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The Life-Death Instinct Feeling Through Creative-Clinical Moments

The Life-Death Instinct Feeling Through Creative-Clinical Moments

Throughout this enlightening collection Neil Maizels considers the helical tandem between the Life Instinct and the Death drive in the light of canonical literary figures like Thomas Hardy Patricia Highsmith Sylvia Plath and Shakespeare classic filmmakers like Hitchcock and contemporary television shows such as Curb Your Enthusiasm The West Wing and Succession. This light is filtered through intricate clinical work whereby Maizels seeks to illustrate and expound on the strength and indefatigability of the Life Instinct. He makes a case for it as the relentless driver of integration and “binding” in the ever-growing expansive psyche. He considers both Freud’s original equation of the Life Instinct with Eros and a widening interconnecting love of mankind and Melanie Klein’s with gratitude and creative reparation. This book is a multi-layered presentation of the clinical and theoretical work of Neil Maizels as it has evolved and convolved over several decades. It places the feeling through of one’s conflicts at the heart of the mind’s generation of a unique identity equipped to evolve its own unique form of creative spirit in the face of life’s most pressing psychological challenges: the limitation of time and reciprocated beauty. The Life-Death Instinct: Feeling Through Creative-Clinical Moments is important reading for anyone seeking to expand their knowledge in this fascinating intersection of psychoanalysis and the arts. | The Life-Death Instinct Feeling Through Creative-Clinical Moments

GBP 29.99
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A Level Film Studies The Essential Introduction

A Level Film Studies The Essential Introduction

This essential book covers the key areas for A Level Film Studies students building confidence through a careful step-by-step approach. The first part of the book establishes a basic understanding of the grounding of film analysis in the various elements of film construction mise en scène cinematography editing sound and performance developing the knowledge students have of movies whilst challenging them to consider new films and ideas. Key theoretical approaches around narrative genre representation spectatorship and authorship are introduced in Part II before we consider specific national cinemas from around the world in parts III and IV. In Part V the book assesses a range of slightly different film experiences looking at silent cinema experimental films and documentaries; before finally Part VI shifts to evaluating creative approaches to students’ own filmmaking. Specifically designed to be user-friendly the book has an easy-to-follow design includes more than 60 colour images and is packed with features such as: case studies on a range of films and filmmakers; activities on such films as Sunrise: A Song of Two Humans (Murnau 1927 USA) Vertigo (Hitchcock 1958 USA) Do the Right Thing (Lee 1989 USA) We Need to Talk About Kevin (Ramsay 2011 UK) and Stories We Tell (Polley 2012 Canada); definitions of key terms; and suggestions for further reading and website resources. Matched to the current exam specification A Level Film Studies: The Essential Introduction covers everything students need to study as part of the course. The book is supported by a companion website at www. alevelfilmstudies. co. uk offering further advice and activities. | A Level Film Studies The Essential Introduction

GBP 35.99
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