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By Kells Waters

By Kells Waters

In this florid setting by Kelly Via of a quiet and haunting Celtic folk tune, By Kells Waters, in the Dorian mode, this melody is first featured in the bass flute, followed with many lyrical lines shared throughout the ensemble. An excellent piece for a meditative moment on your program as well as for developing ensemble blend, tone and balance. In this florid setting by Kelly Via of a quiet and haunting Celtic folk tune, By Kells Waters, in the Dorian mode, this melody is first featured in the bass flute, followed with many lyrical lines shared throughout the ensemble. An excellent piece for a meditative moment on your program as well as for developing ensemble blend, tone and balance.

SEK 248.00
1

Traverso Colore, Volume 3 : Baroque Quartets

Traverso Colore, Volume 3 : Baroque Quartets

Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 3 includes: 'Ombra mai fu' from Xerxes (George Frideric Handel), Three Madrigals (Orlando diLasso), and Ricercare in the Twelfth Mode (Andrea Gabrieli). Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 3 includes: 'Ombra mai fu' from Xerxes (George Frideric Handel), Three Madrigals (Orlando diLasso), and Ricercare in the Twelfth Mode (Andrea Gabrieli).

SEK 248.00
1

Variations on Theme by Pleyel

Variations on Theme by Pleyel

Czech violinist Franz Krommer (1759-1831), who composed over 300 works of his own, freely borrowed from Ignace Joseph Pleyel’s String Quartet in F Major to create this set of variations for two oboes and English horn. Shelley Collins has made it possible to perform this delightful arrangement in a variety of combinations of flutes: Two C Flutes and Alto Flute, Two Alto Flutes (in G) and Bass Flute, or Three Similar Flutes. Czech violinist Franz Krommer (1759-1831), who composed over 300 works of his own, freely borrowed from Ignace Joseph Pleyel’s String Quartet in F Major to create this set of variations for two oboes and English horn. Shelley Collins has made it possible to perform this delightful arrangement in a variety of combinations of flutes: Two C Flutes and Alto Flute, Two Alto Flutes (in G) and Bass Flute, or Three Similar Flutes.

SEK 278.00
1

Reflexiones Espanolas

Reflexiones Espanolas

Reflexiones Espanolas is a three movement suite of works from the Spanish Renaissance, arranged for solo flute, solo guitar, strings and percussion by P. Brent Register. The pieces included are: Pavane by Luys Milan (c. 1500-c.1561), O vos omnes by Tomas Luis de Victoria (c. 1548-1611), and Diferencias sobre "Guardame las Vacas" by Luys de Narvaez (c. 1500-1555). Reflexiones Espanolas is a three movement suite of works from the Spanish Renaissance, arranged for solo flute, solo guitar, strings and percussion by P. Brent Register. The pieces included are: Pavane by Luys Milan (c. 1500-c.1561), O vos omnes by Tomas Luis de Victoria (c. 1548-1611), and Diferencias sobre "Guardame las Vacas" by Luys de Narvaez (c. 1500-1555).

SEK 448.00
1

I'll Love My Love

I'll Love My Love

I'll Love My Love is a Cornish folk song made familiar by Gustav Holst. This arrangement was inspired by the settings of the song used by Holst in his "Second Suite in F for Military Band", as well as a four part (SATB) vocal arrangement. It has a hauntingly beautiful melody that lends itself particularly well to the flute choir. I'll Love My Love is a Cornish folk song made familiar by Gustav Holst. This arrangement was inspired by the settings of the song used by Holst in his "Second Suite in F for Military Band", as well as a four part (SATB) vocal arrangement. It has a hauntingly beautiful melody that lends itself particularly well to the flute choir.

SEK 248.00
1

Apollo and Hyacinthus Overture

Apollo and Hyacinthus Overture

Apollo and Hyacinthus K.38 is the first full, three act opera composed by the eleven-year-old prodigy, Wolfgang Amadeus Mozart, created for his fellow youth at the school of the University of Salzburg. The libretto, derived from a Greek myth by Ovid, was written in Latin by Father Rufinus Widl and was designed to serve as light relief at its premiere on May 13, 1767 at Salzburg University's Great Hall, presented between the acts of the priests' more serious drama, Clementia Croesi. Most of the lead roles were sung by the schoolboys aged only slightly older than Mozart himself.Apollo and Hyacinthus K.38 is the first full, three act opera composed by the eleven-year-old prodigy, Wolfgang Amadeus Mozart, created for his fellow youth at the school of the University of Salzburg. The libretto, derived from a Greek myth by Ovid, was written in Latin by Father Rufinus Widl and was designed to serve as light relief at its premiere on May 13, 1767 at Salzburg University's Great Hall, presented between the acts of the priests' more serious drama, Clementia Croesi. Most of the lead roles were sung by the schoolboys aged only slightly older than Mozart himself.

SEK 288.00
1

The Moonbright Sea

The Moonbright Sea

The Moonbright Sea by Alexandra Molnar-Suhajda, was commissioned by Nancy Mulholland for the Flute Society of Washington Junior Flute Choir and was premiered at the 2019 Mid-Atlantic Flute Convention in Reston, Virginia. Composed in two sections, the opening is pastoral and flowing, leading to a joyous and lilting section in 6/8 time. The Moonbright Sea by Alexandra Molnar-Suhajda, was commissioned by Nancy Mulholland for the Flute Society of Washington Junior Flute Choir and was premiered at the 2019 Mid-Atlantic Flute Convention in Reston, Virginia. Composed in two sections, the opening is pastoral and flowing, leading to a joyous and lilting section in 6/8 time.

SEK 298.00
1

Ten Pocket-Sized Trios

Ten Pocket-Sized Trios

Ten Pocket-Sized Trios is a collection of vignettes arranged for flute, guitar, and cello by Jan Boland (with guitar adaptations by John Dowdall). For two of the titles, there is an alto flute transposition of the C flute part. Additionally, for the entire collection, the cello part can be considered optional. Ten Pocket-Sized Trios is a collection of vignettes arranged for flute, guitar, and cello by Jan Boland (with guitar adaptations by John Dowdall). For two of the titles, there is an alto flute transposition of the C flute part. Additionally, for the entire collection, the cello part can be considered optional.

SEK 298.00
1

The Sleigh Ride

The Sleigh Ride

The music of Leopold Mozart is largely overshadowed by that of his prodigious son, Wolfgang Amadeus. The elder Mozart composed a fair amount of music prior to 1763, however from this point, the career of Wolfgang became a central focus of his life and his compositional career was finished. "The Sleigh Ride" (or "Die Schlittenfahrt ") was composed in 1755, originally a movement of his Divertimento in F for orchestra, and has been arranged here for flute choir by Judy Nishimura. Note: This is not "Sleigh Ride" by Leroy Anderson.The music of Leopold Mozart is largely overshadowed by that of his prodigious son, Wolfgang Amadeus. The elder Mozart composed a fair amount of music prior to 1763, however from this point, the career of Wolfgang became a central focus of his life and his compositional career was finished. "The Sleigh Ride" (or "Die Schlittenfahrt ") was composed in 1755, originally a movement of his Divertimento in F for orchestra, and has been arranged here for flute choir by Judy Nishimura. Note: This is not "Sleigh Ride" by Leroy Anderson.

SEK 298.00
1

Fantomas

Fantomas

Fantomas for Two (or Three) Flutes and Piano by Eugene Magalif is based on a theme and sequence of chords which the composer and a friend sometimes played as kids: "This funny and mysterious theme was easy to play on piano, four-hands. At that time, the French movie "Fantômas" was on the cinema screens and we called this music by the name of a clever criminal – the main character of the movie." This edition can be played by either two or three flutes and piano.Fantomas for Two (or Three) Flutes and Piano by Eugene Magalif is based on a theme and sequence of chords which the composer and a friend sometimes played as kids: "This funny and mysterious theme was easy to play on piano, four-hands. At that time, the French movie "Fantômas" was on the cinema screens and we called this music by the name of a clever criminal – the main character of the movie." This edition can be played by either two or three flutes and piano.

SEK 248.00
1

Perpetual Motion

Perpetual Motion

A rollicking tune from Johann Strauss, Jr., sure to get stuck in your head. This piece is performed by the Vienna Philharmonic every New Year's Eve. The arrangement includes many piccolo and flute excerpts from the original work! It can be performed with just a flute quartet, or an entire flute choir, accompanied by string orchestra and percussion. A rollicking tune from Johann Strauss, Jr., sure to get stuck in your head. This piece is performed by the Vienna Philharmonic every New Year's Eve. The arrangement includes many piccolo and flute excerpts from the original work! It can be performed with just a flute quartet, or an entire flute choir, accompanied by string orchestra and percussion.

SEK 548.00
1

The Girl With the Flaxen Hair

The Girl With the Flaxen Hair

The Girl with the Flaxen Hair (La fille aux cheveux de lin) was composed by Claude Debussy (1862 - 1918) around 1910 and is included in his first book of Preludes for solo piano. It is one of his most well-known and oft-recorded works, beloved for its warmth and simplicity. Here, it is arranged for flute choir by Nicholas Buonanni. The Girl with the Flaxen Hair (La fille aux cheveux de lin) was composed by Claude Debussy (1862 - 1918) around 1910 and is included in his first book of Preludes for solo piano. It is one of his most well-known and oft-recorded works, beloved for its warmth and simplicity. Here, it is arranged for flute choir by Nicholas Buonanni.

SEK 248.00
1

Cross the Wide Missouri

Cross the Wide Missouri

Cross the Wide Missouri includes the setting of the folk song 'Shenandoah' by Kelly Via. This piece is a tribute to the Missouri River which flows through Kansas City, site of the 36th Annual Convention of the National Flute Association in 2008. It was commissioned by the West Michigan Flute Association for the performance in a flute choir showcase at this convention. Cross the Wide Missouri includes the setting of the folk song 'Shenandoah' by Kelly Via. This piece is a tribute to the Missouri River which flows through Kansas City, site of the 36th Annual Convention of the National Flute Association in 2008. It was commissioned by the West Michigan Flute Association for the performance in a flute choir showcase at this convention.

SEK 288.00
1

Fantomas

Fantomas

Fantomas for Piano Duet (1 Piano-4 Hands) by Eugene Magalif is based on a theme and sequence of chords which the composer and a friend sometimes played as kids: "This funny and mysterious theme was easy to play on piano, four-hands. At that time, the French movie "Fantômas" was on the cinema screens and we called this music by the name of a clever criminal – the main character of the movie." Fantomas for Piano Duet (1 Piano-4 Hands) by Eugene Magalif is based on a theme and sequence of chords which the composer and a friend sometimes played as kids: "This funny and mysterious theme was easy to play on piano, four-hands. At that time, the French movie "Fantômas" was on the cinema screens and we called this music by the name of a clever criminal – the main character of the movie."

SEK 198.00
1

For Love of Swans

For Love of Swans

For Love of Swans by Catherine McMichael was commissioned by the National Flute Association to honor the Memory of Phil Swanson, founding treasuror and co-chair of the program committee for the first NFA convention in 1973. The premiere took place on August 2, 2019 at the Salt Palace in Salt Lake City, and brought many of those whose lives and careers he touched and shaped together to play this piece as a tribute to his life. For Love of Swans by Catherine McMichael was commissioned by the National Flute Association to honor the Memory of Phil Swanson, founding treasuror and co-chair of the program committee for the first NFA convention in 1973. The premiere took place on August 2, 2019 at the Salt Palace in Salt Lake City, and brought many of those whose lives and careers he touched and shaped together to play this piece as a tribute to his life.

SEK 248.00
1

Lo, How a Rose E'er Blooming

Lo, How a Rose E'er Blooming

The Eleven Chorale Preludes were the last works composed by Johannes Brahms. They were composed in the summer of 1896 after the death of his dear friend, Clara Schumann. The beauty of this particular chorale prelude, Lo How a Rose E'er Blooming, is not lost on audiences, as it is the best known of the eleven. From a compositional view the work has been described in program notes by Scott Foglesong as “richly chromatic, and improvisatory” and “while floridly elaborate never masked the dignified simplicity of the original melody.“ The flute choir adaptation of this work is expanded from the choral prelude format. The choral prelude as composed by Brahms is stated twice. Between thefirst and second stanzas of the chorale is the original setting of the carol. The Eleven Chorale Preludes were the last works composed by Johannes Brahms. They were composed in the summer of 1896 after the death of his dear friend, Clara Schumann. The beauty of this particular chorale prelude, Lo How a Rose E'er Blooming, is not lost on audiences, as it is the best known of the eleven. From a compositional view the work has been described in program notes by Scott Foglesong as “richly chromatic, and improvisatory” and “while floridly elaborate never masked the dignified simplicity of the original melody.“ The flute choir adaptation of this work is expanded from the choral prelude format. The choral prelude as composed by Brahms is stated twice. Between thefirst and second stanzas of the chorale is the original setting of the carol.

SEK 248.00
1

Silva Fantasy

Silva Fantasy

This fantasy on themes from Hungarian composer Imre Kalman's operetta "Die Csardasfurstin" was composed in 2018 by Eugene Magalif. It features a variety of themes from the opera, colorfully intertwining them, giving both flutes plenty of opportunities to shine. This fantasy on themes from Hungarian composer Imre Kalman's operetta "Die Csardasfurstin" was composed in 2018 by Eugene Magalif. It features a variety of themes from the opera, colorfully intertwining them, giving both flutes plenty of opportunities to shine.

SEK 248.00
1

Sheep May Safely Groove

Sheep May Safely Groove

An innovative interpretation of the famous aria "Sheep May Safely Graze" from Johann Sebastian Bach's "Birthday Cantata", Sheep May Safely Groove by Greg Lutz is an energetic piece which allows flutists to let their hair down and rock on. An innovative interpretation of the famous aria "Sheep May Safely Graze" from Johann Sebastian Bach's "Birthday Cantata", Sheep May Safely Groove by Greg Lutz is an energetic piece which allows flutists to let their hair down and rock on.

SEK 288.00
1