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World War II A Global History

World War II A Global History

Fully revised and restructured the sixth edition of World War II: A Global History offers students a concise and yet thorough textbook that examines history’s bloodiest conflict. The chapters alternate between chronological chapters on Europe and Asia-Pacific and thematic chapters on innovations home fronts brutal regimes and logistics. This textbook includes the following features: A lively narrative of facts events people and ideas that incorporates thoughtful analysis New material and restructured content on global factors that affected the causes conduct and consequences of World War II Balanced pace that does not bog readers down in too many details yet gives them sufficient depth and breadth for context Chapters sections and sidebars arranged in ways that can complement lectures and assignments Fifty new photographs that illustrate the human condition and weaponry during World War II. Global in focus by blending both geographic and thematic chapters to ensure readers gain a comprehensive understanding of impact of the war worldwide this is the perfect volume for all students of the biggest global conflict of the twentieth century. | World War II A Global History

GBP 115.00
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Striking Images Iconoclasms Past and Present

Striking Images Iconoclasms Past and Present

All cultures make and break images. Striking Images Iconoclasms Past and Present explores how and why people have made and modified images and other cultural material from pre-history into the 21st century. With its impressive chronological sweep and disciplinary breadth this is the first book about iconoclasm (the breaking of images) and the transformation of broader sets of signs that includes contributions from archaeologists curators and museum conservators as well as historians of art literature and religious studies. The chapters examine themes critical to the study of iconoclasm: violence punishment memory intentionality ruins and relics and their survival. The conclusion shows how cross-disciplinary debate amongst the contributors informed Tate Britain’s 'Art under Attack' exhibition (2013) and addresses the challenges iconoclasm presents to the modern museum. By juxtaposing objects and places usually considered in isolation Striking Images raises provocative questions about our understandings of cross-cultural differences and the value of representational objects from the broken swords of pre-historical bog graves to the Bamiyan Buddhas and contemporary art. Are any such objects ever ’finished’ or are they simply subject to constant transformation? In dialogue with each other the essays consider this question and expand the field of iconoclasm - and cultural - studies.

GBP 42.99
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