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An Analysis of Frederick Jackson Turner's The Significance of the Frontier in American History

Australian Overseas Aid

Black Men in Law School Unmatched or Mismatched

Studying Medieval Rulers and Their Subjects Central Europe and Beyond

Discipline by Mary Brunton

Shelley: Selected Poems

The Music Producer’s Survival Guide Chaos Creativity and Career in Independent and Electronic Music

The Music Producer’s Survival Guide Chaos Creativity and Career in Independent and Electronic Music

A music-career book like no other The Music Producer’s Survival Guide offers a wide-ranging exploratory yet refreshing down-to-earth take on living the life of the independent electronic music producer. If you are an intellectually curious musician/producer eager to make your mark in today’s technologically advanced music business you’re in for a treat. This new edition includes industry and technological updates additional interviews and tips about personal finances income and budgets. In this friendly philosophical take on the art and science of music production veteran producer engineer and teacher Brian Jackson shares clear practical advice about shaping your own career in today’s computer-centric home-studio music world. You’ll cover music technology philosophy of music production career planning networking craft and creativity the DIY ethos lifestyle considerations and much more. Brian’s thoughtful approach will teach you to integrate your creative passion your lifestyle and your technical know-how. The Music Producer’s Survival Guide is the first music-production book to consider the influence of complexity studies and chaos theory on music-making and career development. It focuses on practicality while traversing a wide spectrum of topics including essential creative process techniques the TR-808 the proliferation of presets the butterfly effect granular synthesis harmonic ratios altered states fractal patterns the dynamics of genre evolution and much more. Carving out your niche in music today is an invigorating challenge that will test all your skills and capacities. Learn to survive—and thrive—as a creative-technical professional in today’s music business with the help of Brian Jackson and The Music Producer’s Survival Guide! | The Music Producer’s Survival Guide Chaos Creativity and Career in Independent and Electronic Music

GBP 48.99
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The Causes of the English Revolution 1529-1642

Biocentrism and Modernism

Practical Cloud Security A Cross-Industry View

Grainger the Modernist

After Effects for Designers Graphic and Interactive Design in Motion

Thomas Harriot: Science and Discovery in the English Renaissance

Decadent Romanticism: 1780-1914

Sexual Privatism in British Romantic Writing A Public of One

Sexual Privatism in British Romantic Writing A Public of One

The Romantic age though often associated with free erotic expression was ambivalent about what if anything sex had to do with the public sphere. Late-eighteenth- and early-nineteenth-century British texts often repressed the very sexual energies they claimed to be bringing into the open. The delineation of what could and could not be said and done in the name of physical pleasure was of a piece with the capitalist consecration of the social trust to the individual profit-motive. Both these practices moreover presupposed a determinate self with sovereignty over its own interests. Writings from and about some nominally public institutions were thus characterized by privatism—a sexual economic and ontological withdrawal from otherness. Sexual Privatism in British Romantic Writing: A Public of One explores how this threefold ideology was both propagated and resisted wittingly and unwittingly successfully and unsuccessfully in such Romantic publics as rape-law sodomy-law adultery-law high-profile scandals the population debates and club-culture. It includes readings of imaginative literature by William Beckford William Blake Erasmus Darwin Mary Hays Percy Shelley and Mary Wollstonecraft; works of political economy by Jeremy Bentham William Cobbett William Godwin William Hazlitt and Thomas Robert Malthus; as well as contemporary legal treatises popular journalism and satirical pamphlets. | Sexual Privatism in British Romantic Writing A Public of One

GBP 38.99
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British Romanticism and the Reception of Italian Old Master Art 1793-1840

British Romanticism and the Reception of Italian Old Master Art 1793-1840

As a result of Napoleon’s campaigns in Italy Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors enabling them to forge often surprising connections between Italian art the imagination and the period’s political social and commercial realities. Dr McCue examines poetry plays novels travel writing exhibition catalogues early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors including Felicia Hemans William Buchanan Henry Sass Pierce Egan William Hazlitt Percy Shelley Lord Byron Anna Jameson Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural historical and literary readings of the responses to Italian art by early nineteenth-century writers Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism. | British Romanticism and the Reception of Italian Old Master Art 1793-1840

GBP 38.99
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The Ongoing End: On the Limits of Apocalyptic Narrative

The Ongoing End: On the Limits of Apocalyptic Narrative

The world keeps turning to apocalypticism. Time is imagined as proceeding ineluctably to a catastrophic perhaps revelatory conclusion. Even when evacuated of distinctly religious content a broadly ecclesial structure persists in conceptions of our precarious life and our collective journey to an inevitable fate—the extinction of the human species. It is commonly believed that we are propelled along this course by human turpitude myopia hubris or ignorance and by the irreparable damage we have wrought to the world we inhabit. Yet this apprehension is insidious. Such teleological convictions and crises-laden narratives lead us to undervalue contingent hesitant and provisional forms of experience and knowledge. The essays comprising this volume concern a range of writers’ engagements with apocalyptic reasoning. Extending from a reading of Percy Bysshe Shelley’s ‘Triumph of Life’ to critiques of contemporary American novels they examine the ways in which ‘end times’ reasoning can inhibit imaginative reflection blunt political advocacy or – more positively – provide a repertoire for the critique of complacency. By gathering essays concerning a wide range of periods and literary dispositions this volume makes an important contribution to thinking about apocalypticism in literature but also as a social and political discourse. This book was originally published as a special issue of Studia Neophilologica. | The Ongoing End: On the Limits of Apocalyptic Narrative

GBP 38.99
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China’s Regional Relations in Comparative Perspective From Harmonious Neighbors to Strategic Partners

The Difficult Triangle Mexico Central America And The United States

Commercial Dance An Essential Guide

Concert Design The Road The Craft The Industry

Motivating Ministers to Morality

A Short History of British Psychology 1840-1940

Contemporary Theories of Learning Learning Theorists ... In Their Own Words