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De Falla: Homenaje: Le Tombeau De Claude Debussy

De Falla: Homenaje: Le Tombeau De Claude Debussy

In 1920, a Parisian magazine asked several leading composers to compose musical tributes to the famous French musician Claude Debussy, who had died in 1918. The great Spanish composer Manuel De Falla (1876-1946) was one of them: having met Debussy in Paris, he had been heavily influenced by the French impressionists. His Homenaje (Homage) was his only work for solo Guitar, although it was arranged by the composer for solo Piano almost immediately. It is widely regarded as one of the masterpieces of early 20th century music – at only three minutes in length, it is often said it has twenty minutes’ worth of music contained within it.

SEK 196.00
1

Oberthur: Le Desir Op. 65 (Bradbury) Clt/Pf

Oberthur: Le Desir Op. 65 (Bradbury) Clt/Pf

This nocturne was one of a set of six composed for the second wedding of the Duke of Nassau, which were published simultaneously as sets of duos or solo pieces for Violin, Cello, clarinet or concertina with harp or Piano accompaniment. Charles Oberthür was a celebrated harpist during his long career in the 1800’s, most of which he spent in Britain. Besides being a distinguished instrumentalist, Oberthür was a prolific composer, creating more than two hundred works.

SEK 177.00
1

Peter Maxwell Davies: Le Jongleur De Notre Dame

Peter Maxwell Davies: Le Jongleur De Notre Dame

This is the sacred comedy among Davies' pieces of music-theatre. Brought on by a children's wind band in a 7/8 march, the juggler presents himself at an abbey and is accepted by the abbot, the only singing character. The other monks are the clarinettist, percussionist and flautist, all of whom play 'duets' with the juggler as he is put to mundane tasks; sweeping, preparing food, washing clothes, all done with much horseplay. The same three monks then present their offerings to the Virgin in the form of flamboyant instrumental arias. Left alone, the juggler offers his own skills, to the accompaniments of Renaissance dances for piano with cello (who also provide support and commentary throughout). The other members of the community return and are appalled, but the image of the Virgin suddenly springs to life as a violinist, who plays her own solo acceptance. The abbot acknowledges her judgement, and the juggler is escorted boisterously out by the band.

SEK 196.00
1