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Posthumous Art Law and the Art Market The Afterlife of Art

Curating the Contemporary in the Art Museum

Curating the Contemporary in the Art Museum

Curating the Contemporary in the Art Museum investigates the art museum as a space where the contemporary is staged – in exhibitions collecting practices communication and policies. Curating the Contemporary in the Art Museum traces the art museum back to the postwar era. Including contributions by established and emerging art historians academics and curators the book proposes that the art museum is engaged in the contemporary in a double sense: it (re)presents contemporary art while the contemporary condition itself also has a significant impact on art and the museum that houses it. Presenting a diverse range of international cases of exhibitions and curatorial practices which hail primarily from Europe and Scandinavia the essays examine the politics of staging “national” “international” and “global” framings of modernism as well as the new public spaces shaped in digital practices and changing political frameworks. The book investigates both the seminal and the unknown exhibitions and institutions that created contemporary art as we know it today. Curating the Contemporary in the Art Museum provides a historical perspective on the museum of contemporary art. It constitutes a step towards differencing the canon of modernist and contemporary art and a more complex understanding of the politics of curating the contemporary in the art museum why it will be of interest to academics and students engaged in the study of museums curating exhibitions and art history.

GBP 120.00
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The Gothic Image Religious Art In France Of The Thirteenth Century

A History of Aboriginal Art in the Art Gallery of New South Wales

Postmigration Transculturality and the Transversal Politics of Art

Postmigration Transculturality and the Transversal Politics of Art

This is the first book to develop a postmigrant analytical perspective for the study of art concentrating on how postmigration reopens the study of contemporary art and migration. The book introduces art historians and other scholars with a methodological interest in cultural analysis to the innovative concept of postmigration offering a comprehensive introduction to the various meanings and uses of the term as well as translating it methodologically to an art historical context. The book analyses art projects from Denmark Germany and Great Britain which address some of the current challenges to European societies of immigration and by drawing on theory from fields such as migration studies transcultural studies and feminist postcolonial and political theory as well as re-engaging established concepts such as imagination commemoration belonging identity racialization community public space and participation. The book will be of interest to scholars working in art history art and politics migration studies and transcultural studies. The Open Access version of this book available at www. taylorfrancis. com has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4. 0 license. Funded by The Novo Nordisk Foundation/The Novo Nordisk Foundation’s Committee on Research in Art and Art History Grant No. NNF19OC0053992. | Postmigration Transculturality and the Transversal Politics of Art

GBP 130.00
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The Prehistoric Rock Art of Portugal Symbolising Animals and Things

The Venice Biennale and the Asia-Pacific in the Global Art World

Art And Architecture In Medieval France Medieval Architecture Sculpture Stained Glass Manuscripts The Art Of The Church Treasuries

The Art of Editing in the Age of Convergence

The Art of Sound Reproduction

Women and the Collaborative Art of Gardens From Antiquity to the Present

Women and the Collaborative Art of Gardens From Antiquity to the Present

Women and the Collaborative Art of Gardens explores the garden and its agency in the history of the built and natural environments as evidenced in landscape architecture literature art archaeology history photography and film. Throughout the book each chapter centers the act of collaboration from garden clubs of the early twentieth century as powerful models of women’s leadership to the more intimate partnerships between family members to the delicate relationship between artist and subject. Women emerge in every chapter whether as gardeners designers owners writers illustrators photographers filmmakers or subjects but the contributors to this dynamic collection unseat common assumptions about the role of women in gardens to make manifest the significant ways in which women write themselves into the accounts of garden design practice and history. The book reveals the power of gardens to shape human existence even as humans shape gardens and their representations in a variety of media including brilliantly illuminated manuscripts intricately carved architectural spaces wall paintings black and white photographs and wood cuts. Ultimately the volume reveals that gardens are best apprehended when understood as products of collaboration. The book will be of interest to scholars and students of gardens and culture ancient Rome art history British literature medieval France film studies women’s studies photography African American Studies and landscape architecture. | Women and the Collaborative Art of Gardens From Antiquity to the Present

GBP 130.00
1

Visual Alchemy: The Fine Art of Digital Montage

The Dramatic Imagination Reflections and Speculations on the Art of the Theatre Reissue

The Art of Dining in Medieval Byzantium

Philosophy and the Art of Writing

Egon Schiele and the Art of Popular Illustration

Cannibal Culture Art Appropriation And The Commodification Of Difference

The Art of Fluid Animation

Wilhelm von Bode and the American Art Market The Rudolphe Kann Collection

The Art of Comedy Writing

The Art of Comedy Writing

Just as a distinctive literary voice or style is marked by the ease with which it can be parodied so too can specific aspects of humor be unique. Playwrights television writers novelists cartoonists and film scriptwriters use many special technical devices to create humor. Just as dramatic writers and novelists use specific devices to craft their work creators of humorous materials from the ancient Greeks to today's stand-up comics have continued to use certain techniques in order to generate humor. In The Art of Comedy Writing Arthur Asa Berger argues that there are a relatively limited number of techniques forty-five in all that humorists employ. Elaborating upon his prior in-depth study of humor An Anatomy of Humor in which Berger provides a content analysis of humor in all forms joke books plays comic books novels short stories comic verse and essaysThe Art of Comedy Writing goes further. Berger groups each technique into four basic categories: humor involving identity such as burlesque caricature mimicry and stereotype; humor involving logic such as analogy comparison and reversal; humor involving language such as puns wordplay sarcasm and satire; and finally chase slapstick and speed or humor involving action. Berger claims that if you want to know how writers or comedians create humor study and analysis of their humorous works can be immensely insightful. This book is a unique analytical offering for those interested in humor. It provides writers and critics with a sizable repertoire of techniques for use in their own future comic creations. As such this book will be of interest to people inspired by humor and the creative process professionals in the comedy field and students of creative writing comedy literary humor communications broadcast/media and the humanities.

GBP 145.00
1

The Art of a Corporation The East India Company as Patron and Collector 1600-1860

The Art of Algorithm Design

Alvar Aalto and The Art of Landscape

One-Track Mind Capitalism Technology and the Art of the Pop Song

One-Track Mind Capitalism Technology and the Art of the Pop Song

The song remains the most basic unit of modern pop music. Shaped into being by historical forces—cultural aesthetic and technical—the song provides both performer and audience with a world marked off by a short discrete and temporally demarcated experience. One-Track Mind: Capitalism Technology and the Art of the Pop Song brings together 16 writers to weigh in on 16 iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks and spanning nearly five decades these essays zigzag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock Afro-pop Latin pop glam rock heavy metal punk postpunk adult contemporary rock techno hip-hop and electro-pop here. More than just deep histories of individual songs these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively they show the undiminished power of the individual pop song both as distillations of important flashpoints and in their afterlives as ghostly echoes that persist undiminished but transform for succeeding generations. Capitalism and its principal good capital help us frame these stories a fact that should surprise no one given the inextricable relationship between art and capitalism established in the twentieth century. At the root readers will find here a history of pop with unexpected plot twists colorful protagonists and fitting denouements. | One-Track Mind Capitalism Technology and the Art of the Pop Song

GBP 130.00
1

The International Handbook of Art Therapy in Palliative and Bereavement Care