulinecz (Mastodon Death Angel Trivium) Quotes from these interviews are featured throughout Metal Music Manual with additional contributions from: Ross Drum Doctor Garfield (one of the world’s top drum sound specialists with Metallica and Slipknot amongst his credits) Andrew Scheps (Black Sabbath Linkin Park Metallica) Maor Appelbaum (Sepultura Faith No More Halford) | Metal Music Manual Producing Engineering Mixing and Mastering Contemporary Heavy Music

GBP 69.99
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Empowering Song Music Education from the Margins

Music and Gender in English Renaissance Drama

Teaching Music History with Cases A Teacher's Guide

John Birchensha: Writings on Music

John Birchensha: Writings on Music

John Birchensha (c. 1605-?1681) is chiefly remembered for the impression that his theories about music made on the mathematicians natural philosophers and virtuosi of the Royal Society in the 1660s and 1670s and for inventing a system that he claimed would enable even those without practical experience of music to learn to compose in a short time by means of 'a few easy certain and perfect Rules'-his most famous composition pupil being Samuel Pepys in 1662. His great aim was to publish a treatise on music in its philosophical mathematical and practical aspects (which would have included a definitive summary of his rules of composition) entitled Syntagma music¦. Subscriptions for this book were invited in 1672-3 and it was due to be published by March 1675; but it never appeared and no final manuscript of it survives. Consequently knowledge about his work has hitherto remained extremely sketchy. Recent research however has brought to light a number of manuscripts which allow us at last to form a more complete view of Birchensha's ideas. Almost none of this material has been previously published. The new items include an autograph treatise of c. 1664 ('A Compendious Discourse of the Principles of the Practicall & Mathematicall Partes of Musick') which Birchensha presented to the natural philosopher Robert Boyle and which covers concisely much of the ground that he intended to cover in Syntagma music¦; a detailed synopsis for Syntagma music¦ which he prepared for a meeting of the Royal Society in February 1676; and an autograph notebook (now in Brussels) containing his six rules of composition with music examples presumably written for a pupil. Bringing all this material together in a single volume will allow scholars to see how Birchensha's rules and theories developed over a period of fifteen years and to gain at least a flavour of the lost Syntagma music¦. | John Birchensha: Writings on Music

GBP 48.99
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Music in Comedy Television Notes on Laughs

Musical Pathways in Recovery Community Music Therapy and Mental Wellbeing

Musical Pathways in Recovery Community Music Therapy and Mental Wellbeing

Music triggered a healing process from within me. I started singing for the joy of singing myself and it helped me carry my recovery beyond the state I was in before I fell ill nine years ago to a level of well-being that I haven't had perhaps for thirty years. This book explores the experiences of people who took part in a vibrant musical community for people experiencing mental health difficulties SMART (St Mary Abbotts Rehabilitation and Training). Ansdell (a music therapist/researcher) and DeNora (a music sociologist) describe their long-term ethnographic work with this group charting the creation and development of a unique music project that won the 2008 Royal Society for Public Health Arts and Health Award. Ansdell and DeNora track the 'musical pathways' of a series of key people within SMART focusing on changes in health and social status over time in relation to their musical activity. The book includes the voices and perspectives of project members and develops with them a new understanding of how music promotes their health and wellbeing. A contemporary ecological understanding of 'music and change' is outlined drawing on and further developing theory from music sociology and Community Music Therapy. This innovative book will be of interest to anyone working in the mental health field but also music therapists sociologists musicologists music educators and ethnomusicologists. This volume completes a three part 'triptych' alongside the other volumes Music Asylums: Wellbeing Through Music in Everyday Life and How Music Helps: In Music Therapy and Everyday Life. | Musical Pathways in Recovery Community Music Therapy and Mental Wellbeing

GBP 44.99
1

Psychology of Music From Sound to Significance

Psychology of Music From Sound to Significance

In Psychology of Music: From Sound to Significance (2nd edition) the authors consider music on a broad scale from its beginning as an acoustical signal to its different manifestations across cultures. In their second edition the authors apply the same richness of depth and scope that was a hallmark of the first edition of this text. In addition having laid out the topography of the field in the original book the second edition puts greater emphasis on linking academic learning to real-world contexts and on including compelling topics that appeal to students’ natural curiosity. Chapters have been updated with approximately 500 new citations to reflect advances in the field. The organization of the book remains the same as the first edition while chapters have been updated and often expanded with new topics. 'Part I: Foundations' explores the acoustics of sound the auditory system and responses to music in the brain. 'Part II: The Perception and Cognition of Music' focuses on how we process pitch melody meter rhythm and musical structure. 'Part III: Development Learning and Performance' describes how musical capacities and skills unfold beginning before birth and extending to the advanced and expert musician. And finally 'Part IV: The Meaning and Significance of Music' explores social emotional philosophical and cultural dimensions of music and meaning. This book will be invaluable to undergraduates and postgraduate students in psychology and music and will appeal to anyone who is interested in the vital and expanding field of psychology of music. | Psychology of Music From Sound to Significance

GBP 56.99
1

The Routledge Companion to Music Technology and Education

The Routledge Companion to Music Technology and Education

The Routledge Companion to Music Technology and Education is a comprehensive resource that draws together burgeoning research on the use of technology in music education around the world. Rather than following a procedural how-to approach this companion considers technology musicianship and pedagogy from a philosophical theoretical and empirically-driven perspective offering an essential overview of current scholarship while providing support for future research. The 37 chapters in this volume consider the major aspects of the use of technology in music education:Part I. Contexts. Examines the historical and philosophical contexts of technology in music. This section addresses themes such as special education cognition experimentation audience engagement gender and information and communication technologies. Part II. Real Worlds. Discusses real world scenarios that relate to music technology and education. Topics such as computers composition performance and the curriculum are covered here. Part III. Virtual Worlds. Explores the virtual world of learning through our understanding of media video games and online collaboration. Part IV. Developing and Supporting Musicianship. Highlights the framework for providing support and development for teachers using technology to understand and develop musical understanding. The Routledge Companion to Music Technology and Education will appeal to undergraduate and post-graduate students music educators teacher training specialists and music education researchers. It serves as an ideal introduction to the issues surrounding technology in music education.

GBP 44.99
1

Disability and Accessibility in the Music Classroom A Teacher's Guide

Focus: Gamelan Music of Indonesia