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The Childhood of Christ op. 25 Hol. 130 : French/English

The Childhood of Christ op. 25 Hol. 130 : French/English

The genesis of L'enfance du Christ was unusual for Berlioz, since he normally had a plan of his larger works in mind before he began writing. The work is divided into three parts; part two La fuite en Égypte(The Flight into Egypt), was composed in the autumn of 1850 and first performed in full in Leipzig in December 1853. The success of this led Berlioz to undertake a sequel, L'arrivée a Saïs (The Arrival atSaïs), which he finished in April 1854. He then began work on the opening panel of the triptych, Le songe d'Hérode (Herod's Dream), which he completed on 27 July 1854.  Berlioz himself wrote the textforall three parts.Reliable piano reduction based on the Urtext of the New Berlioz EditionStraight-forward piano reduction in the vocal scoreClear user-friendly layoutFrench original text with English translation in the vocal scoreFull score (BA5451-01) and vocal score (BA5451-73) available for sale, performance material (BA5451-72) available for hire

SEK 303.00
1

Requiem in C Minor : Missa Pro Defunctis

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

SEK 141.00
1

Requiem in C Minor : Missa Pro Defunctis

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

SEK 141.00
1

Requiem in C Minor : Missa Pro Defunctis

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

SEK 141.00
1

Requiem in C Minor : Missa Pro Defunctis

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

SEK 143.00
1

Requiem in C Minor : Missa Pro Defunctis

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

SEK 143.00
1

Serenade : for Wind Instruments, Violoncello and Double Bass op. 44

Serenade : for Wind Instruments, Violoncello and Double Bass op. 44

In 1878 Dvorák was in Vienna and was so impressed by a performance of Mozart’s Wind Serenade in B-flat major K. 361 that he wrote his own wind serenade within the space of two weeks after his return. Taking Mozart’s piece as his model, he supplemented the wind band with a bass part for violoncello and double bass. The op. 44 Serenade, which also delighted Johannes Brahms, was issued by Dvorák’s publisher Simrock shortly after its première. Our new Urtext edition draws on this first print while using the autograph to correct a number of mistakes and above all inconsistencies in articulation.

SEK 525.00
1

Requiem in C Minor : Missa Pro Defunctis

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

SEK 749.00
1

Requiem in C Minor : Missa Pro Defunctis

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

SEK 196.00
1

Requiem in C Minor : Missa Pro Defunctis

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

SEK 141.00
1

Regina coeli in C major K.108

Regina coeli in C major K.108

In its expression and structure, the “Regina coeli” K.108 (74d) in four movements, composed in Salzburg in May 1771, clearly shows that Neapolitan church music served as Mozart’s model. The two outer movements, in which aprimarily homophonic chorus unfolds against a rich orchestral backdrop, enclose two soprano arias sparkling with coloraturas, of which the first aria has a choral epilogue at the end of each of its two sections. Appositely, thelast movement also picks up the solo-tutti contrast which, in addition, underscores the predominant role of the solo soprano characteristic of the entire composition.Urtext of the New Mozart EditionFull score&performance material (BA4886) and vocal score (BA4886-90) for sale

SEK 154.00
1

Concerto For Harpsichord No.5 In F Minor : for Harpsichord and Strings

Concerto For Harpsichord No.5 In F Minor : for Harpsichord and Strings

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

SEK 266.00
1

Concerto For Harpsichord No.5 In F Minor

Concerto For Harpsichord No.5 In F Minor

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

SEK 96.00
1

Concerto For Harpsichord No.5 In F Minor

Concerto For Harpsichord No.5 In F Minor

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

SEK 96.00
1

Concerto For Harpsichord No.5 In F Minor

Concerto For Harpsichord No.5 In F Minor

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

SEK 96.00
1

Concerto For Harpsichord No.5 In F Minor

Concerto For Harpsichord No.5 In F Minor

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

SEK 96.00
1

Rhetorica

Rhetorica

In ancient times, language and music were already regarded as an inseparable unit. Homer’s epic poems, for example, were sung, and in the highly developed art of rhetoric, words were used to communicate reason, while music spoke to the soul. Since Monteverdi’s time, musical delineation of text has become even more important: rhetoric terms such as “exclamatio”, “saltus duriusculus”, and “climax” were applied to music in order to render the emotional content of the text in even more expressive ways.Szathmàry used this compositional method as a model when he drafted his work for violin “Rhetorica”. He wrote about this work: “My aim was to instill a “speaking quality”into even the tiniest musical elements in order to allow for the music to become a powerful narration of the moments experienced in a human life with all its highs and lows – entirely without the use of words.”

SEK 287.00
1

Concerto For Harpsichord In G Minor : G minor BWV 1058

Concerto For Harpsichord In G Minor : G minor BWV 1058

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord.Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor, BWV 1058, is the lastcomplete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. Ms. Bach 234). However, it only came to occupy this position later when the manuscriptwasbound. It stands at the very outset of the genesis of this group of works, and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this casethe original model, the Concerto for Violin and Strings in A minor (BWV 1041), has survived, thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score& parts (BA5230), two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

SEK 110.00
1

Concerto For Harpsichord In G Minor : G minor BWV 1058

Concerto For Harpsichord In G Minor : G minor BWV 1058

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord.Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor, BWV 1058, is the lastcomplete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. Ms. Bach 234). However, it only came to occupy this position later when the manuscriptwasbound. It stands at the very outset of the genesis of this group of works, and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this casethe original model, the Concerto for Violin and Strings in A minor (BWV 1041), has survived, thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score& parts (BA5230), two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

SEK 110.00
1

Concerto For Harpsichord In G Minor : G minor BWV 1058

Concerto For Harpsichord In G Minor : G minor BWV 1058

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord.Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor, BWV 1058, is the lastcomplete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. Ms. Bach 234). However, it only came to occupy this position later when the manuscriptwasbound. It stands at the very outset of the genesis of this group of works, and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this casethe original model, the Concerto for Violin and Strings in A minor (BWV 1041), has survived, thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score& parts (BA5230), two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

SEK 110.00
1

Concerto For Harpsichord In G Minor : G minor BWV 1058

Concerto For Harpsichord In G Minor : G minor BWV 1058

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord.Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor, BWV 1058, is the lastcomplete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. Ms. Bach 234). However, it only came to occupy this position later when the manuscriptwasbound. It stands at the very outset of the genesis of this group of works, and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this casethe original model, the Concerto for Violin and Strings in A minor (BWV 1041), has survived, thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score& parts (BA5230), two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

SEK 110.00
1