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Michael Chekhov

The Michael Chekhov Handbook For the Actor

Acting Exercises for Non-Traditional Staging Michael Chekhov Reimagined

Improvisation the Michael Chekhov Way Active Exploration of Acting Techniques

Michael Chekhov and Sanford Meisner Collisions and Convergence in Actor Training

Michael Eigen A Contemporary Introduction

Michael Moss on Archives Beyond the Four Corners of the Page

Michael Moss on Archives Beyond the Four Corners of the Page

Michael Moss on Archives brings together selected outputs from an internationally renowned archival scholar who explored the theory and practice of archives and records management. Comprising a selection of 11 of Moss’ most significant archival writings the book demonstrates the development of his thinking in archival theory and practice over the past 20 years. Michael Moss was a towering figure in modern archival writing and was able to push the boundaries of the discipline notably with his analysis of how modern governments create records and his speculations about the future of the archive in the digital world. Bringing together in one place Moss’ most significant writings alongside a comprehensive bibliography this book documents a significant contribution to British and international archival theory and practice. Each essay is preceded by a critical introduction written by a leading archival scholar assessing the piece and setting it in a wider archival or historical context while an overall introduction by the editors provides biographical information and describes the development of Michael’s archival thinking. Michael Moss on Archives will be of interest to scholars and students engaged in the study of archival science library and information science history digital humanities and media studies. It should also be of interest to professionals who work in archives and records management. | Michael Moss on Archives Beyond the Four Corners of the Page

GBP 130.00
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Michael Balint and his World: The Budapest Years

Michael Balint and his World: The Budapest Years

This fascinating collection explores the life of renowned psychoanalyst Michael Balint in his native Budapest. With a Balint revival in mind Michael Balint and his World: The Budapest Years brings together the work of psychoanalysts social thinkers historians literary scholars artists and medical doctors who draw on Balint’s work in a variety of ways. The book focuses on Balint’s early years in Budapest where he worked with Sándor Ferenczi and a circle of colleagues capturing the transformations of psychoanalytic thinking as it happens in a network of living relationships. Tracing creative disagreements as well as collaborations and setting these exchanges in the climate of scientific social and cultural developments of the time Michael Balint and his World: The Budapest Years follows the development of psychoanalytic thinking during these critical times. The book recalls the story of several “lost children” of the Budapest School and reconstitutes Balint’s important early contributions on primary love. It also examines his little-known relationship with Lacan including the extended discussion of Balint’s work by Wladimir Granoff in Lacan’s first public seminar in Paris in 1954 published here for the first time. This important book provides a fresh perspective on Balint’s enormous contribution to the field of psychoanalysis and will interest both scholars and clinicians. It will also inspire those interested in clinical practice and the applications of psychoanalysis to the cultural sphere.

GBP 29.99
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The Scope of Epidemiological Psychiatry Essays in Honour of Michael Shepherd

Commentaries on the Work of Michael Eigen Oblivion and Wisdom Madness and Music

Michael Tippett’s Fifth String Quartet A Study in Vision and Revision

The Philosophical and Theological Relevance of Evolutionary Anthropology Engagements with Michael Tomasello

Understanding Infants Psychoanalytically A Post-Jungian Perspective on Michael Fordham’s Model of Development

The Routledge Companion to Michael Chekhov

The Routledge Companion to Michael Chekhov

The Routledge Companion to Michael Chekhov brings together Chekhov specialists from around the world - theatre practitioners theorists historians and archivists – to provide an astonishingly comprehensive assessment of his life work and legacy. This volume aims to connect East and West; theatre theory and practice. It reconsiders the history of Chekhov’s acting method directing and pedagogy using the archival documents found across the globe: in Russia England America Germany Lithuania and Switzerland. It presents Chekhov’s legacy and ideas in the framework of interdisciplinary theatre practices and theories as well as at the crossroads of cultures in the context of his forays into such areas as Western mime and Asian cosmology. This remarkable Companion thoughtfully edited by two leading Chekhov scholars will prove invaluable to students and scholars of theatre theatre practitioners and theoreticians and specialists in Slavic and transcultural studies. Marie-Christine Autant-Mathieu is Director of Research at the National Center For Scientific Research and Assistant-Director of Sorbonne-CNRS Institute EUR’ORBEM. She is an historian of theatre and specialist in Russian and Soviet theatre. Yana Meerzon is Associate Professor in the Department of Theatre University of Ottawa. Her book publications include Adapting Chekhov: The Text and Its Mutations co-edited with Professor J. Douglas Clayton University of Ottawa (Routlegde 2012).

GBP 48.99
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Democratic Political Tragedy in the Postcolony The Tragedy of Postcoloniality in Michael Manley’s Jamaica and Nelson Mandela’s South Africa

Michael Costa: England's First Conductor The Revolution in Musical Performance in England 1830-1880

Michael Costa: England's First Conductor The Revolution in Musical Performance in England 1830-1880

Among the major changes that swept through the music industry during the mid-nineteenth century one that has received little attention is how musical performances were managed and directed. Yet this was arguably the most radical change of all: from a loose control shared between the violin-leader musical director and maestro al cembalo to a system of tight and unified control under a professional conductor-manager. This process brought with it not only baton conducting in its modern form but also higher standards of training and discipline a new orchestral lay-out and a more focused rehearsal regime. The resulting rise in standards of performance was arguably the greatest achievement of English music in the otherwise rather barren mid-Victorian period. The key figure in this process was Michael Costa who built for himself unprecedented contractual powers and used his awesome personal authority to impose reform on the three main institutions of mid-Victorian music: the opera houses the Philharmonic and the Sacred Harmonic Society. He was a central figure in the battles between the two rival opera houses between the Philharmonic and the New Philharmonic and between the venerable Ancient Concerts and the mass festival events of the Sacred Harmonic Society. Costa’s uniquely powerful position in the operatic symphonic and choral world and the rapidity with which he was forgotten after his death provide a fascinating insight into the politics and changing aesthetics of the Victorian musical world. | Michael Costa: England's First Conductor The Revolution in Musical Performance in England 1830-1880

GBP 44.99
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An Analysis of Michael E. Porter's Competitive Strategy Techniques for Analyzing Industries and Competitors

An Analysis of Michael E. Porter's Competitive Strategy Techniques for Analyzing Industries and Competitors

Michael E. Porter’s 1980 book Competitive Strategy is a fine example of critical thinking skills in action. Porter used his strong evaluative skills to overturn much of the accepted wisdom in the world of business. By exploring the strengths and weaknesses of the accepted argument that the best policy for firms to become more successful was to focus on expanding their market share he was able to establish that the credibility of the argument was flawed. Porter did not believe such growth was the only way for a company to be successful and provided compelling arguments as to why this was not the case. His book shows how industries can be fragmented with different firms serving different parts of the market (the low-price mass market and the expensive high-end market in clothing for example) and examines strategies that businesses can follow in emerging mature and declining markets. If printing is in decline for example there may still be a market in this industry for high-end goods and services such as luxury craft bookbinding. Porter also made excellent use of the critical thinking skill of analysis in writing Competitive Strategy. His advice that executives should analyze the five forces that mold the environment in which they compete – new entrants substitute products buyers suppliers and industry rivals – focused heavily on defining the relationships between these disparate factors and urged readers to check the assumptions of their arguments. Porter avoided technical jargon and wrote in a straightforward way to help readers see that his evaluation of the problem was strong. Competitive Strategy went on to be a highly influential work in the world of business strategy. | An Analysis of Michael E. Porter's Competitive Strategy Techniques for Analyzing Industries and Competitors

GBP 6.50
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Black British Drama A Transnational Story

Theory and Philosophy in Education Research Methodological Dialogues

Empire and Education

Taking Education Really Seriously Four Years Hard Labour