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Jesu, my hearts treasure : Cantata

Jesu, my hearts treasure : Cantata

Jesu, meine Freude - Jesu, my heart's treasure BuxWV 60for soloists (SSB), mixed chorus (SSB), bassoon & stringsDietrich Buxtehude (1637-1707) was organist of the St Marien church inLübeck from 1668 until his death. He wrote many works for specific secular occasions, feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a widerange of scorings, style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo.Dietrich Buxehude’s choralecantata“Jesu, my Heart’s Treasure” is, like many of the Lübeck master’s cantatas, an opulent-sounding work which produces a grand effect with simple musical means. It is a piece whichcan be performed at many occasions in the liturgical domain and contains no noteworthy difficulties.- Score with parts (BA487), separate parts (BA487) and choral score (BA487-91) available for sale

SEK 86.00
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The Lord Is My Light HWV 255

The Lord Is My Light HWV 255

The Lord Is My Light (HWV 255) Chandos Anthem No.10From 1717 to 1718 Handel was resident composer at Cannons, a country estate to the north of London. During this time he wrote the so-calledChandos Anthems, a set of eleven “Anglican cantatas” with instrumental accompaniment.“The Lord is my light” (HWV 255), with its eleven movements, is not only the longest compositionin the set, it also has the largest proportion of newly composed material.This anthem, published with the Urtext of the Halle Handel Edition, is especially noteworthy for its varied and self-sufficientorchestralaccompaniment, which lends a fitting backdrop to the festive chorus and equally festive solo numbers.Both the full score and the vocal score contain a German translation alongside the original English.Scoring: Soloists (STT), chorus (SATTB), 2 recorders, oboe, strings, continuo- Full score & parts (BA4268) and vocal score (BA4268-90) available for sale- Urtext at the forefront of musical scholarship-First separate edition for performance purposes- Based on the Urtext from the Halle Handel Edition- Straightforward and easy-to-play Piano reduction

SEK 292.00
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My Soul Doth Magnify The Lord Op.69

My Soul Doth Magnify The Lord Op.69

My soul doth magnify the Lord Op.69Mendelssohn’s Three Motets, Op.69, and Three Psalm Settings, Op.78, belong to the standard repertoire of many choruses and vocal ensembles. Our editions, the work of two leadingMendelssohn specialists, Hiromi Hoshino and Michael Cooper, present these pieces in separate volumes reflecting the latest state of scholarly research.We also offer a separate edition of Psalm 91, “For He shall giveHis angels charge”, in its original setting for eight-part a cappella chorus. (Mendelssohn later incorporated it into “Elijah” with an orchestral accompaniment).Each edition contains the originalGermantext and the English translation authorized by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports andintroductions in German and English.- Urtext at the forefront of musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsalpurposes

SEK 104.00
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Fear Thou Not : English

Fear Thou Not : English

'My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as“so sad that it sounds like birds who have lost their wings” but also as “the happiest classical music that we have ever heard”. My compositions are almost all sacred. They express not only my own faith but also my appreciationand respect for the timeless texts that have been used for centuries and centuries.' - Mårten JanssonMårten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (theSocietyof Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor ofCarmen, one of the most prominent womens’ Vocal ensembles in Sweden. He currently teaches Choral conducting and music theory as well as giving Vocal tuition at the Bolandgymnasiet and Musikskolan in his home town ofUppsala.Fear Thou Not was commissioned by the Swedish women's vocal ensemble Les Jolies (gold medalists in 2002 Choir Olympics. The piece depicts how man can change from doubting to believing, led by theFather’s voice which both comforts and admonishes.

SEK 85.00
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Maria (IV) : Swedish/English

Maria (IV) : Swedish/English

'My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as“so sad that it sounds like birds who have lost their wings” but also as “the happiest classical music that we have ever heard”. My compositions are almost all sacred. They express not only my own faith but also my appreciationand respect for the timeless texts that have been used for centuries and centuries.' - Mårten JanssonMårten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (theSocietyof Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor ofCarmen, one of the most prominent womens’ Vocal ensembles in Sweden. He currently teaches Choral conducting and music theory as well as giving Vocal tuition at the Bolandgymnasiet and Musikskolan in his home town ofUppsala.The Royal Swedish Court commissioned Maria (IV) for the celebration of the Mass on Annunciation to the Blessed Virgin Mary (March 17, 2013). The music depicts Mary’s sorrow as the mother of a childthat belongs not to her, but to all mankind.

SEK 96.00
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In the Light of God

In the Light of God

“I asked my friend, the poet Einar Askestad, if he could write a poem for me about love between father and son, brothers and God. I felt that these forms of love are seldom sung about. The poem moved me greatly and I havetried to put music to these words which is simple yet full of beauty. In the four movements of this suite-like piece, various aspects of these relationships are conveyed”. - MårtenJanssonBiography:My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings life consists of. This has led peopletodescribe my music as both “so sad that it sounds like birds who have lost their wings” and “the happiest classical music we ever heard”. I have also always preferred beautiful music to atonal music and that is surely the reasonwhy the most part of my music is more on the sad side but what a dream it would be to be able to create beautiful music that’s bubbling over with joy! My compositions consist of almost only sacral music. This is to express myown faith but also my appreciation and respect for the timeless texts that have been used for centuries after centuries.In 1994 I was lucky enough to start conducting the female choir Carmen and I conducted them until wedecided to disunite 2010. This is of course the biggest reason why most of my compositions are for female choirs the knowledge that what I write during the night will be tested the next evening is a driving force that not somany are lucky enough to have.I work as a voice, music theory and conducting teacher and conductor in Uppsala were I was born -65 and still live. My education is in short: two years of musicology at Uppsala University and aMFA in Music Education, and Dalcroize Rhythmics at the Royal Academy of Music in Stockholm.- Choral works a cappella.- Sample pages for download: www.baerenreiter.com.

SEK 170.00
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