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Gloria RV 589 - SSAA

Gloria RV 589 - SSAA

The “Gloria” RV 589 is one of Vivaldi’s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was, in all probability, composed around 1716 during Vivaldi’stime at the Ospedale della Piet , an orphanage for girls in Venice. Although Vivaldi’s “Gloria” (BA 8953) was written for solo voices and mixed choir, it is likely that it was performed at the girls’ orphanage with femalevoices only. Taking this into account, Malcolm Bruno’s careful arrangement for choir SSAA is of some relevance. The work, when set for female voices or children’s choir, remains a true masterpiece.The “Kyrie” RV 587(BA8954)for two choirs and two string ensembles, as arranged here for female choir, displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recentlypublished Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English andGermanStraightforward, idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of thesearrangements.

SEK 177.00
1

Kyrie Rv587

Kyrie Rv587

Vivaldi's Kyrie RV 587 (BA 8950), is scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a Choral work without solopassages.Today the “Gloria” RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period. Vivaldi wrotethe “Gloria” as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his periodatthe Ospedale della Piet , around 1716. In the twelve movements of the “Gloria”, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scored solopassages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain somere-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works.- Attractive choralpieces which can be combined to form a short mass.- Informative foreword (Ger/Eng).

SEK 154.00
1

Kyrie RV 587 - SSAA

Kyrie RV 587 - SSAA

The “Gloria” RV 589 is one of Vivaldi’s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was, in all probability, composed around 1716 during Vivaldi’stime at the Ospedale della Piet , an orphanage for girls in Venice. Although Vivaldi’s “Gloria” (BA 8953) was written for solo voices and mixed choir, it is likely that it was performed at the girls’ orphanage with femalevoices only. Taking this into account, Malcolm Bruno’s careful arrangement for choir SSAA is of some relevance. The work, when set for female voices or children’s choir, remains a true masterpiece.The “Kyrie” RV 587(BA8954)for two choirs and two string ensembles, as arranged here for female choir, displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recentlypublished Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English andGermanStraightforward, idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of thesearrangements.

SEK 154.00
1

Kyrie

Kyrie

Vivaldi's Kyrie RV 587 (BA 8950), is scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a Choral work without solopassages.Today the “Gloria” RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period. Vivaldi wrotethe “Gloria” as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his periodatthe Ospedale della Piet , around 1716. In the twelve movements of the “Gloria”, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scored solopassages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain somere-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works.- Attractive choralpieces which can be combined to form a short mass.- Informative foreword (Ger/Eng).

SEK 84.00
1

Gloria RV 589 (Violin II)

Gloria RV 589 (Violin II)

Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the“Gloria” as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written duringhis period at the Ospedale della Piet , around 1716. In the twelve movements of the “Gloria”, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scoredsolopassages.The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950), scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral workwithout solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain somere-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works.- Attractive choralpieces which can be combined to form a short mass.- Vocal score as well as choral score available for the “Gloria”.- Informative foreword (Ger/Eng).

SEK 102.00
1

Gloria RV 589 (Viola)

Gloria RV 589 (Viola)

Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the“Gloria” as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written duringhis period at the Ospedale della Piet , around 1716. In the twelve movements of the “Gloria”, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scoredsolopassages.The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950), scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral workwithout solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain somere-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works.- Attractive choralpieces which can be combined to form a short mass.- Vocal score as well as choral score available for the “Gloria”.- Informative foreword (Ger/Eng).

SEK 102.00
1

Gloria RV 589 (Vocal Score)

Gloria RV 589 (Vocal Score)

Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the“Gloria” as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written duringhis period at the Ospedale della Piet , around 1716. In the twelve movements of the “Gloria”, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scoredsolopassages.The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950), scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral workwithout solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain somere-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works.- Attractive choralpieces which can be combined to form a short mass.- Vocal score as well as choral score available for the “Gloria”.- Informative foreword (Ger/Eng).

SEK 156.00
1

Gloria RV 589 (Cello/Bass)

Gloria RV 589 (Cello/Bass)

Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the“Gloria” as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written duringhis period at the Ospedale della Piet , around 1716. In the twelve movements of the “Gloria”, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scoredsolopassages.The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950), scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral workwithout solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain somere-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works.- Attractive choralpieces which can be combined to form a short mass.- Vocal score as well as choral score available for the “Gloria”.- Informative foreword (Ger/Eng).

SEK 102.00
1

Gloria RV 589 (Organ)

Gloria RV 589 (Organ)

Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the“Gloria” as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written duringhis period at the Ospedale della Piet , around 1716. In the twelve movements of the “Gloria”, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scoredsolopassages.The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950), scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral workwithout solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain somere-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works.- Attractive choralpieces which can be combined to form a short mass.- Vocal score as well as choral score available for the “Gloria”.- Informative foreword (Ger/Eng).

SEK 258.00
1

Gloria RV 589 (Violin I)

Gloria RV 589 (Violin I)

Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the“Gloria” as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written duringhis period at the Ospedale della Piet , around 1716. In the twelve movements of the “Gloria”, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scoredsolopassages.The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950), scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral workwithout solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain somere-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works.- Attractive choralpieces which can be combined to form a short mass.- Vocal score as well as choral score available for the “Gloria”.- Informative foreword (Ger/Eng).

SEK 102.00
1

Complete Works For Violin And Piano - Volume 2 : Viennese Sonatas 1781-1788 with fragments and variations

Complete Works For Violin And Piano - Volume 2 : Viennese Sonatas 1781-1788 with fragments and variations

- Not just some, but all the works for Violin and Piano- Urtext violin part plus an additional violin part prepared with fingerings and bowings- Large format 24,3 x 31 cm- New informative preface by Mozart scholar Dietrich BerkeContent: Sonata G major K. 379 (373a) Sonata F major K. 376 (374d) Sonata F major K. 377 (374e) Sonata E-flat major K. 380 (374f) Sonata B-flat major K. 454 Sonata E-flat major K. 481 Sonata A major K. 526 Sonata F major K. 547 Twelve Variations in G major on the French song "La Bergère Célimène" K. 359 (374a) Six Variations in G minor on the French song "Au bord dune fontaine" ("Hélas, jai perdu mon amant") K. 360 (374b) Appendix I: Andante and Allegretto in C major K. 404 (385d) Appendix II. Three Sonata Fragments completed by Maximilian Stadler: a. First Movement of a Sonata in B-flat major K. 372 b. Sonata C major K. 403 (385c) c. Andante and Fugue from a Sonata in A major K. 402 (385e)

SEK 629.00
1

Gloria RV 589 (Chorus Score)

Gloria RV 589 (Chorus Score)

The chorus score contains no Piano reduction or solo parts - for full Vocal score (with Piano reduction) see BA7674-90. Today the “Gloria” RV 589 (BA 7674) is one of Vivaldi’s best-known compositionsand one of the most frequently performed sacred Vocal works from the Baroque period.Vivaldi wrote the “Gloria” as a self-contained work in the style of a concertante mass. However, it was probablyalso performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet , around 1716. In the twelve movements of the “Gloria”,Vivaldidisplays the whole range of his mastery from festive, sublime outer movements to tender, transparently scored solo passages.The same mastery has also been applied to the “Kyrie” RV 587 (BA 8950), scored fortwo choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kindof short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works.- Attractive Choral pieces which can be combined to form a short mass.- Vocal score as well as choral scoreavailable for the “Gloria”.- Informative foreword (Ger/Eng).

SEK 102.00
1