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Understanding and Teaching the Indirect Object in Spanish

The Routledge Companion to Biology in Art and Architecture

Mathematical Objects in C++ Computational Tools in A Unified Object-Oriented Approach

Liliana Porter and the Art of Simulation

Performance Art and Politics in the African Diaspora Necropolitics and the Black Body

The Art of Study

Art Markets in Europe 1400–1800

The State of the Art in Small Business and Entrepreneurship

Contemporary Art Systems and the Aesthetics of Dispersion

Representing Emotions New Connections in the Histories of Art Music and Medicine

Translation and Transgression in the Art of Shirin Neshat

Translation and Transgression in the Art of Shirin Neshat

Precisely 30 years after the debut of her provocative photo-portraits this book chronicles the early career of Iranian-American artist Shirin Neshat. In its first 20 years Neshat’s work weaved viewers into complex readings of women and power in Iran. Yet her images also drew criticisms of exoticizing Muslim women and later video installations were accused of lacking political assertion during stormy relations between the West and the Islamic world. Now broadly recognized as a social justice artist this volume chronicles Neshat’s evolution from photography to film from personal to political expression and expands existing scholarship to investigate underserved contexts for her work including the cinematic turn and emergent theories of globality in contemporary art. Neshat’s hyphenated identity was often attenuated by reductive and exoticizing discourses; therefore this volume draws attention to her transnational methodologies informed by strategies of appropriation performativity and embodiment while articulating Persian visual and literary traditions. Complicating simplistic ethnographies her disruption of neo-Orientalist paradigms and representations has led audiences to reconsider Islamophobic Islamism and gender repressions that are political psychological and above all cross-cultural. This book will be of interest to scholars working in art history photography cinema studies performance transnational and global studies women’s studies and Iranian studies. | Translation and Transgression in the Art of Shirin Neshat

GBP 48.99
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The Art of Type and Typography Explorations in Use and Practice

Image and Imagination in Byzantine Art

The Routledge Companion to Art and Politics

Immersive Sound The Art and Science of Binaural and Multi-Channel Audio

The Symbolist Roots of Modern Art

Death Torture and the Broken Body in European Art 1300–1650

Death Torture and the Broken Body in European Art 1300–1650

Bodies mangled limbs broken skin flayed blood spilled: from paintings to prints to small sculptures the art of the late Middle Ages and early modern period gave rise to disturbing scenes of violence. Many of these torture scenes recall Christ’s Passion and its aftermath but the martyrdoms of saints stories of justice visited on the wicked and broadsheet reports of the atrocities of war provided fertile ground for scenes of the body’s desecration. Contributors to this volume interpret pain suffering and the desecration of the human form not simply as the passing fancies of a cadre of proto-sadists but also as serving larger social functions within European society. Taking advantage of the frameworks established by scholars such as Samuel Edgerton Mitchell Merback and Elaine Scarry (to name but a few) Death Torture and the Broken Body in European Art 1300-1650 provides an intriguing set of lenses through which to view such imagery and locate it within its wider social political and devotional contexts. Though the art works discussed are centuries old the topics of the essays resonate today as twenty-first-century Western society is still absorbed in thorny debates about the ethics and consequences of the use of force coercion (including torture) and execution and about whether it is ever fully acceptable to write social norms on the bodies of those who will not conform. | Death Torture and the Broken Body in European Art 1300–1650

GBP 46.99
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The Social Cognition and Object Relations Scale-Global Rating Method (SCORS-G) A comprehensive guide for clinicians and researchers

Field to Palette Dialogues on Soil and Art in the Anthropocene

Textile and Clothing Design Technology

Shaping Entrepreneurship Research Made as Well as Found

Shaping Entrepreneurship Research Made as Well as Found

Shaping Entrepreneurship Research: Made as Well as Found is a collection of readings designed to support entrepreneurship research. Focused on a worldview in which the future is open-ended and shapeable through human action – i. e. “made” this collection reframes entrepreneurship as a science of the artificial rather than as a natural or social science. It posits an open-ended universe for the making of human artifacts even if large swathes of nature and society are not within the control of the people making them. The book explores the notion of “made” through 25 foundational readings – classics from the history of ideas. Organized into five sections each classic is individually introduced by the editors in one of five chapters written to explain its relevance and significance for a “made” view of entrepreneurship. Readers will benefit from exposure to these classic ideas and ongoing research in a variety of areas that fall somewhat outside the line-of-sight of traditional entrepreneurship research. Both individually and collectively the readings suggest opportunities to ask new questions and develop new ways of framing entrepreneurship research that carry the discussion beyond worlds found to worlds made as well as found. The book is crafted to be valuable to three groups of scholars: young scholars with limited or no access to research infrastructure but with a desire to participate in deep conversations; young scholars with access to research infrastructure who also desire to listen-in on a different kind of conversation; and established entrepreneurship scholars who are contemplating an alternative set of foundational ideas to support their conversations in the discipline. | Shaping Entrepreneurship Research Made as Well as Found

GBP 54.99
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