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Der vollkommene Capellmeister - Mattheson, Johann

facsimile-Druck der Originalausgabe Hamburg 1739 Reprint Hardback

Der Einsiedler - Geiser, Walther

Cantata Komm Trost der Welt, du stille Neight singing score TSolo/Org Hæftet udgave

Geschichte der Orgel- und Klaviermusik to 1700 - Apel, Willi

Reprint der Ausgabe 1967 book Paperback

Der Englische Gruß - Das Vaterunser - Knab, Armin

Facsimile-Ausgabe der letzten Kompositionen for Voice and Organ facsimile Hæftet udgave

Choralbearbeitungen und freie Orgelstücke der deutschen Sweelinck-Schule -

aus der Lübbenauer Tabulatur, Band 2 Performance score, Anthology Org Paperback

Trio Sonata from 'Der Getreue Musikmeister'

Georg Philipp Telemann: Trio Sonata in C major from 'Der Getreue Musikmeister' for Treble Recorders and Basso Continuo

Der Schulmeister - Telemann, Georg Philipp

Comic Cantata Der score liegen die Instrumentalstimmen bei score, set of parts BarSolo/boy choir: SA/Str/Bc or harpisc. (piano) Hæftet udgave

Die Kunst des reinen Satzes in der Musik - Kirnberger, Johann Philipp

Harmonielehre Reprint der Ausgabe Berlin 1771 Reprint Paperback

Cantata No. 158 Der Friede Sei Mit Dir : Cantata for Easter Tuesday

J.S. Bach's Cantata No. 158 Der Friede Sei Mit Dir for Baritone Voice and SATB.

Cantata No. 61 Nun Komm Der Heiden Heiland : Cantata for the First Sunday of Advent

J.S. Bach's Cantata No. 61 Nun Komm Der Heiden Heiland for SATB.

Thematischer Katalog der Musikaliensammlung Großfahner/Eschenbergen in Thüringen - Jung, Hans Rudolf

mit einer Einleitung: Zur Pflege der Figuralmusik in Großfahner, Eschenbergen und dem Herzogtum Sachsen-Gotha zwischen 1640 und 1750 book Paperback

Lazarus oder die Feier der Auferstehung - Schubert, Franz

Fragment eines religiösen Dramas in 3 Akten. 1. und 2. unvollständiger Akt, Schluss des Librettos. Urtext der Neuen Schubert-Ausgabe complete edition, score, Urtext edition 3SSolo/2TSolo/BSolo/mixed choir-SATB/Orch Indbundet udgave

Die Zeit der Steine - Hamel, Peter Michael

Komposition für Klavier angeregt durch Radierungen der Malerin Verena Vernunft und einen Text von Erich Fried Wer die Steine reden hört, weiß es werden nur Steine bleiben. Wer die Menschen reden hört, weiß es werden nur Steine bleiben Performance score piano Hæftet udgave

Der 42. Psalm - Wie der Hirsch schreit op. 42

Bilingual foreword (Ger/Eng).Original German as well as English text.Includes a Piano reduction by the composer.The setting of Psalm No.42 Op.42 Wie der Hirsch schreit nach frischem Wasser(As the hart pants after the waterbrooks) for Soloists, mixed Choir and full Orchestra dates back to 1837. The well-known Mendelssohn specialist John Michael Cooper has evaluated the first printed edition of the score prepared bythe composer himself as well as taking all other important sources into account. This Urtext edition is rounded off by a detailed critical commentary (Ger/Eng). The Piano reduction is by Mendelssohn and isanauthentic part of this edition.

Vater unser, der du bist im Himmel - Schein, Johann Hermann

Sacred Concerto. Musik der Thomaskantoren zu Leipzig from "Opella nova" (1626) for Solisten, Capellchor, Instruments (Strings/Winds) ad lib. and Basso continuo score ASolo/TSolo/mixed choir:SSATB/Instr(Str or wind instr.) ad lib./Bc Hæftet udgave

Cantata BWV 158 Der Friede Sei Mit Dir

Der Friede sei mit dir BWV 158Cantata for Easter TuesdayThe cantata Der Friede sei mit dir is one of those works of Bach’s which present the most problems. Neither the author of the text nor the history of thework’s composition is known to us; and to judge by appearances, the version that has come down to us is but a fragment compounded of a number of once disparate elements, and gives little indication of the work’s original form.Yet the movements that have come down to us are of such uncommon musical interest that we would not want to be deprived of them just because they may be incomplete. The modesty of its requirements is at least inpartresponsible for the comparatively wide popularity enjoyed by this cantata.- Urtext of the New Bach Edition- Full score & performance material (BA10158), vocal score (BA10158-90) available for sale

Der Harmonische Gottesdienst

72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo.Advent & Christmas - Medium Voice.When Telemann issued his first annual cycle of printed cantatas, Der HarmonischeGottesdienst (Hamburg , 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas have remained very popular to the presentday.These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice.Each series spreads the works over three volumes accompanied by separate partsforsolo instrument and continuo. The cantatas follow the order of the liturgical year, beginning with the Christmas season and continuing with Easter and Trinity.Being practically minded, Telemann arranged theambitus of the Vocal parts so that the cantatas for medium voice are ‘also suitable for an ordinary alto or bass’.Similarly, the solo instruments are suitable for Violin, Oboe, Recorder or Flute.- Interesting solocantatas for use in church services.- Urtext from the Telemann Edition.- Separate parts for instrument and continuo.

Der Harmonische Gottesdienst

72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo.Advent & Christmas - High Voice.When Telemann issued his first annual cycle of printed cantatas, Der HarmonischeGottesdienst (Hamburg , 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas have remained very popular to the presentday.These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for High Voice and cantatas for Medium Voice.Each series spreads the works over three volumes accompanied by separate partsforsolo instrument and continuo. The cantatas follow the order of the liturgical year, beginning with the Christmas season and continuing with Easter and Trinity.Being practically minded, Telemann arranged theambitus of the Vocal parts so that the cantatas for medium voice are ‘also suitable for an ordinary alto or bass’.Similarly, the solo instruments are suitable for Violin, Oboe, Recorder or Flute.- Interesting solocantatas for use in church services.- Urtext from the Telemann Edition.- Separate parts for instrument and continuo.

dtv-Atlas Musik

Lobe den Herren, den maechtigen Koenig der Ehren : Chorale-motet

Lobe den Herren, den mächtigen König der Ehren Op.6/2,IChorale-motet for Mixed choir (SATB)Hugo Distler, born on the 24th June 1908 in Nuremberg and died on the 1st November 1942in Berlin, was a German organist, choral conductor, teacher and composer. He studied at the Leipzig Conservatory moving to Berlin in 1940 where he became Director of the Berlin National and Cathedral Choir.

Christus, Der Ist Mein Leben : Vocal Score

Chorale settings form a central part of Telemann’s œuvre. His 1754 setting of the church hymn Christus, der ist mein Leben, based on Melchoir Vulpius’ melody from the Hamburg Hymnal, is especially well-suited to display his mastery in depicting thewords of the chorale. The so-called “Ausfüllungsbass” (a vocal bass added to the principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg’s churches. This is the first Urtext edition of this highly successful chorale setting which is based on Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part.

Christus, Der Ist Mein Leben : Basses

First Urtext edition based on Georg Philipp Telemann Musical Works.An attractive addition to the repertoire with a view to the Telemann Year 2017.Bilingual Foreword (Ger/Eng).Uncluttered idiomaticPiano reduction.Full score and parts (BA5897) and vocal score (BA5897-90) available for sale.Chorale settings form a central part of Telemann’s œuvre. His 1754 setting of the church hymn Christus,Der Ist Mein Leben, based on Melchoir Vulpius’ melody from the Hamburg Hymnal, is especially well-suited to display his mastery in depicting the words of the chorale. The so-called “Ausfüllungsbass” (a vocal bass addedtothe principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg’s churches.This is the first Urtext edition of this highly successful chorale setting which is based on Georg PhilippTelemann Musical Works. The score contains a realisation of the continuo part.

Christus, Der Ist Mein Leben : Organ

First Urtext edition based on Georg Philipp Telemann Musical Works.An attractive addition to the repertoire with a view to the Telemann Year 2017.Bilingual Foreword (Ger/Eng).Uncluttered idiomaticPiano reduction.Full score and parts (BA5897) and vocal score (BA5897-90) available for sale.Chorale settings form a central part of Telemann’s œuvre. His 1754 setting of the church hymn Christus,Der Ist Mein Leben, based on Melchoir Vulpius’ melody from the Hamburg Hymnal, is especially well-suited to display his mastery in depicting the words of the chorale. The so-called “Ausfüllungsbass” (a vocal bass addedtothe principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg’s churches.This is the first Urtext edition of this highly successful chorale setting which is based on Georg PhilippTelemann Musical Works. The score contains a realisation of the continuo part.

Christus, Der Ist Mein Leben : Viola

First Urtext edition based on Georg Philipp Telemann Musical Works.An attractive addition to the repertoire with a view to the Telemann Year 2017.Bilingual Foreword (Ger/Eng).Uncluttered idiomaticPiano reduction.Full score and parts (BA5897) and vocal score (BA5897-90) available for sale.Chorale settings form a central part of Telemann’s œuvre. His 1754 setting of the church hymn Christus,Der Ist Mein Leben, based on Melchoir Vulpius’ melody from the Hamburg Hymnal, is especially well-suited to display his mastery in depicting the words of the chorale. The so-called “Ausfüllungsbass” (a vocal bass addedtothe principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg’s churches.This is the first Urtext edition of this highly successful chorale setting which is based on Georg PhilippTelemann Musical Works. The score contains a realisation of the continuo part.

Cantata BWV 158 Der Friede Sei Mit Dir : Cantata for Easter Tuesday

Der Friede sei mit dir BWV 158Cantata for Easter TuesdayThe cantata Der Friede sei mit dir is one of those works of Bach’s which present the most problems. Neither the author of the text nor the history of thework’s composition is known to us; and to judge by appearances, the version that has come down to us is but a fragment compounded of a number of once disparate elements, and gives little indication of the work’s original form.Yet the movements that have come down to us are of such uncommon musical interest that we would not want to be deprived of them just because they may be incomplete. The modesty of its requirements is at least inpartresponsible for the comparatively wide popularity enjoyed by this cantata.- Urtext of the New Bach Edition- Full score & performance material (BA10158), vocal score (BA10158-90) available for sale