Awardvindende Google Marketing Powerhouse

Vince Lauria: The Rock Riff Dictionary For Lead Guitar

Gospel Riffs God Would Love To Hear- Organ

Gospel Riffs God Would Love To Hear for Organ by Andrew Gordon is a compendium of 33 Contemporary Gospel riffs for organists to learn the art of Gospel stylings. There are also arrangements of some traditional Gospel songs including Amazing Grace and When The Saints Go Marching In showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles, Dr. John, Billy Preston, Leon Russell, and Andre Crouch and see how Blues, Jazz and other contemporary styles are associated with the Gospel sound Customer Comment About This Book: Gospel Riffs God Would Love To Hear I love Gospel music, and so far with Andrew Gordon's books Ihaven't been disappointed. This book was no exception. And even though I thought

Gospel Riffs God Would Love To Hear - Piano

Gospel Riffs God Would Love To Hear for Piano/Keyboards by Andrew Gordon is a compendium of 33 Contemporary Gospel riffs for piano and keyboard players to learn the art of Gospel stylings. There are also arrangements of some traditional Gospel songs including Amazing Grace and When The Saints Go Marching In showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles, Dr. John, Billy Preston, Leon Russell, and Andre Crouch and see how Blues, Jazz and other contemporary styles are associated with the Gospel sound. Customer Comment About This Book: Gospel Riffs God Would Love To Hear I love Gospel music, and so far withAndrew Gordon's books I haven't been disappointed. This book was no exception.

Andrew D. Gordon: 60 Of The Funkiest Keyboard Riffs Known To Mankind

The book that does exactly what it says on the cover! 60 of the hottest grooves and funkiest syncopations known to mankind, all specially compiled for the Organist.This collection of riffs, progressions, turnarounds and vamps will add the unique swing of funk to your playing, providing a host of unusual and addictive syncopations designed to really get the feet moving. You'll find examples in the styles of Jimmy Smith, Herbie Hancock, Stevie Wonder, Ramsey Lewis, Jimmy McGriff and many other keyboard greats, with elements of Funk-Rock, Jazz, Latin and Disco. Every riff is included on the accompanying CD to help you capture the unique 'feel' of the funk style.

Gordon, Andrew G: Gospel Riffs God Would Love To Hear + Cd

Gospel Riffs God Would Love To Hear by Andrew D. Gordon is a compendium of Gospel riffs for Piano and Keyboard players to learn the art of Gospel stylings. The book has the Piano right and left hands notated as well as a separate Organ part. There are also examples of some traditional Gospel songs showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles and Andre Crouch and see how Blues, Jazz and other contemporary styles are associated  with the Gospel sound.

Barry Levenson: Advanced Concepts For Blues Guitar Soloing

Learn advanced concepts for blues guitar soloing with Canned Heat lead guitarist, Barry Levenson. He continues his guitar method with analysis of key concepts and techniques, demonstrating these with his own tunes and style to help you find an outlet for self-expression. Includes a CD of specially recorded backing tracks so you can play along! Experienced studio and blues player Barry Levenson invites you round for a guitar lesson, with transcriptions of his own solos (with backing tracks) on the CD, and advice and dissection in the book. He's an inventive, soulful and diverse blues lead player primarily in the West Side Chicago mould of Otis Rush and Buddy Guy, and his analysis of his own solo work is expert. Bar-by-bar breakdowns nestle alongside tone info, and the author's awareness of the heritage of his licks makes for an insightful read for the budding blues soloist - Guitarist - November 2007

Marc Sabatella: Whole Approach To Jazz Improvisation

100 ULTIMATE SMOOTH JAZZ RIFFS FOR PIANO/KEYBOARDS

With the continued worldwide success of the book series Ultra Smooth Jazz Grooves that I co-authored with sax player Frank Villafranca based on compositions that we wrote for our band The Super Groovers, I have now authored this series of Smooth Jazz books for the following instruments: Piano/Keyboards, Guitar/Bass, Flute, Clarinet, Violin, Tenor and Alto Saxes, Trumpet and Trombone. Smooth Jazz covers a wide variety of different styles and I have combined elements of Jazz, Rock, Pop, Blues, Latin, GospeL Funk and R&B, Classical, Folk, New Age styles into the examples in the book. Smooth Jazz” is a genre of music that is predominately instrumental, usually very melodic in nature and in most cases features some jazz improvisation. and is usually performed at a medium tempo and tends to feature piano /keyboards, saxophone, trumpet, and guitar as the most common lead instruments playing the melody. Most Smooth Jazz is well produced and has memorable melodies over a backdrop of multiple tracks of rhythm instruments, keyboards, guitar, strings, synth pads, drums and percussion. Each riff has been recorded with the solo melodic instrument along with a rhythm backing track of guitar, keyboards/synths, bass, drums/percussion followed by just the backing tracks for you to practice with. Also included are backing tracks playing the chord progression through 10 times giving you extended time to practice your improvisational skills using the riffs in the book and developing them into your own style.

Andrew Gordon: 100 Ultimate Blues Riffs - Piano/Keyboards

Andrew D. Gordon presents a comprehensive guide to some of the best Blues riffs that every boogie-Piano player needs to know. All styles are covered, including Blues, Rock, Rhythm and Blues, Boogie Woogie and Gospel. The book begins with a simple guide to Blues song constructions, before presenting a library of melodies, turns, runs and rhythms arranged in progressive order of difficulty.An accompanying CD features demonstration recordings of each riff, with the left and right-hand parts split between the left and right channels of the recording allowing you to use your stereo's balance control to isolate the part you need to hear.

Folk Songs For Guitar From Near And Far

Whether you are a guitarist who is looking for quality pieces for performance, or someone who enjoys playing for themselves and is looking for some great material to play, this is the book for you.Some of these wonderful pieces you will recognise, and others will probably be new to you, but I think you will agree, once you play them, that there is not a bad piece in this collection.From the lovely Amazing Grace to the lively Shady Grove to the sweet My Own True Love I believe you will find this collection to be invaluable. You will also discover some beautiful folk songs from other countries like the haunting Dance of Zalongou or the Peruvian Song Of The Lagoon.All of these wonderful selections combine to make this an essential collection. In addition to providing you with some great arrangements of the folk songs you know, this volume will also introduce you to some new music you will not want to miss. Music notation is in the front half of the book, music tablature is in the back half.

Andrew Gordon: 100 Ultimate Blues Riffs - Flute

A comprehensive guide to some of the best Blues Riffs for Flute. This book is ideal for most levels of musicianship, from the beginner/intermediate student who is interested in understanding and playing the blues, to the more advanced players that need new ideas to help stimulate their creativity. An accompanying CD is included with every example.

Andrew Gordon: 100 Ultimate Blues Riffs - Alto Saxophone/E Flat Instruments

A comprehensive guide to some of the best Blues Riffs for Alto Saxophone and E Flat instruments. This book is ideal for most levels of musicianship, from the beginner/intermediate student who is interested in understanding and playing the blues, to the more advanced players that need new ideas to help stimulate their creativity. An accompanying CD is included with every example.

Andrew Gordon: 100 Ultimate Jazz Riffs - Alto Saxophone/E Flat Instruments

A comprehensive guide to some of the best Blues Riffs for Alto Saxophone and E Flat instruments. This book is ideal for most levels of musicianship, from the beginner/intermediate student who is interested in understanding and playing the blues, to the more advanced players that need new ideas to help stimulate their creativity. An accompanying CD is included with every example.

Andrew Gordon: 100 Ultimate Blues Riffs - Tenor Saxophone/B Flat Instruments

A comprehensive guide to some of the best Blues Riffs for Tenor Saxophone and B Flat instruments. This book is ideal for most levels of musicianship, from the beginner/intermediate student who is interested in understanding and playing the blues, to the more advanced players that need new ideas to help stimulate their creativity. An accompanying CD is included with every example.

Andrew Gordon: 100 Ultimate Jazz Riffs - Tenor Saxophone/B Flat Instruments

A comprehensive guide to some of the best Blues Riffs for Tenor Saxophone and B Flat instruments. This book is ideal for most levels of musicianship, from the beginner/intermediate student who is interested in understanding and playing the blues, to the more advanced players that need new ideas to help stimulate their creativity. An accompanying CD is included with every example.

Andrew Gordon: 100 Ultimate Jazz Riffs - Piano/Keyboards

A comprehensive guide to some of the best Jazz Riffs for Piano and Keyboard instruments. This book is ideal for most levels of musicianship, from the beginner/intermediate student who is interested in understanding and playing the blues, to the more advanced players that need new ideas to help stimulate their creativity. An accompanying CD is included with every example.

Andrew D. Gordon: Country Riffs For Piano/Keyboards

Country Riffs For Piano & Keyboards by Andrew D. Gordon is a book with 45 examples showing how to play professional sounding country, western swing, bluegrass, honky tonk, blues, country rock and country pop styles. Learn to play fills or riffs to such country favorites as: Rocky Top, San Antonio Rose, On The Road Again, Desperado, Sweet Home Alabama, Orange Blossom Special etc.

Latin Solo Series for Guitar

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. Memorable melodies along with more Bluesier sounding melodic lines have been created over the various chord progressions used in these various Latin styles. "During Andrew's late teenage yearThe idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues.Memorable melodies along with more Bluesier sounding melodic lines have been created over the various chord progressions used in these various Latin styles.

Latin Solo Series for Piano/Keyboards

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. Memorable melodies along with more Bluesier sounding melodic lines have been created over the various chord progressions used in these various Latin styles. "During Andrew's late teenage yearThe idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues.Memorable melodies along with more Bluesier sounding melodic lines have been created over the various chord progressions used in these various Latin styles.

Latin Solo Series for Violin

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. Memorable melodies along with more Bluesier sounding melodic lines have been created over the various chord progressions used in these various Latin styles. "During Andrew's late teenage yearThe idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues.Memorable melodies along with more Bluesier sounding melodic lines have been created over the various chord progressions used in these various Latin styles.

Latin Solo Series for Flute

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. Memorable melodies along with more Bluesier sounding melodic lines have been created over the various chord progressions used in these various Latin styles. "During Andrew's late teenage yearThe idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues.Memorable melodies along with more Bluesier sounding melodic lines have been created over the various chord progressions used in these various Latin styles.

Andrew D. Gordon: Funky Organ Grooves

A totally groovy collection of riffs, turns, grooves and vamps specially compiled for the Organ player by Andrew D. Gordon.This generous selection of grooves will add swing, bounce and funky syncopations to your playing, with everything from four-bar riffs to more substantial progressions that will squeeze a host of unusual and addictive rhythms from beneath your fingers. All examples are grouped by style, covering Blues, Funk, Gospel, Jazz, Latin and Reggae sounds. There is guidance to help you choose appropriate voice selections, as well as a guide to some of music's funkiest Organ stars.The book is complete with a CD featuring recordings of every example to help you really capture the 'feel' of each unique groove.

Andrew D. Gordon: The Bluesier Side Of Jazz - Piano/Keyboards

The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt.Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as "Watermelon Man", "Blue Monk", "Tenor Madness", "Route 66", "Blue Trane", "Bag's Groove" starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs.

Andrew D. Gordon: The Bluesier Side Of Jazz - Flute

The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt.Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as "Watermelon Man", "Blue Monk", "Tenor Madness", "Route 66", "Blue Trane", "Bag's Groove" starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs.

Andrew D. Gordon/Frank Villafranca: The Bluesier Side Of Jazz - Tenor Saxophone/B Flat Instruments

The Bluesier Side of Jazz for Tenor Saxophone and Bb instruments by Andrew D. Gordon and Frank Villafranca was inspired by the piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt.Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as "Watermelon Man", "Blue Monk", "Tenor Madness", "Route 66", "Blue Trane", "Bag's Groove" starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs.The package includes:Book or PDF file30 audio tracks to play on your CD player or computerOver 200 mp3 filesOver 200 MIDI files