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A Return to the Object Alfred Gell Art and Social Theory

A Return to the Object Alfred Gell Art and Social Theory

This book draws on the work of anthropologist Alfred Gell to reinstate the importance of the object in art and society. Rather than presenting art as a passive recipient of the artist's intention and the audience's critique the authors consider it in the social environment of its production and reception. A Return to the Object introduces the historical and theoretical framework out of which an anthropology of art has emerged and examines the conditions under which it has renewed interest. It also explores what art 'does' as a social and cultural phenomenon and how it can impact alternative ways of organising and managing knowledge. Making use of ethnography museological practice the intellectual history of the arts and sciences material culture studies and intangible heritage the authors present a case for the re-orientation of current conversations surrounding the anthropology of art and social theory. This text will be of key interest to students and scholars in the social and historical sciences arts and humanities and cognitive sciences. | A Return to the Object Alfred Gell Art and Social Theory

GBP 35.99
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Applying Developmental Art Theory in Art Therapy Treatment and Interventions Illustrative Examples through the Life Cycle

Applying Developmental Art Theory in Art Therapy Treatment and Interventions Illustrative Examples through the Life Cycle

Applying Developmental Art Theory in Art Therapy Treatment and Interventions: Illustrative Examples through the Life Cycle weaves clinical applications of object relations-based art therapy with the Kestenberg Art Profile to understand art from a developmental perspective with the intent of applying this knowledge to support best art therapy practice. The book starts by defining object relations-based art therapy and introducing the Kestenberg Art Profile. Chapters blend psychological theory (Freud Erikson Piaget) and developmental art theory (DiLeo Gardner Kellogg Levick Lowenfeld and Brittain and Rubin) with case illustrations that offer a focus on applying typical developmental theory and art therapy with children adolescents and adults who have varying needs. Examples include art from people throughout the life cycle with histories of trauma in the following areas: sexual physical and emotional abuse terrorism grief and medical illness war natural disasters and substance abuse. There is further discussion on neurological indicators family issues and the use of materials and techniques viewed through a developmental lens. Ideal for creative arts therapists educators and students the book will also stand out as a supplementary text for developmental theorists and educators art educators and a range of mental health professionals. | Applying Developmental Art Theory in Art Therapy Treatment and Interventions Illustrative Examples through the Life Cycle

GBP 31.99
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The Surviving Object Psychoanalytic clinical essays on psychic survival-of-the-object

The Surviving Object Psychoanalytic clinical essays on psychic survival-of-the-object

In this book Abram proposes and elaborates the dual concept of an intrapsychic surviving and non surviving object and examines how psychic survival-of-the-object places the early m/Other at the centre of the nascent psyche before innate factors are relevant. Abram’s clinical-theoretical elaborations advance several of Winnicott’s key concepts. Moreover the clinical illustrations show how her advances arise out of the transference-countertransference matrix of the analyzing situation. Chapter by chapter the reader witnesses the evolution of her proposals that not only enhance an appreciation of Winnicott’s original clinical paradigm but also demonstrate how much more there is to glean from his texts especially in the contemporary consulting room. The Surviving Object comprises 8 chapters covering themes such as: the incommunicado self; violation of the self; the paradox of communication; terror at the roots of non survival; an implicit theory of desire; the fear of WOMAN underlying misogyny; the meaning of infantile sexuality; the ‘father in the nursing mother’s mind’ as an ‘integrate’ in the nascent psyche; formlessness preceding integration; a theory of madness. The volume will appeal to psychoanalysts and psychoanalytically-informed psychotherapists of all levels who are inspired by clinical psychoanalysis and the study of human nature. | The Surviving Object Psychoanalytic clinical essays on psychic survival-of-the-object

GBP 31.99
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Art in the Primary School Creating Art in the Real and Digital World

Art in the Primary School Creating Art in the Real and Digital World

Art in the Primary School is an introductory textbook and a second edition to Teaching Primary Art exploring the underpinning philosophy and pedagogy of teaching and learning art including how and why digital tools and technologies can be integrated. This book considers practical aspects of teaching art focusing on key processes of art making that children might experience in primary schools. It is based around the idea that digital tools and technologies can and should be integrated into the learning and teaching of art exploring: What art is like in the primary school why it should be taught and what is included in the curriculum How learning is planned assessed taught and supported in the classroom Learning about and from artists and how digital technology can be part of the art curriculum Key processes such as drawing painting printmaking collage and textiles working in three dimensions and making digital art Uniquely incorporating the use of digital devices tools and technologies into the subject of art this book will be essential reading for those training to teach and support learning in art in the primary school. | Art in the Primary School Creating Art in the Real and Digital World

GBP 27.99
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Hybridity in Early Modern Art

Hybridity in Early Modern Art

This collection of essays explores hybridity in early modern art through two primary lenses: hybrid media and hybrid time. The varied approaches in the volume to theories of hybridity reflect the increased presence in art historical scholarship of interdisciplinary frameworks that extend art historical inquiry beyond the single time or material. The essays engage with what happens when an object is considered beyond the point of origin or as a legend of information the implications of the juxtaposition of disparate media how the meaning of an object alters over time and what the conspicuous use of out-of-date styles means for the patron artist and/or viewer. Essays examine both canonical and lesser-known works produced by European artists in Italy northern Europe and colonial Peru ca. 1400–1600. The book will be of interest to art historians visual culture historians and early modern historians.

GBP 38.99
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The Shadow of the Object Psychoanalysis of the Unthought Known

The Shadow of the Object Psychoanalysis of the Unthought Known

In The Shadow of the Object Christopher Bollas integrates aspects of Freud’s theory of unconscious thinking with elements from the British Object Relations School. In doing so he offers radical new visions of the scope of psychoanalysis and expands our understanding of the creativity of the unconscious mind and the aesthetics of human character. During our formative years we are continually impressed by the object world. Most of this experience will never be consciously thought and but it resides within us as assumed knowledge. Bollas has termed this the unthought known a phrase that has ramified through many realms of human exploration including the worlds of letters psychology and the arts. Aspects of the unthought known -the primary repressed unconscious -will emerge during a psychoanalysis as a mood the aesthetic of a dream or in our relation to the self as other. Within the unique analytic relationship it becomes possible at least in part to think the unthought - an experience that has enormous transformative potential. Published here with a new preface by Christopher Bollas The Shadow of the Object remains a classic of the psychoanalytic literature written by a truly original thinker. | The Shadow of the Object Psychoanalysis of the Unthought Known

GBP 24.99
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Global and World Art in the Practice of the University Museum

Global and World Art in the Practice of the University Museum

Global and World Art in the Practice of the University Museum provides new thinking on exhibitions of global art and world art in relation to university museums. Taking The Fowler Museum at UCLA USA as its central subject this edited collection traces how university museum practices have expanded the understanding of the ‘art object’ in recent years. It is argued that the meaning of cultural objects infused with the heritage and identity of ‘global culture’ has been developed substantially through the innovative approaches of university scholars museum curators and administrators since the latter part of the twentieth century. Through exploring the ways in which universities and their museums have overseen changes in the global context for art this edited collection initiates a larger dialogue and inquiry into the value and contribution of the empirical model. The volume includes a full-colour photo essay by Marla C. Berns on the Fowler Museum’s ‘Fowler at Fifty’ project as well as contributions from Donald Preziosi Catherine M. Cole Lothar von Falkenhausen Claire Farago Selma Holo and Gemma Rodrigues. It is important reading for professionals scholars and advanced students alike.

GBP 38.99
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Art and Expression Studies in the Psychology of Art

Art and Expression Studies in the Psychology of Art

Perception of expression distinguishes our cognitive activity in a pervasive significant and peculiar way and manifests itself paradigmatically in the vast world of artistic production. Art and Expression examines the cognitive processes involved in artistic production aesthetic reception understanding and enjoyment. Using a phenomenological theoretical and methodological framework developed by Rudolf Arnheim and other important scholars interested in expressive media Alberto Argenton considers a wide range of artistic works which span the whole arc of the history of western graphic and pictorial art. Argenton analyses the representational strategies of a dynamic and expressive character that can be reduced to basic aspects of perception like obliqueness amodal completion and the bilateral function of contour giving new directions relative to the functioning of cognitive activity. Art and Expression is a monument to the fruitful collaboration of art history and psychology and Argenton has taken great care to construct a meaningful psychological approach to the arts based also on a knowledge of pictorial genres that allows him to systematically situate the works under scrutiny. Art and Expression is an essential resource for postgraduate researchers and scholars interested in visual perception art and gestalt psychology. | Art and Expression Studies in the Psychology of Art

GBP 36.99
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The Art-Journal and Fine Art Publishing in Victorian England 1850–1880

The Art-Journal and Fine Art Publishing in Victorian England 1850–1880

Focusing on an era that both inherited and irretrievably altered the form and the content of earlier art production The Art-Journal and Fine Art Publishing in Victorian England 1850-1880 argues that fine art practices and the audiences and markets for them were influenced by the media culture of art publishing and journalism in substantial and formative ways perhaps more than at any other time in the history of English art. The study centers on forms of Victorian picture-making and the art knowledge systems defining them and draws on the histories of art literature journalism and publishing. The historical example employed in the book is that of the more than 800 steel-plate prints after paintings published in the London-based Art-Journal between 1850 and 1880. The cultural phenomenon of the Art Journal print is shown to be a key connector in mid-Victorian art appreciation by drawing out specific tropes of likeness. This study also examines the important links between paint and print; the aesthetic values and domestic aspirations of the Victorian middle class; and the inextricable intertwining of fine art and 'trade' publishing. | The Art-Journal and Fine Art Publishing in Victorian England 1850–1880

GBP 42.99
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Textile in Architecture From the Middle Ages to Modernism

Textile in Architecture From the Middle Ages to Modernism

This book investigates the interconnections between textile and architecture via a variety of case studies from the Middle Ages through the twentieth century and from diverse geographic contexts. Among the oldest human technologies building and weaving have intertwined histories. Textile structures go back to Palaeolithic times and are still in use today and textile furnishings have long been used in interiors. Beyond its use as a material textile has offered a captivating model and metaphor for architecture through its ability to enclose tie together weave communicate and adorn. Recently architects have shown a renewed interest in the textile medium due to the use of computer-aided design digital fabrication and innovative materials and engineering. The essays edited and compiled here work across disciplines to provide new insights into the enduring relationship between textiles and architecture. The contributors critically explore the spatial and material qualities of textiles as well as cultural and political significance of textile artifacts patterns and metaphors in architecture. Textile in Architecture is organized into three sections: “Ritual Spaces ” which examines the role of textiles in the formation and performance of socio-political religious and civic rituals; “Public and Private Interiors” explores how textiles transformed interiors corresponding to changing aesthetics cultural values and material practices; and “Materiality and Material Translations ” which considers textile as metaphor and model in the materiality of built environment. Including cases from Morocco Samoa France India the UK Spain the Ancient Andes and the Ottoman Empire this is essential reading for any student or researcher interested in textiles in architecture through the ages. | Textile in Architecture From the Middle Ages to Modernism

GBP 35.99
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The Textile Industry and Exports in Post-Liberalization India

The Textile Industry and Exports in Post-Liberalization India

This book is a comprehensive examination of the Indian textile industry and the various determinants affecting its export performance trends in labour and capital productivity in the post-liberalization years. Employing 45 million people including skilled and unskilled workers the Indian textile and clothing industry occupies a significant position in the Indian economy in terms of industrial production employment and exports. This work traces the growth and expansion of this industry in the post-reform period and studies its contributions to the economic development of the nation. It discusses global trade agreements India’s share in international exports and its major trading partners across the globe including the USA UK UAE Germany China. It also provides recommendations to Indian policy makers for a possible improvement in the textile exports across the globe. The Textile Industry and Exports in Post-Liberalization India will be of interest to students and researchers of politics and international relations economics development studies labour economics sociology and social policy and South Asian studies.

GBP 38.99
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Object Relations and Intersubjective Theories in the Practice of Psychotherapy

Object Relations and Intersubjective Theories in the Practice of Psychotherapy

The evolution of psychoanalytic/psychodynamic psychotherapy has been marked by an increasing disconnect between theory and technique. This book re-establishes a bridge between the two. In presenting a clear explanation of modern psychodynamic theory and concepts and an abundance of clinical illustrations Brodie shows how every aspect of psychodynamic therapy is determined by current psychodynamic theory. In Object Relations and Intersubjective Theories in the Practice of Psychotherapy Brodie uses the theoretical foundation of the work of object relations theorist D. W. Winnicott showing how each of his developmental concepts have clear implications for psychodynamic treatment and builds on the contributions of current intersubjective theorists Thomas Ogden and Jessica Benjamin. Added to this is Brodie’s vast array of clinical material ranging from delinquent adolescents to high-functioning adults and drawing on nearly 40 years of experience in psychotherapy. These contributions are fresh and original and crucially demonstrate how clinical technique is informed by theory and how theory can be illuminated by clinical material. Written with clarity and detail this book will appeal to graduate students in psychology and psychotherapy medical residents in psychiatry and young practicing psychotherapists who wish to fully explore why psychotherapists do what they do and the dialectical relationship between theory and technique that informs their work.

GBP 32.99
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The Cobra Movement in Postwar Europe Reanimating Art

The Cobra Movement in Postwar Europe Reanimating Art

This book examines the art of Cobra a network of poets and artists from Copenhagen Brussels and Amsterdam (1948–1951). Although the name stood for the organizers’ home cities the Cobra artists hailed from countries in Europe Africa and the United States. This book investigates how a group of struggling young artists attempted to reinvent the international avant-garde after the devastation of the Second World War to create artistic experiments capable of facing the challenges of postwar society. It explores how Cobra’s experimental often collective art works and publications relate to broader debates in Europe about the use of images to commemorate violent events the possibility of free expression in an art world constrained by Cold War politics the breakdown of primitivism in an era of colonial independence movements and the importance of spontaneity in a society increasingly dominated by the mass media. This book will be of interest to scholars in art history 20th-century modern art avant-garde arts and European history. | The Cobra Movement in Postwar Europe Reanimating Art

GBP 38.99
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Death and the Textile Industry in Nigeria

Death and the Textile Industry in Nigeria

This book draws upon thinking about the work of the dead in the context of deindustrialization—specifically the decline of the textile industry in Kaduna Nigeria—and its consequences for deceased workers’ families. The author shows how the dead work in various ways for Christians and Muslims who worked in KTL mill in Kaduna not only for their families who still hope to receive termination remittances but also as connections to extended family members in other parts of Nigeria and as claims to land and houses in Kaduna. Building upon their actions as a way of thinking about the ways that the dead work for the living the author focuses on three major themes. The first considers the growth of the city of Kaduna as a colonial construct which as the capital of the Protectorate of Northern Nigeria was organized by neighborhoods by public cemeteries and by industrial areas. The second theme examines the establishment of textile mills in the industrial area and new ways of thinking about work and labor organization time regimens and health particularly occupational ailments documented in mill clinic records. The third theme discusses the consequences of KTL mill workers’ deaths for the lives of their widows and children. This book will be of interest to scholars of African studies development studies anthropology of work and the history of industrialization. The Introduction Chapter 2 and the Conclusion of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4. 0 license available at http://www. taylorfrancis. com/books/e/9781003058137 | Death and the Textile Industry in Nigeria

GBP 38.99
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Ecocriticism and the Anthropocene in Nineteenth-Century Art and Visual Culture

Ecocriticism and the Anthropocene in Nineteenth-Century Art and Visual Culture

In this volume emerging and established scholars bring ethical and political concerns for the environment nonhuman animals and social justice to the study of nineteenth-century visual culture. They draw their theoretical inspiration from the vitality of emerging critical discourses such as new materialism ecofeminism critical animal studies food studies object-oriented ontology and affect theory. This timely volume looks back at the early decades of the Anthropocene to query the agency of visual culture to critique create and maintain more resilient and biologically diverse local and global ecologies. | Ecocriticism and the Anthropocene in Nineteenth-Century Art and Visual Culture

GBP 38.99
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The Twentieth Century German Art Exhibition Answering Degenerate Art in 1930s London

The Twentieth Century German Art Exhibition Answering Degenerate Art in 1930s London

This book represents the first study dedicated to Twentieth Century German Art the 1938 London exhibition that was the largest international response to the cultural policies of National Socialist Germany and the infamous Munich exhibition Degenerate Art. Provenance research into the catalogued exhibits has enabled a full reconstruction of the show for the first time: its contents and form its contributors and their motivations and its impact both in Britain and internationally. Presenting the research via six case-study exhibits the book sheds new light on the exhibition and reveals it as one of the largest émigré projects of the period which drew contributions from scores of German émigré collectors dealers art critics and from the ‘degenerate’ artists themselves. The book explores the show’s potency as an anti-Nazi statement which prompted a direct reaction from Hitler himself. | The Twentieth Century German Art Exhibition Answering Degenerate Art in 1930s London

GBP 38.99
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American Pop Art in France Politics of the Transatlantic Image

American Pop Art in France Politics of the Transatlantic Image

Pop art was essential to the Americanization of global art in the 1960s yet it engendered resistance and adaptation abroad in equal measure especially in Paris. From the end of the Algerian War of Independence and the opening of Ileana Sonnabend’s gallery for American Pop art in Paris in 1962 to the silkscreen poster workshops of May ’68 this book examines critical adaptations of Pop motifs and pictorial devices across French painting graphic design cinema and protest aesthetics. Liam Considine argues that the transatlantic dispersion of Pop art gave rise to a new politics of the image that challenged Americanization and prefigured the critiques and contradictions of May ’68. | American Pop Art in France Politics of the Transatlantic Image

GBP 38.99
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Dreams and Nightmares in Art Therapy The Dream of the Jaguar

Dreams and Nightmares in Art Therapy The Dream of the Jaguar

Dreams and Nightmares in Art Therapy draws on the author’s extensive art psychotherapy practice and teaching to provide a wide range of creative writing and visual art methods for dreamwork. Blending theories such as Gestalt therapy and Jungian psychology with clinical examples from Dr. Hamel’s own clients this unique book offers an array of art therapy and other creative dreamwork methods covering a large variety of media such as mask making clay collage sandtray and painting. The author also presents seven different types of nightmares and introduces a simple and efficient five-steps art therapy method for reducing their intensity and their frequency. The book concludes with a unique synthesis of 11 dreamwork methods to draw wisdom from dream journals accumulated over a long period of time. This book is ideal for anyone interested in developing a personal or professional practice using dream art therapy. The methods presented here will captivate readers with their originality and provide inspiration for all kinds of psychological artistic and spiritual development. | Dreams and Nightmares in Art Therapy The Dream of the Jaguar

GBP 31.99
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Collaborative Art in the Twenty-First Century

Collaborative Art in the Twenty-First Century

Collaboration in the arts is no longer a conscious choice to make a deliberate artistic statement but instead a necessity of artistic survival. In today’s hybrid world of virtual mobility collaboration decentralizes creative strategies enabling artists to carve new territories and maintain practice-based autonomy in an increasingly commercial and saturated art world. Collaboration now transforms not only artistic practices but also the development of cultural institutions communities and personal lifestyles. This book explores why collaboration has become so integrated into a greater understanding of creative artistic practice. It draws on an emerging generation of contributors—from the arts art history sociology political science and philosophy—to engage directly with the diverse and interdisciplinary nature of collaborative practice of the future. | Collaborative Art in the Twenty-First Century

GBP 39.99
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The Handbook of Art Therapy

The Handbook of Art Therapy

The Handbook of Art Therapy has become the standard introductory text into the theory and practice of art therapy in a variety of settings. The comprehensive book concentrates on the work of art therapists and the way that art and therapy can combine in a treatment setting to promote insight and change. In this fourth edition readers will gain both a historical overview of art therapy and insight into contemporary settings in which art therapists work with a new chapter on the use of new technology and working online. The authors are highly experienced in the teaching supervision and clinical practice of art therapy. Using first-hand accounts from therapists and patients they look particularly at the role of the art work in the art process and setting in which it takes place. Chapters explore the theoretical background from which art therapy has developed and the implications for practice including the influence of art and psychoanalysis creativity aesthetics and symbolism and the impact of different schools of psychoanalytic theory. Also featured is an extensive bibliography encompassing a comprehensive coverage of the current literature on art therapy and related subjects. Covering basic theory and practice for clinicians and students at all levels of training this book remains a key text for art therapists counsellors psychotherapists psychologists and students at all levels as well as professionals working in other arts therapies.

GBP 35.99
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Rethinking Australia’s Art History The Challenge of Aboriginal Art

Rethinking Australia’s Art History The Challenge of Aboriginal Art

This book aims to redefine Australia’s earliest art history by chronicling for the first time the birth of the category Aboriginal art tracing the term’s use through published literature in the late eighteenth nineteenth and early twentieth centuries. Susan Lowish reveals how the idea of Aboriginal art developed in the European imagination manifested in early literature and became a distinct classification with its own criteria and form. Part of the larger story of Aboriginal/European engagement this book provides a new vision for an Australian art history reconciled with its colonial origins and in recognition of what came before the contemporary phenomena of Aboriginal art. | Rethinking Australia’s Art History The Challenge of Aboriginal Art

GBP 38.99
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Art History: The Basics

Art History: The Basics

Now in its second edition this volume is an accessible introduction to the history of art. Using an international range of examples it provides the reader with a toolkit of concepts ideas and methods relevant to understanding art history. This new edition is fully updated with colour illustrations increased coverage of non-western art and extended discussions of contemporary art theory. It introduces key ideas issues and debates exploring questions such as: What is art and what is meant by art history? What approaches and methodologies are used to interpret and evaluate art? How have ideas regarding medium gender identity and difference informed representation? What perspectives can psychoanalysis semiotics and social art histories bring to the study of the discipline? How are the processes of postcolonialism decolonisation and globalisation changing approaches to art history? Complete with helpful subject summaries a glossary suggestions for future reading and guidance on relevant image archives this book is an ideal starting point for anyone studying art history as well as general readers with an interest in the subject. | Art History: The Basics

GBP 18.99
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The Borghese Collections and the Display of Art in the Age of the Grand Tour

The Borghese Collections and the Display of Art in the Age of the Grand Tour

The redecoration of the exhibition spaces at the Borghese palace and villa undertaken together with the reinstallation of the family's vast art collections was one of the most important events in the cultural life of eighteenth-century Rome. In this comprehensive study Carole Paul reconstructs the planning and execution of the project and explains its multifaceted significance: its place in the history of Italian art architecture and interior design at a complex moment of transition from baroque to neoclassical style as well as its unrecognized but profound influence on the development of the modern art museum. The study shows how the installations and decorations worked together to evoke traditional themes in innovative ways. Addressed primarily to a new audience of tourists from abroad the thematic content of the spaces celebrated the greatness of the Borghese family and of Roman tradition while their stylistic diversity and sophistication made a case for the continued vitality - even modernity - of Roman art and culture. Designed for the exercise of a highly refined social performance these sites helped to model the experience of art as a form of enlightened modern civility. | The Borghese Collections and the Display of Art in the Age of the Grand Tour

GBP 39.99
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The Academy of San Carlos and Mexican Art History Politics History and Art in Nineteenth-Century Mexico

The Academy of San Carlos and Mexican Art History Politics History and Art in Nineteenth-Century Mexico

The first substantial Mexican colonial art historiography in English this book examines the origin of the study of colonial art in Mexico as a symptom of the development of modern museum practice in mid-nineteenth-century Mexico City. Also an intellectual history this study recognizes the role of nationalism in the initiation of art historical practice in what is understood today more broadly as Latin America. Although there has been a steady stream of scholarship produced about the subject beginning in Mexico and increasingly in the United States what is variably known as viceregal or colonial Mexican Spanish colonial and colonial Latin American art continues to be underplayed or overlooked by most art historians and is thus marginal in the field of art history. Ray Hernández-Durán redresses that omission presenting a detailed examination of the origin of the study of colonial art in Mexico. Drawing upon archival research this volume touches upon the role of politics on the formation of the first gallery of Mexican painting in the Academy of San Carlos and the first comprehensive historical treatment of the material in the form of a dialogue. Furthermore this study promotes further research in colonial art historiography and underlines the pivotal role that the Indo-Hispanic Americas played in the emergence of early modernity and the process of globalization. | The Academy of San Carlos and Mexican Art History Politics History and Art in Nineteenth-Century Mexico

GBP 38.99
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On the Nude Looking Anew at the Naked Body in Art

On the Nude Looking Anew at the Naked Body in Art

This book provides a timely reappraisal of one of the most enduring subjects in the history of art – the naked body. Beginning with reflections on what denuding entails and means the volume then shifts to a consideration of body politics in the context of Black political empowerment disability and queer and Indigenous politics of representation. Themes including the animal nude the male nude and nudity in childhood are also considered. The final section examines the nude from the perspective of the artist and the artist’s model. The book will be of interest to scholars working in art history comparative literature cultural studies gender studies queer studies screen studies and trans studies. | On the Nude Looking Anew at the Naked Body in Art

GBP 38.99
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