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Jacques Castérède: 12 Etudes (Flute solo)

Jacques Castérède: 12 Etudes (Flute solo)

Twelve Studies by Jacques Castérède is a set of twelve studies for Flute composed in 1961. Romantic, yet quite modern, these studies can be difficult and technical to execute and would be recommended for advanced-intermediate / advanced players. Jacques Castérède (1926-2014) is a renowned composer and pianist. He won the Grand Prix de Rome in 1953 and has composed numerous melodic pieces including ballets, concertos, symphonies, ensemble and chamber music.

SEK 276.00
1

Daniel Lavialle: Méthode de Guitare (Guitar solo)

Daniel Lavialle: Méthode de Guitare (Guitar solo)

Guitar Method – Year 1 by Daniel Lavialle is a method for beginners (including children). This really educational and melodic method requires a basic knowledge of theory and rhythms which could be taught by a teacher. It can also be chosen for a tailored-learning method, the professor deciding which parts fit the player the best. Daniel Lavialle also edited a set of fifteen studies for Guitar, initially by Mauro Giuliani, Fernando Sor and Matteo Carcassi.

SEK 400.00
1

Être heureux ou ne pas l'être : Trois mélodies pour ténor et piano

Être heureux ou ne pas l'être : Trois mélodies pour ténor et piano

Être heureux ou ne pas l’être est un recueil de trois mélodies pour ténor et piano composé par Isabelle Aboulker sur des textes de Pierre de Ronsard, Jean de La Fontaine et Octave Mirbeau. « À la désespérance profonde d’Octave Mirbeau devant un paysage de montagnes, j’ai opposé la philosophie souriante de Jean de La Fontaine et la leçon de bonheur de Pierre de Ronsard. Être heureux ou ne pas l’être, question embarrassante auquel la musique répond de belle façon. » (Isabelle Aboulker) Être heureux ou ne pas l’être (To be happy or not to be) is a collection of three songs for tenor and piano by Isabelle Aboulker on texts by Pierre de Ronsard, Jean de La Fontaine and Octave Mirbeau. “To the deep despair of Octave Mirbeau in front of a landscape of mountains, I opposed the smiling philosophy of Jean de La Fontaine and the lesson of happiness of Pierre de Ronsard. ‘To be happy or not to be’, an embarrassing question to which the music responds in a beautiful way.” (Isabelle Aboulker)

SEK 246.00
1

Pierre Petit: Petite Suite (Flute & Piano)

Pierre Petit: Petite Suite (Flute & Piano)

Petite Suite  for Flute and Piano is a piece written for the Paris Conservatoire contest by Pierre Petit . Really melodious, it lasts eight minutes and is divided into three distinct movements. The first part, “Gai et allant” is quite fast and has to be played joyfully. It uses the whole range of the instrument with some really high notes and includes a Cadenza.  The second part, “Lent et très chanté”, is slower, slightly lower in range and really melodious. It is quite short compared to the other parts.  The third and final movement has the same kind of range as the first one. Fast, it features a part to be played at Marzuka tempo and one to be played at the same tempo than the beginning. The piece ends on a really high trill. Petite Suite  is really enjoyable to play and to listen to. It however requires some strong skills in terms of technique and sonority that would be acquired by advanced players: the difficulty is therefore rated at 7°.

SEK 345.00
1

Yves Demarle: Souplesse (Trombone solo)

Yves Demarle: Souplesse (Trombone solo)

Born in Calais in 1946, Yves Demarle studied at the Paris Conservatoire where he won first prize for Trombone. He then went on to play with the Orchestre de Paris. His Flexibility for Tenor Trombone, therefore, is very well-informed. This volume is essential to trombonists who already have experience of the instrument. Flexibility for Tenor Trombone addresses use of the tongue in conjuction with the air column, and are to be practised alongside the student's usual technical studies. All exercises should be practised up to the seventh position and repeated until they can be played with perfect synchronisation between the lips, tongue and jaw. With detailed instruction in French, English, German and Spanish, Demarle 's Flexibility for Tenor Trombone is essential to the progression of technique of all aspiring trombonists.

SEK 325.00
1

Emmanuel & Guy Boursault E.& Lefèvre G.: La Classe de Batterie dans les Conservatoires Vol.4 (Percussion solo)

Emmanuel & Guy Boursault E.& Lefèvre G.: La Classe de Batterie dans les Conservatoires Vol.4 (Percussion solo)

Drum Lesson is a very progressive method in four books written by Emmanuel Boursault (born in 1949) and Guy Lefèvre (1931-2004), both Drum teachers and founders of the Emmanuel Boursault School of Drums. This fourth book for upper beginners teaches how independence, binary rhythms, jazz solos and how to read sheet music. With Drum Lesson , the beginner will be adequately prepared to face their first Drum exams and will be provided guidance throughout the book, with annotations on how best to use each exercise.

SEK 405.00
1

Gabriel Pierné: Etude de Concert Op.13 (Piano solo)

Gabriel Pierné: Etude de Concert Op.13 (Piano solo)

Étude De Concert, Op. 13 is a brilliant piece for Piano by Gabriel Pierné . Quite challenging, it highlights some virtuoso techniques and the tempo indicated seems really fast. An advanced level or above would be required to perform the piece as written. Étude De Concert, Op. 13 would be the perfect addition for a concert as mainly classical yet modern on some aspects and well balanced. Gabriel Pierné is a French composer and conductor, who mainly wrote some chamber music and some lyrical symphonies.

SEK 206.00
1

Annie Challan: Brocéliande (Harp solo)

Annie Challan: Brocéliande (Harp solo)

Brocéliande is a piece for Harp by Annie Challan . Lasting 2’30 minutes, this piece was written for elementary level (upper beginner / intermediate level). It can be played on lever or pedal Harps as there are only a few accidentals. This tribute to the magical forest is the perfect piece to be played in recitals. Annie Challan (born in 1940) is a French Harpist who was the youngest player at the Paris Operas when she started working there. She composed numerous pieces for the Harp.

SEK 147.00
1

Augustin Savard: Morceau de Concours (Bb trpt) (Trumpet & Piano)

Augustin Savard: Morceau de Concours (Bb trpt) (Trumpet & Piano)

Morceau De Concours  (1903) is a work for Cornet and Piano by Augustin Savard . Composed for the Paris Conservatoire contest, this piece lasts approximately seven minutes and can be played by upper-intermediate and above level players . Starting solemnly, the first half of the piece is quite slow while the second half is more energetic and more cheerful. This piece would also be great to use in recitals. Augustin Savard (1861-1942) is a French composer who won the Prix de Rome who composed some oratories and some orchestral works.

SEK 266.00
1

René Corniot: Eglogue et Danse pastorale (Saxophone-Alto & Piano)

René Corniot: Eglogue et Danse pastorale (Saxophone-Alto & Piano)

Eglogue Et Danse Pastorale  is a piece for Alto Saxophone and Orchestra by Renée Corniot (1901 – 1972). Dedicated to Marcel Mule, it lasts 14 minutes and can be played by advanced players. The first section is slower than the second half and the full piece will require a strong endurance to play some of the Saxophone pieces in the second part, as it includes some fast rhythms, some accidental notes and alterations, and some trills. It would be a perfect work to perform for a recital or a contest.

SEK 424.00
1

Eugène Bozza: Prelude and Allegro (Double Bass/Tuba/Saxhorn/Trombone and Piano)

Eugène Bozza: Prelude and Allegro (Double Bass/Tuba/Saxhorn/Trombone and Piano)

Composed by Eugène Bozza , Prelude and Allegro can be played by Double Bass, Tuba, or Saxhorn with a Piano accompaniment. Written in F for the Double Bass, Tuba or Saxhorn, this piece has an intermediate level of difficulty. Really enjoyable for the players and audiences, Prelude and Allegro would be ideal for a recital. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.

SEK 196.00
1

Emmanuel Séjourné: 5 Pieces for Marimba Solo Vol.4 (Percussion solo)

Emmanuel Séjourné: 5 Pieces for Marimba Solo Vol.4 (Percussion solo)

The fourth volume of a series of books for percussionists by Emmanuel Séjourné , 5 pieces for Marimba, Vol.4 is a set of 5 works for 4 to 4.5 Marimbas. Written for advanced level players and inspired from African rhythms, the three first compositions can be played each after the other or separately. The five pieces are: Balafon Ambira Akadinda Generalife Pretexte The names of these 5 pieces for Marimba, Vol.4 were given after different African instruments of wooden blades that can be found in various places. While Pretexte is quite jazzy with its strong beat, Generalife is more dynamic and should be played with more energy and character. Emmanuel Séjourné (born in 1961) is a French percussionist and composer, who was strongly influenced by Western music and popular music. He wrote a series of books for percussionists including 'Keyboard and Percussions, Vol. 1'.

SEK 276.00
1

Emmanuel & Guy Boursault E.& Lefèvre G.: La Classe de Batterie dans les Conservatoires Vol.1 (Percussion solo)

Emmanuel & Guy Boursault E.& Lefèvre G.: La Classe de Batterie dans les Conservatoires Vol.1 (Percussion solo)

Drum Lesson is a very progressive method in four books written by Emmanuel Boursault (born in 1949) and Guy Lefèvre (1931-2004), both Drum teachers and founders of the Emmanuel Boursault School of Drums. This first book for beginners introduces them to the use of the Snare Drums, developing all necessary basics such as finger positions, theory, sonority, notions of tempo and rhythmic reading. With Drum Lesson - Vol. 1 , the beginner should be prepared to face his first Drums exams and will be provided guidance throughout the book with annotations on how to use each exercise.

SEK 405.00
1

Victor Ewald: Symphony For Five-Part Brass Choir

Victor Ewald: Symphony For Five-Part Brass Choir

Russian-born, Victor Ewald (1860-1935) mainly composed for brass instruments. His Symphony for 5-part Brass Choir , also known as his Brass Quintet, No. 1, Op. 5 remains among his greatest works. It is often thought that Ewald 's four quintets are the first original pieces to be composed for the ensemble recognised today as the Brass Quintet. The first of these, Symphony , comprises three movements; 1) Moderato, 2) Adagio-Allegro-Adagio, and 3) Allegro Moderato. Including separate parts as well as a full score, this edition of Ewald 's Symphony for 5-Part Brass Choir is not to be missed by aspiring brass ensembles.

SEK 484.00
1

Jacques Ed. Barat: Andante et Allegro (Trombone & Piano)

Jacques Ed. Barat: Andante et Allegro (Trombone & Piano)

Composed by Joseph Edouard Barat , Andante Et Allegro is a piece for Trombone and Piano, dedicated to H. Couillaud, a Conservatoire professor. Quite difficult, this piece would be perfect for recitals and contest, and can be played by advanced players. Starting slowly, the first half of the piece evolves into a Piu vivo part. The second half of the work is a rapid Allegro theme (tempo 144-152), followed by a slower part and the Allegro theme played again “a tempo”, before introducing the close in harmonies. Joseph Edouard Barat (1882-1963) composed numerous pieces for Wind instruments and Piano accompaniment such as 'Andante and Allegro' or 'Introduction and Dance' among many others.

SEK 206.00
1

Jacques Ed. Barat: Chant slave (Clarinet & Piano)

Jacques Ed. Barat: Chant slave (Clarinet & Piano)

Chant Slave  by Joseph Edouard Barat is a piece for Bb Clarinet and Piano, inspired by a Slavic tune. Dedicated to E. Capelle, a French musician who won the Paris Conservatory First Prize, this piece has can be played by intermediate players (difficulty 4°). It features six parts, including some variations of the main theme:  1. Moderé (Main theme) 2. Piú Vivo 3. 1° Tempo (Variation 1) 4. Piú Vivo 5. 1° Tempo (Variation 2) 6. 1° Tempo (Variation 3) This piece is really enjoyable and could be perfect for recital or contests. Joseph Edouard Barat (1882-1963) composed numerous pieces for Wind instruments and Piano accompaniment such as 'Andante and Allegro' or 'Introduction and Dance', among many others.

SEK 186.00
1