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Ode to Joy

Friedrich Schillers Ode an die Freude (Ode to Joy) went on to become world-famous through the setting by Ludwig van Beethoven in 1824 in the final movement of his 9th Symphony. Today Beethoven’s Ode to Joy is one of the most popular works of classical music worldwide – celebratory and powerful music which is an expression of joy, community, protest, and thanks. This catchy arrangement of Schiller’s and Beethoven’s Ode for chorus and piano, or optionally for chorus, band and wind instruments by Peter Schindler, stands for all these emotions. Brass riffs, jazzy harmonies, a choral setting in one to three parts, and an adaptation of the text are all highlights of specialmusical moments which the whole audience can join in at the end! An English singing text is included.

Ode to Joy

Friedrich Schillers Ode an die Freude (Ode to Joy) went on to become world-famous through the setting by Ludwig van Beethoven in 1824 in the final movement of his 9th Symphony. Today Beethoven’s Ode to Joy is one of the most popular works of classical music worldwide – celebratory and powerful music which is an expression of joy, community, protest, and thanks. This catchy arrangement of Schiller’s and Beethoven’s Ode for chorus and piano, or optionally for chorus, band and wind instruments by Peter Schindler, stands for all these emotions. Brass riffs, jazzy harmonies, a choral setting in one to three parts, and an adaptation of the text are all highlights of specialmusical moments which the whole audience can join in at the end! An English singing text is included.

Ode to Joy

Friedrich Schillers Ode an die Freude (Ode to Joy) went on to become world-famous through the setting by Ludwig van Beethoven in 1824 in the final movement of his 9th Symphony. Today Beethoven’s Ode to Joy is one of the most popular works of classical music worldwide – celebratory and powerful music which is an expression of joy, community, protest, and thanks. This catchy arrangement of Schiller’s and Beethoven’s Ode for chorus and piano, or optionally for chorus, band and wind instruments by Peter Schindler, stands for all these emotions. Brass riffs, jazzy harmonies, a choral setting in one to three parts, and an adaptation of the text are all highlights of specialmusical moments which the whole audience can join in at the end! An English singing text is included.

Ode to Joy

Friedrich Schillers Ode an die Freude (Ode to Joy) went on to become world-famous through the setting by Ludwig van Beethoven in 1824 in the final movement of his 9th Symphony. Today Beethoven’s Ode to Joy is one of the most popular works of classical music worldwide – celebratory and powerful music which is an expression of joy, community, protest, and thanks. This catchy arrangement of Schiller’s and Beethoven’s Ode for chorus and piano, or optionally for chorus, band and wind instruments by Peter Schindler, stands for all these emotions. Brass riffs, jazzy harmonies, a choral setting in one to three parts, and an adaptation of the text are all highlights of specialmusical moments which the whole audience can join in at the end! An English singing text is included.

Ode to Joy

Friedrich Schillers Ode an die Freude (Ode to Joy) went on to become world-famous through the setting by Ludwig van Beethoven in 1824 in the final movement of his 9th Symphony. Today Beethoven’s Ode to Joy is one of the most popular works of classical music worldwide – celebratory and powerful music which is an expression of joy, community, protest, and thanks. This catchy arrangement of Schiller’s and Beethoven’s Ode for chorus and piano, or optionally for chorus, band and wind instruments by Peter Schindler, stands for all these emotions. Brass riffs, jazzy harmonies, a choral setting in one to three parts, and an adaptation of the text are all highlights of specialmusical moments which the whole audience can join in at the end! An English singing text is included.

Ode to Joy

Friedrich Schillers Ode an die Freude (Ode to Joy) went on to become world-famous through the setting by Ludwig van Beethoven in 1824 in the final movement of his 9th Symphony. Today Beethoven’s Ode to Joy is one of the most popular works of classical music worldwide – celebratory and powerful music which is an expression of joy, community, protest, and thanks. This catchy arrangement of Schiller’s and Beethoven’s Ode for chorus and piano, or optionally for chorus, band and wind instruments by Peter Schindler, stands for all these emotions. Brass riffs, jazzy harmonies, a choral setting in one to three parts, and an adaptation of the text are all highlights of specialmusical moments which the whole audience can join in at the end! An English singing text is included.

Ode to Joy

Friedrich Schillers Ode an die Freude (Ode to Joy) went on to become world-famous through the setting by Ludwig van Beethoven in 1824 in the final movement of his 9th Symphony. Today Beethoven’s Ode to Joy is one of the most popular works of classical music worldwide – celebratory and powerful music which is an expression of joy, community, protest, and thanks. This catchy arrangement of Schiller’s and Beethoven’s Ode for chorus and piano, or optionally for chorus, band and wind instruments by Peter Schindler, stands for all these emotions. Brass riffs, jazzy harmonies, a choral setting in one to three parts, and an adaptation of the text are all highlights of specialmusical moments which the whole audience can join in at the end! An English singing text is included.

Ode to Joy

Friedrich Schillers Ode an die Freude (Ode to Joy) went on to become world-famous through the setting by Ludwig van Beethoven in 1824 in the final movement of his 9th Symphony. Today Beethoven’s Ode to Joy is one of the most popular works of classical music worldwide – celebratory and powerful music which is an expression of joy, community, protest, and thanks. This catchy arrangement of Schiller’s and Beethoven’s Ode for chorus and piano, or optionally for chorus, band and wind instruments by Peter Schindler, stands for all these emotions. Brass riffs, jazzy harmonies, a choral setting in one to three parts, and an adaptation of the text are all highlights of specialmusical moments which the whole audience can join in at the end! An English singing text is included.

Ode to Joy

Friedrich Schillers Ode an die Freude (Ode to Joy) went on to become world-famous through the setting by Ludwig van Beethoven in 1824 in the final movement of his 9th Symphony. Today Beethoven’s Ode to Joy is one of the most popular works of classical music worldwide – celebratory and powerful music which is an expression of joy, community, protest, and thanks. This catchy arrangement of Schiller’s and Beethoven’s Ode for chorus and piano, or optionally for chorus, band and wind instruments by Peter Schindler, stands for all these emotions. Brass riffs, jazzy harmonies, a choral setting in one to three parts, and an adaptation of the text are all highlights of specialmusical moments which the whole audience can join in at the end! An English singing text is included.

Ode to Joy

Friedrich Schillers Ode an die Freude (Ode to Joy) went on to become world-famous through the setting by Ludwig van Beethoven in 1824 in the final movement of his 9th Symphony. Today Beethoven’s Ode to Joy is one of the most popular works of classical music worldwide – celebratory and powerful music which is an expression of joy, community, protest, and thanks. This catchy arrangement of Schiller’s and Beethoven’s Ode for chorus and piano, or optionally for chorus, band and wind instruments by Peter Schindler, stands for all these emotions. Brass riffs, jazzy harmonies, a choral setting in one to three parts, and an adaptation of the text are all highlights of specialmusical moments which the whole audience can join in at the end! An English singing text is included.

Ode to Joy

Friedrich Schillers Ode an die Freude (Ode to Joy) went on to become world-famous through the setting by Ludwig van Beethoven in 1824 in the final movement of his 9th Symphony. Today Beethoven’s Ode to Joy is one of the most popular works of classical music worldwide – celebratory and powerful music which is an expression of joy, community, protest, and thanks. This catchy arrangement of Schiller’s and Beethoven’s Ode for chorus and piano, or optionally for chorus, band and wind instruments by Peter Schindler, stands for all these emotions. Brass riffs, jazzy harmonies, a choral setting in one to three parts, and an adaptation of the text are all highlights of specialmusical moments which the whole audience can join in at the end! An English singing text is included.

Ode to Joy

Friedrich Schillers Ode an die Freude (Ode to Joy) went on to become world-famous through the setting by Ludwig van Beethoven in 1824 in the final movement of his 9th Symphony. Today Beethoven’s Ode to Joy is one of the most popular works of classical music worldwide – celebratory and powerful music which is an expression of joy, community, protest, and thanks. This catchy arrangement of Schiller’s and Beethoven’s Ode for chorus and piano, or optionally for chorus, band and wind instruments by Peter Schindler, stands for all these emotions. Brass riffs, jazzy harmonies, a choral setting in one to three parts, and an adaptation of the text are all highlights of specialmusical moments which the whole audience can join in at the end! An English singing text is included.

Marc-Antonio e Cleopatra. Serenata

With this early work, which Hasse composed while a student of Alessandro Scarlatti’s and still heavily under his influence, and which was performed at the country estate of the royal advisor Carlo Carmignano in September 1725, Hasse was able to draw attention to himself as a composer for the first time publicly. The libretto stems from Francesco Ricciardi; the famous singers Vittoria Tesi and Carlo Broschi [Farinello] sang the two main roles.

Motets and Anthems from Byrd to Elgar

The choral tradition of English cathedrals and universities is famous the world over. Through the centuries on the British Isles an immense storehouse of musical treasures have been composed: beautiful sounding choral settings which, in the meantime, have come to enjoy a great popularity on the European continent. For the collection of English Choral Music. Motets and Anthems from Byrd to Elgar Richard Mailänder and Christopher Robinson, the editors, have compiled 40 outstanding motets and anthems from the 16th to the 19th centuries. In Germany and elsewhere in Europe these four- and five-part settings, whether a cappella or with obbligato organ, are especially suited forservices or church concerts. The composers of the golden age of English music, Thomas Tallis, William Byrd and Orlando Gibbons are represented in this collection, as are the baroque masters Henry Purcell and William Boyce and, among other composers from the 19th century, Samuel Sebastian Wesley, Charles Villiers Stanford, Charles Hubert Parry and Edward Elgar. A supplementary CD, performed and recorded by the Figuralchor Cologne, is also available.

World, away, I long only for heaven : BuxWV 106

The aria Welt, packe dich, ich sehne mich nur nach dem Himmel (BuxWV 106) to a text by Justus Sieber from his book "Poetisierende Jugend" (1658) is composed for two sopranos, bass, two violins, violone, and basso continuo. After an instrumental Sonata, the five verses, interrupted by instrumental ritornelli sections, are presented by the different voices. The turning away from earthly things and the contrast between earth and heaven are illustrated in every verse by the change to 3/4 meter. The cantata ends with the repetition of the opening line of the poem "Welt, packe dich" and a rhythmically concise triad motif.

World, away, I long only for heaven : BuxWV 106

The aria Welt, packe dich, ich sehne mich nur nach dem Himmel (BuxWV 106) to a text by Justus Sieber from his book "Poetisierende Jugend" (1658) is composed for two sopranos, bass, two violins, violone, and basso continuo. After an instrumental Sonata, the five verses, interrupted by instrumental ritornelli sections, are presented by the different voices. The turning away from earthly things and the contrast between earth and heaven are illustrated in every verse by the change to 3/4 meter. The cantata ends with the repetition of the opening line of the poem "Welt, packe dich" and a rhythmically concise triad motif.

World, away, I long only for heaven : BuxWV 106

The aria Welt, packe dich, ich sehne mich nur nach dem Himmel (BuxWV 106) to a text by Justus Sieber from his book "Poetisierende Jugend" (1658) is composed for two sopranos, bass, two violins, violone, and basso continuo. After an instrumental Sonata, the five verses, interrupted by instrumental ritornelli sections, are presented by the different voices. The turning away from earthly things and the contrast between earth and heaven are illustrated in every verse by the change to 3/4 meter. The cantata ends with the repetition of the opening line of the poem "Welt, packe dich" and a rhythmically concise triad motif.

World, away, I long only for heaven : BuxWV 106

The aria Welt, packe dich, ich sehne mich nur nach dem Himmel (BuxWV 106) to a text by Justus Sieber from his book "Poetisierende Jugend" (1658) is composed for two sopranos, bass, two violins, violone, and basso continuo. After an instrumental Sonata, the five verses, interrupted by instrumental ritornelli sections, are presented by the different voices. The turning away from earthly things and the contrast between earth and heaven are illustrated in every verse by the change to 3/4 meter. The cantata ends with the repetition of the opening line of the poem "Welt, packe dich" and a rhythmically concise triad motif.

World, away, I long only for heaven : BuxWV 106

The aria Welt, packe dich, ich sehne mich nur nach dem Himmel (BuxWV 106) to a text by Justus Sieber from his book "Poetisierende Jugend" (1658) is composed for two sopranos, bass, two violins, violone, and basso continuo. After an instrumental Sonata, the five verses, interrupted by instrumental ritornelli sections, are presented by the different voices. The turning away from earthly things and the contrast between earth and heaven are illustrated in every verse by the change to 3/4 meter. The cantata ends with the repetition of the opening line of the poem "Welt, packe dich" and a rhythmically concise triad motif.

World, away, I long only for heaven : BuxWV 106

The aria Welt, packe dich, ich sehne mich nur nach dem Himmel (BuxWV 106) to a text by Justus Sieber from his book "Poetisierende Jugend" (1658) is composed for two sopranos, bass, two violins, violone, and basso continuo. After an instrumental Sonata, the five verses, interrupted by instrumental ritornelli sections, are presented by the different voices. The turning away from earthly things and the contrast between earth and heaven are illustrated in every verse by the change to 3/4 meter. The cantata ends with the repetition of the opening line of the poem "Welt, packe dich" and a rhythmically concise triad motif.

World, away, I long only for heaven : BuxWV 106

The aria Welt, packe dich, ich sehne mich nur nach dem Himmel (BuxWV 106) to a text by Justus Sieber from his book "Poetisierende Jugend" (1658) is composed for two sopranos, bass, two violins, violone, and basso continuo. After an instrumental Sonata, the five verses, interrupted by instrumental ritornelli sections, are presented by the different voices. The turning away from earthly things and the contrast between earth and heaven are illustrated in every verse by the change to 3/4 meter. The cantata ends with the repetition of the opening line of the poem "Welt, packe dich" and a rhythmically concise triad motif.

World, away, I long only for heaven : BuxWV 106

The aria Welt, packe dich, ich sehne mich nur nach dem Himmel (BuxWV 106) to a text by Justus Sieber from his book "Poetisierende Jugend" (1658) is composed for two sopranos, bass, two violins, violone, and basso continuo. After an instrumental Sonata, the five verses, interrupted by instrumental ritornelli sections, are presented by the different voices. The turning away from earthly things and the contrast between earth and heaven are illustrated in every verse by the change to 3/4 meter. The cantata ends with the repetition of the opening line of the poem "Welt, packe dich" and a rhythmically concise triad motif.

Advents- und Weihnachtslieder. Chorbuch 4stimmig

The repertoire of this four-voice choral collection ranges from the Baroque via the Romantic era to modern choral music. New settings of well-known Christmas songs have been especially composed for this collection. Many renowned composers contributed to this choral collection. A special attraction is the fact that, from an international perspective, a number of traditional German songs were arranged by composers from Poland, Denmark, England, Japan, South America, Italy, the Nethelands and Lithuania. For several of the Christmas songs two arrangments were chosen, so that an older and a modern setting of would be available. Around forty lieder were expresslyarranged for the collection. Many of the contemporary arrangements draw on jazz and swing styles, or on pop music. The repertoire is suitable for Advent, Christmas, the New Year and Epiphany.

Ode To Joy

Hymne To The Sun