Hermeneutic Ontology in Gadamer and Woolf The Being of Art and the Art of Being
This volume analyses Virginia Woolf’s novels through a philosophical lens providing an interpretive overview of her works through Hans-Georg Gadamer’s hermeneutic ontology. The text argues that interpretation itself is the central subject matter of Woolf’s novels: in order to understand these novels in all of their complexity and depth it is both useful and helpful to comprehend the interpretive pillars that inform these narratives. Indeed interpretation became a central theme during the Modernist movement and Woolf’s novels took part in this conversation. For his part Gadamer was in important voice in these discussions dedicating his life’s work to the concept of interpretation. Gadamer focused on the universality of interpretation arguing that it is inescapable and irrevocably bound up with existence. In many ways Woolf’s novels represent an enactment of Gadamer’s philosophy as they emphasize the radical questionability of the world—what this interpretive imperative requires of its participants and the potential yield that may result. On the other end Gadamer’s philosophy acquires a concrete praxis when applied to Woolf’s novels. His philosophy hinges on the universality of interpretation as it manifests itself in daily existence; the literary text and its interpretation participate in this universality and is shaped by it. | Hermeneutic Ontology in Gadamer and Woolf The Being of Art and the Art of Being