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Exklusive Kinderlieder CD-Sammlung, Vol. 3

The Lieder project is a co-operative charitable project between SWR2 [Southwest German Broadcasting Company], Carus, over 100 performing artists and now more than 300 children. Following the highly successful "Lullabies" ["Wiegenlieder", 2009] and "Folk songs" ["Volkslieder", 2010], SWR2 and Carus have now turned to the German "Children's songs" ["Kinderlieder"]. All of the recordings are being released successively as lieder collections in 3 attractive CD boxes. Each box includes a comprehensive book, with lied texts, source information, and short biographies of the singers and their accompanists. With a colorful combination of child soloists, children's choirs,concert singers and instrumental ensembles, this CD will make not only children want to sing.

Das Wilde Pack

Das Wilde Pack

Das Wilde Pack

Louis Vierne: Symphonies No. 3 and 5 / Kummer

Louis Vierne is regarded as one of the greatest late romantic composers of organ music. His work comprises an essential contribution to the genre of the French organ symphony. With Symphonies No. 3 and No. 5 Carus has launched a recording of the complete organ works of Vierne on the new Kern organ in the Dresden Frauenkirche. Samuel Kummer, the resident organist in the Frauenkirche, exploits the resources and sonorous possibilities of the organ so that the majestic sound of the music unfolds magnificently in the outstanding acoustic of this great church. This new SACD offers unlimited enjoyment not only for organ music afficiandos.

Wiegenlieder Vol. 1-3 (Deluxe-Box)

Hush-a-bye, baby, Der Mond ist aufgegangen, Slaap, kindje slaap. Since time immemorial and in all cultures of the world, parents sing their children to sleep. Within the framework of the prize-winning Liederprojekt, over 80 of the most beautiful German and international lullabies have been recorded by well-known artists from all over the world. For the first time, all the lullabies of the Liederprojekt are being issued in a box set of 3 CDs. Artists: Richard Arame, Shannon Callahan, Ingeborg Danz, Christian Gerhaher, Cornelius Hauptmann, Jonas Kaufmann, Andreas Koslik, Klaus Mertens, Dorothee Mields, Kurt Moll, Diana Moon Cerné, Christoph and Julian Prégardien, HeleneSchneiderman, Peter Schreier, Andreas Scholl, Jens Tröndle, Ramesh Weeratunga, Calmus Ensemble, Kammerchor Stuttgart and others This limited special edition is part of the prize-winning Liederprojekt, a charity project by Carus and Southwest German Radio. For every box sold, 2 EUR will be donated to projects which promote singing with children.

Musikalische Exequien und andere Trauergesänge : Complete recordings, Vol 3

Together with Carus-Verlag Stuttgart, under the overall direction of Hans-Christoph Rademann the Dresdner Kammerchor will realize the first complete recording of the works of Heinrich Schütz by 2017. As part 3, the “Musikalische Exequien,” which Schütz composed in 1635/36 for the funeral of his Sovereign Heinrich Posthumus Reuss, will now be released. Further songs of mourning, some for solo voices, round out the CD. Included among these are works which have never been recorded before. In addition to the Dresdner Kammerchor, among others, Dorothee Mields, Harry van der Kamp and Jan Kobow could be engaged for the recording of the complete works. The recording employs the excellentSACD recording technique. A coproduction with MDR Figaro.

Orgelschule zur historischen Aufführungspraxis : Teil 3. Die Moderne

Volume 3 [in German] contains articles by different authors on the interpretation of organ music of the 20th century [ranging from the early modern era to the avantgarde]. The chapters are not structured based on a pre-existing mould or pattern. Rather they display stylistic diversity personal recollections appear together with analytical studies. Jon Laukvik’s Historical Performance Practice in Organ Playing has become a standard work. It is addressed to organists who wish to integrate the latest knowledge of historical performance practice into their playing today. The insights of this three-volume series are the result of practical and scholarly research whichpresent to the performer in a detailed, easily understandable form a precise view of the customs and goals of performance in previous eras. These volumes are directed not only to organists, but also to organ teachers who are looking for a guide for use in their instruction.

Exklusive Volkslieder CD-Sammlung, Vol. 3

The overwhelming commitment on the part of all of the artists and their enthusiasm for the folk songs brought such an abundance of first-class material to the project so that a third CD could be released. Once again, first-rate soloists, such as Angelika Kirchschlager, Christiane Oelze und Roman Trekel sing on this CD. In addition, a number of young artists and many ensembles and choirs can be heard [ranging from scorings for the traditional four-voice choir via men’s or women’s choir as well as a children’s choir to even an historic recording by the Comedian Harmonists], who offer much variety with their many-faceted choral colors. The CD Volkslieder, Vol. 3 concludes thiscollection, which has presented the folk song in all of its many facets. All of the artists have approached the theme of the folk song in their own intimate way and have brought to it with their most personal interpretations of the songs. Whether an art song or from folklore, a solo song or an arrangement for choir, each approach to an interpretation of the folk song is equally valid. A song becomes a folk song if over a long period of time it remains rooted in the consciousness of the people, regardless of whether the melody, text and form undergo changes.

Siegele: Instrumentalmusik J.S. Bachs : Von JS Bach

Contributions to Musicology, Tübingen, Number 3

Bornefeld: 3 Choralsätze

Hasse-Studien 3

A publication of the Hasse Society in Hamburg-Bergdorf and Munich

Querflötenschule [Spielbuch 3 für 3 Fl] : Teil 2 für Fortgeschrittene

The Seasons : Hob. XXI:3

Gartenlieder : Six Songs Op. 3

The Seasons : Hob. XXI:3

The Seasons : Hob. XXI:3

Schindler: Kinderhits mit Witz 3

Schauspielmusiken [Box mit 3 CDs]

Apart from his ingenious music for Shakespeare’s comedy A Midsummer Night’s Dream, Felix Mendelssohn’s incidental music for plays is still overshadowed by his symphonies and vocal works. With his hallmark recording of the complete oratorios and choral works, Frieder Bernius has long ago proved that should be considered one of the world’s Mendelssohn experts. Bernius has recorded three of the composer’s incidental music compositions in the past years, demonstrating the extraordinary quality of this far too little-known music. These highly praised recordings are now published for the first time in an attractive box.

Gartenlieder : Six Songs Op. 3

The Seasons : Hob. XXI:3

The Seasons : Hob. XXI:3

Cleofide : Oper in 3 Akten

Hasse's Cleofide of 1731 can be regarded as the zenith of his creative output not least of all because he integrated several of his greatest arias from earlier works into this opera. The theme from antiquity "Alexander's conquests in India" was perfectly suited to flatter August the Strong, a rather unsuccessful commander-in-chief, who at that moment was occupied with the reorganization of his armies. For performance at the Court of Dresden, Metastasio's original libretto was reworked by Michelangelo Boccardi. As a result, the title of the opera was changed from "Alessandro nell' Indie" to "Cleofide" and Faustina Bordoni, the prima donna and wife of Johann AdolfHasse, became the protagonist of the story. Musically, the opera reflected the style of the time. Hasse's expressive and natural style was admired and appreciated by the public professional musicians alike. The vocal parts were "tailor-made" for the singers and in performing this work the outstanding soloists and the orchestra could shine. Hasse always tried to get the utmost from his musicians and in the case of "Cleofide" he achieved a 100% success. The Carus edition of "Cleofide," which has been published as a part of the Hasse-Werkausgabe, is the very first printed edition of this work. It is based primarily on the original parts used for the first performance in 1731 and presents both an accurate musicological rendering of the sources as well as a practical performance edition.

Schindler: Kinderhits mit Witz 3