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Diran Alexanian: Complete Cello Technique

Diran Alexanian: Complete Cello Technique

The Classic Treatise on Cello Theory and Practice. An unabridged republication of Diran Alexanian's 1922 classic, Traite Theorique et Pratique du Violoncelle, this volume represents one of the most thorough explorations of cello playing and technique in the literature. It reprints the orginal dual-language edition, featuring French and English instruction side by side on the page, complemented by numerous photographs, diagrams, and music examples. Student and growing professionals alike will find it superb compendium of instruction.

SEK 454.00
1

Giuseppe Verdi: Aida (Libretto)

Giuseppe Verdi: Aida (Libretto)

Complete Italian libretto with English translation by Ellen H. Beiler. Often considered a bridge between Verdi's middle and final periods, Aida is a triumph of atmosphere, characterisation and inexhaustible melodic invention. It's exotic locale, well-drawn characters, and inspired music have made it perhaps the most popular opera ever written. This edition contains the standard authorized Italian libretto of Aida, side by side with a complete English translation prepared by Ellen H. Bleiler. Mre Bleiler has also contributed a new Introduction and Plot Summary for this edition.

SEK 98.00
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Goldberg Variations And Other Bach Transcriptions For Solo Piano

Goldberg Variations And Other Bach Transcriptions For Solo Piano

This volume collects four of the most important keyboard masterpieces by Johann Sebastian Bach?the "Goldberg" Variations, Chromatic Fantasy and Fugue, Fantasia Contrappuntistica, and Concerto for Piano and Orchestra in D Minor?in arrangements by celebrated pianist and composer Ferruccio Busoni for his 1919 Breitkopf & Härtel edition. Additional features include Busoni's original system of keyboard notation, demonstrated vis-à-vis the Chromatic Fantasy. An important composer in his own right, Busoni ranks among history's most celebrated pianists. His controversial 25-volume edition of transcriptions of Bach's keyboard music includes side-by-side discussions of Bach's music with arrangements by Busoni and his pupil, Egon Petri. Adapted for the modern resources of the grand piano, the transcriptions include plentiful doublings of voices for higher and lower ranges of the keyboard that did not exist on Bach's clavier, in addition to analytical re-shapings of the music itself. This volume marks a significant collection of rarities that merit greater attention among performers and listeners. Dover Original.

SEK 295.00
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Creative Haven Musical Mandalas Coloring Book

Creative Haven Musical Mandalas Coloring Book

Colorists and music lovers can hop on the bandwagon with this fanciful coloring book. Each of the 31 illustrations highlights a musical instrument within a mesmerizing mandala-like design. From acoustic guitars to banjos, trombones to bongos, and violins to trumpets, the coloring possibilities are endless. Illustrations are printed on only one side of the perforated pages for easy removal and display. Specially designed for experienced colorists, Musical Kaleidoscope and other Creative Haven® adult coloring books offer an escape to a world of inspiration and artistic fulfillment. Each title is also an effective and fun-filled way to relax and reduce stress.

SEK 135.00
1

Slave Songs Of The United States

Slave Songs Of The United States

First published in 1867, this landmark book represented the first systematic effort to collect and preserve the songs sung by the plantation slaves of the Old South. To ensure authenticity, the editors notated most of the melodies and words directly from the singers themselves. The result was a rare musical treasury containing complete music and lyrics for over 130 songs, arranged by geographical region. Among them are: Roll, Jordan, Roll: Jehovah, Hallelujah: I hear from Heaven to-day: Michael, row the boat ashore: Turn sinner, turn O: Nobody knows the trouble I've had: No Man can hinder me: Heave away: Charleston Gals: I'm gwine to Alabamy: I want to die like-aLazarus die: Belle Layotte: On to Glory Jacob's Ladder: My Father, how long?: Musieu Bainjo: Lean on the Lord's side: God got plenty o' room. The book presents the melody lone and all the known verses to each song. The editors also include directions for singing, along with a commentary on each song's history, its possible variations, what some of its key references mean and other pertinent details. A new preface to the Dover edition by Harold Courlander appraises the book's importance in American musical and cultural history.

SEK 231.00
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Story Of Jazz As Told By The Men Who Made It

Story Of Jazz As Told By The Men Who Made It

Music is your own experience, your thoughts, your wisdom. If you don't live it, it won't come out of your horn. — Charlie Parker What is jazz? The rhythm — the feeling. — Coleman Hawkins The best sound usually comes the first time you do something. If it's spontaneous, it's going to be rough, not clean, but it's going to have the spirit which is the essence of jazz. — Dave Brubeck Here, in their own words, such famous jazz musicians as Louis Armstrong, King Oliver, Fletcher Henderson, Bunk Johnson, Duke Ellington, Fats Waller, Clarence Williams, Jo Jones, Jelly Roll Morton, Mezz Mezzrow, Billie Holiday, and many others recall the birth, growth, and changes in jazz over theyears. From its beginnings at the turn of the twentieth century in the red-light district in New Orleans (or Storyville, as it came to be known), to Chicago's Downtown section and the Original Dixieland Jazz Band and Chicago's South Side to jam sessions in Kansas City to Harlem during the Depression years, the West Coast and modern developments, the story of jazz is vividly and colorfully documented in hundreds of personal interviews, letters, tape recorded and telephone conversations, and excerpts from previously printed articles that appeared in books and magazines. There is no more fascinating and lively history of jazz than this firsthand telling by the men who made it. It should be read and re-read by all jazz enthusiasts, musicians, students of music and culture, students of American history, and other readers. A lively book bearing the stamp of honesty and naturalness. — Library Journal. A work of considerable substance. — The New Yorker. Some of the quotations are a bit racy but they give the book a wonderful flavor. — San Francisco Chronicle.

SEK 301.00
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Claudio Monteverdi: Madrigals Book VIII - Madrigali Guerrieri Et Amorosi

Claudio Monteverdi: Madrigals Book VIII - Madrigali Guerrieri Et Amorosi

Here are all of the madrigals from one of the Baroque master's most popular books, reprinted from an authoritative Italian edition. They feature modern notation with text underlay, commentaries, new Preface, new English translations of the original prefatory material, and Italian texts in verse format facing new English line-for-line literal translations.Reprint of Tomo IV and Tomo V of Tutte le opere di Claudio Monteverdi, published "nel Vittoriale degli Italiani," 1927.Table of Contents for Madrigals, Book VIII: Madrigali Guerrieri et AmorosiPrefaceOriginal title page and translationOriginal dedication and translation"Original foreword ("Claudio Monteverde to the Reader") and translation"Translations of the Introductory Texts to the Dramatic PiecesVocal Texts and Translations"CANTI GUERRIERI [SONGS OF WAR] Sinfonia (for two violins and a viola da braccio, to precede No. I)"I. "Altri canti d'Amor, tenero arciero" (for six voices with four viols and two violins)"2a. "Hor che 'l ciel e la terra e 'l vento tace" (for six voices with two violins)"b. "Così sol d'una chiara fonte viva" [same voices and instruments]"3a. "Gira il nemico insidïoso Amore" (for three voices: alto, tenor, and bass) [same voices throughout No. 3]"b. "Nol lasciamo accostar, ch'egli non saglia"c. "Armi false non son, ch'ei s'avvicina"d. "Vuol degl'occhi attaccar il baloardo"e. "Non è più tempo, ohimè, ch'egli ad un tratto"f. "Cor mio, non val fuggir, sei morto e servo"4. "Se vittorie sì belle" (for two tenors) [later also included by the printer Vincenti in the posthumous Monteverdi compilation Book IX, 1651]"5. "Armato il cor d'adamantina fede" (for two tenors) [previously included in Monteverdi's 1632 volume Scherzi musicali and later also included in Book IX]"6a. "Ogni amante è guerrier: nel suo gran regno" (for two tenors)"b. "Io che nell'otio nacqui e d'otio vissi" (bass solo)"c. "Ma per quell'ampio Egeo spieghi le vele" (tenor solo) "d. "Riedi, ch'al nostro ardor, al nostro canto" (for three voices: two tenors and bass)"7. "Ardo, avvampo, mi struggo, ardo: accorrete" (for eight voices with two violins)"8. "Combattimento di Tancredi e Clorinda [Combat of Tancredi and Clorinda; for soprano, two tenors, basso continuo, plus two violins and viola da braccioq. Originally, "four viole da braccio,"]"9a. "Introduzione al ballo [Introduction to the Ballet]: "Volgendo il ciel per l'immortal sentiero" [for tenor and two violins]"b. "Ballo [Ballet]: "Movete al mio bel suon le piante snelle" (for five voices with two violins)"CANTI AMOROSI [SONGS OF LOVE]10a. "Altri canti di Marte e di sua schiera" (for six voices and two violins)"b. "Due belli occhi fur l'armi onde traffittta" [same voices and instruments]"11. "Vago augelletto che cantando vai" (for six and [afterward] seven voices with two violins and a contrabass)"12. "Mentre vaga angioletta" (for two tenors)"13. "Ardo e scoprir, ahi lasso, io non ardisco" (for two tenors) [later also included in Book IX]"14. "O sia tranquillo il mare o pien d'orgoglio" (for two tenors) [later also included in Book IX]"15a. "Ninfa che, scalza il piede e sciolto il crine" (tenor solo)"b. "Qui deh meco t'arresta, ove di fiori" (for two tenors)"c. "Dell'usate mie corde al suon potrai" (for three voices: two

SEK 305.00
1