Awardvindende Google Marketing Powerhouse

Let God Arise HWV 256b Chapel Royal Anthem

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263I will magnify thee HWV 250b forSoloists (SATB), Chorus (SATB), Oboe, Strings, Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God Arise HWV 256b forSoloists (AB), Chorus (SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text,waswritten in March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in theChapel Royal was the organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

Let God Arise HWV 256b Chapel Royal Anthem

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263I will magnify thee HWV 250b forSoloists (SATB), Chorus (SATB), Oboe, Strings, Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God Arise HWV 256b forSoloists (AB), Chorus (SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text,waswritten in March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in theChapel Royal was the organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

Let God Arise HWV 256b Chapel Royal Anthem

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263I will magnify thee HWV 250b forSoloists (SATB), Chorus (SATB), Oboe, Strings, Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God Arise HWV 256b forSoloists (AB), Chorus (SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text,waswritten in March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in theChapel Royal was the organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

Let God Arise HWV 256b Chapel Royal Anthem

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263I will magnify thee HWV 250b forSoloists (SATB), Chorus (SATB), Oboe, Strings, Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God Arise HWV 256b forSoloists (AB), Chorus (SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text,waswritten in March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in theChapel Royal was the organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

Let God Arise HWV 256b Chapel Royal Anthem

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263I will magnify thee HWV 250b forSoloists (SATB), Chorus (SATB), Oboe, Strings, Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God Arise HWV 256b forSoloists (AB), Chorus (SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text,waswritten in March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in theChapel Royal was the organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

Let God Arise HWV 256b Chapel Royal Anthem

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263I will magnify thee HWV 250b forSoloists (SATB), Chorus (SATB), Oboe, Strings, Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God Arise HWV 256b forSoloists (AB), Chorus (SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text,waswritten in March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in theChapel Royal was the organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

Let God Arise HWV 256b Chapel Royal Anthem

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263I will magnify thee HWV 250b forSoloists (SATB), Chorus (SATB), Oboe, Strings, Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God Arise HWV 256b forSoloists (AB), Chorus (SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text,waswritten in March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in theChapel Royal was the organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

As Pants The Hart HWV 251e Chapel Royal Anthem

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263 I will magnify thee HWV 250b for Soloists (SATB),Chorus (SATB), Oboe, Strings, Continuo BA 4264As Pants The Hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God arise HWV 256b for Soloists (AB), Chorus(SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As Pants The Hart”, his fifth setting of this Psalm text, waswrittenin March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in theChapel Royal was the Organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward Piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

Piano Concerto - Mozart, Wolfgang Amadeus

Autograph: Royal College of Music, London facsimile half-leather binding C minor

O Sing Unto The Lord HWV 249a Chapel Royal Anthem

Anthems for the Chapel RoyalO Sing Unto The Lord A New Song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263I will magnify theeHWV 250b for Soloists (SATB), Chorus (SATB), Oboe, Strings, Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God arise HWV 256b for Soloists(AB), Chorus (SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text, was writteninMarch 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in the ChapelRoyal was the Organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

Music for the Royal Fireworks

Music for the Royal Fireworks

Music for the Royal Fireworks

Music for the Royal Fireworks

Music for the Royal Fireworks - Händel, Georg Friedrich

Replaces BA 4208, not compatible with BA 4018 score, Urtext edition 2Fl/3Ob/3Hn/3Trp/timpani/2V/Va/2bassoon/bassoon-Co/Serpent/Vc/double bass Hæftet udgave

Music for the Royal Fireworks - Händel, Georg Friedrich

Replaces TP 173 study score, Urtext edition 2Fl/3Ob/3Hn/3Trp/timpani/2V/Va/2bassoon/bassoon-Co/Serpent/Vc/double bass Hæftet udgave

Anthems für die Chapel Royal - Händel, Georg Friedrich

complete edition, score, Urtext edition Voc./mixed choir/chambOrch Indbundet udgave

Music for the Royal Fireworks - Händel, Georg Friedrich

Replaces BA 4208-68, not compatible with BA 4018 part(s), Urtext edition Hæftet udgave

Music for the Royal Fireworks - Händel, Georg Friedrich

Replaces BA 4208-65, not compatible with BA 4018 set of winds, Urtext edition Hæftet udgave

Water Music / Music for the Royal Fireworks - Händel, Georg Friedrich

Replaces BA 4018, Performance material see BA 4298 and BA 4299 complete edition, score, Urtext edition water music: 2V-solo/Fl-Picc/Fl/2Ob/bassoon/2Hn/2Trp/Str/Bc/Feuerwerksmusik: 2Fl/3Ob/2bassoon/bassoon-Co/3Hn/3Trp/timpani/Str/Bc Indbundet udgave

Water Music / Music for the Royal Fireworks - Händel, Georg Friedrich

score, part(s) Hæftet udgave

The Musick for the Royal Fireworks : Faksimile nach dem Autograph der British Library

The Barenreiter Facsimile seal is used exclusively for facsimile publications that meet the highest technical and scholarly demands. The distinguishing features include A facsimilein high resolution full-colour printing, reflecting the original Specially selected paper Decorative binding in keeping with the historic theme Individually trimmedpages, as far as the edition allows A commentary by internationally renowned scholarsWith an introduction and commentary by Christopher Hogwood (English/German)

String Trio No.1 H.136

The fate of Bohuslav Martinu's String Trio no.1, which dates from the turn of 1923 and 1924 and was lost until 2005, is somewhat remarkable. The trio is the first work which Martinu created in Paris after becomingthe private pupil of Albert Roussel and was probably performed twice in Paris during 1924. It had its Czech premiere in February 1925 and Martinu requested his friend S. Novak to make sure that they didn't lose the scores of thethings they played, because he did not have any sketches or copies.Precisely that which Martinu feared then occurred - the sole existing version of the trio was lost; it was not until the autumn of 2005 that theautographof the trio (the score and parts for the viola and cello - the violin part is still missing) was found at the Danish Royal Library in Copenhagen thanks to the searches of the Bohuslav Martinu Institute and it is afterthis autograph that this edition has arisen.

Concerto

The Barenreiter Facsimile seal is used exclusively for facsimile publications that meet the highest technical and scholarly demands. The distinguishing features include A facsimilein high resolution full-colour printing, reflecting the original Specially selected paper Decorative binding in keeping with the historic theme Individually trimmedpages, as far as the edition allows A commentary by internationally renowned scholarsFacsimile of the autograph in the Royal College of Music, LondonWith an introduction by Jonathan Del Maranda preface by Stephen Isserlis (English/German)

Konzert D Dur Pour Postdam Fl Str Und Bc

For Flute, Strings and Basso continuo. Full score, parts and Flute and Piano reduction available for sale.This Flute concerto 'Pour Potsdam' by the great Flute master of King Frederick the Great,Johann Joachim Quantz was based on the manuscript M3947 from the former library of the royal household in Berlin where it was preserved together with 300 other such concertos and around 150 Flute sonatas byQuantz.The work can be performed not only with String Orchestra but also with String Quartet for home music making.