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Daniel in the Lion's Den

Let Us Praise the Lord : Lasset uns den Herren preisen

A soaring, joyful, unaccompanied motet in F major. (Keyboard reduction provided.) Notated on five staves with the soprano 1 and 2 on their own staves. However, all parts below that also divide very occasionally. Reger wrote this as an Easter motet, but it is a stunning piece with a wide dynamic range and many possible uses. Largely homophonic with a few imitative entrances. Duration: 2:00

Let Them Guide Me

Carols and Lullabies : Pronunciation Guide

Guide Me, O Thou Great Redeemer

The Nativity According to St. Luke : Stage Guide

Der Herr ist mein getreuer Hirt : The Lord my Guide, BWV 104

Sing On! Sing On! : A Guide to the Life-Long Enjoyment of the Voice for Singers and Teachers of the Vocal Art

Be/dazzled

Be/dazzled, concertino for Electric Violin and Chamber Orchestra, draws its inspiration from the first line of a text that is a paraphrase of the second Logion (sayings attributed to Christ) from the Gospel according to Thomas: "Let him seek and cease not ’til he finds, and when he finds he will be troubled, and when he has been troubled, he shall marvel: and he will reign over the All." The solo violinist is cast as the seeker. The opening cadenza has a searching quality which is developed in a dialogue between the soloist and the orchestra. The ending moves towards the idea of the title: that there is an opening into dazzling brilliance and understanding of the All.

3 Pieces for Chanukah : No. 1 Oh, Chanukah/Y'mei hachanukah

Published in 2003, Three Pieces for Chanukah is not so much a set of arrangements of familiar words and tunes than it is a set of original compositions based on them. The first two settings feature jazz-influenced, classical harmonic and melodictreatment of the tunes. The mood of the first setting is upbeat and the mood of the second one is more subdued. The mood of the third setting is extremely upbeat; it is composed in a straight funk style, albeit contrapuntal. The front matter to eachedition features program notes, a pronunciation guide for the Hebrew words and the Hebrew and English texts.

Three Pieces for Chanukah: No. 2 Maoz tzur

Published in 2003, Three Pieces for Chanukah is not so much a set of arrangements of familiar words and tunes than it is a set of original compositions based on them. The first two settings feature jazz-influenced, classical harmonic and melodictreatment of the tunes. The mood of the first setting is upbeat and the mood of the second one is more subdued. The mood of the third setting is extremely upbeat; it is composed in a straight funk style, albeit contrapuntal. The front matter to eachedition features program notes, a pronunciation guide for the Hebrew words and the Hebrew and English texts.

Songs of Love and Solace : Four Poems of William Butler Yeats

Songs of Love and Solace – Fyra Dikter av William Butler Yeats Songs of Love and Solace är en samling vokalverk komponerade för hög röst, baserade på fyra utvalda dikter av den irländske poeten William Butler Yeats. Yeats poesi är känd för sitt djup, skönhet och känslomässiga resonans, vilket gör den idealisk för musikalisk tolkning. Specifikationer: Instrumentering: Hög röst och pianoackompanjemang Svårighetsgrad: Medel till avancerad nivå Innehåll: Fyra sånger med varierande karaktär och tempo Förlag: [Förlagets namn, om tillgängligt] ISBN: [ISBN-nummer, om tillgängligt] Fokusområden: Teknik: Utveckling av vokal kontroll, artikulation och uttryck Musikalitet: Utforskning av dynamik, frasering och känslomässigt djup Stil: Integration av klassiska och moderna musikaliska element Användning: Idealisk för recitaler, tävlingar eller som en del av undervisningsrepertoaren för sångare som vill utforska vokalmusik baserad på litterära mästerverk.

My People Are Rising

This text is part of a longer work by Mohja Kahf titled My People Are Rising: An unfinished poem begun in Spring 2011 for an unfinished Revolution begun in March 2011. It speaks so viscerally of the tragic events in Syria that it was impossible to imagine setting it with Western harmonies. And so the composer began an exploration of Arabic music, with its quarter-tone scales, its lack of vertical chordal structure, its abundantly ornamented heterophony. Since quarter-tones are not a part of our Western choral training, the scales are tempered a bit (resulting in a fair number of augmented seconds) and a violin is added to the melodic mix for pitch support. The voices and violinare accompanied by a doumbek player, who is highly encouraged to improvise: the written notation is only there as a guide. This piece is dark, dramatic, and powerful, yet not without triumph. Duration: 8:30

Love! Yes! : Songs on the poetry of E. E. Cummings

Love Yes – Sånger baserade på E.E. Cummings poesi Love Yes är en samling vokalverk komponerade för hög röst, med texter hämtade från den innovativa och uttrycksfulla poesin av E.E. Cummings. Cummings dikter är kända för sin unika användning av språk, interpunktion och typografi, vilket ger en rik källa för musikalisk tolkning. Specifikationer: Instrumentering: Hög röst och pianoackompanjemang Svårighetsgrad: Medel till avancerad nivå Innehåll: Flera sånger med varierande karaktär och tempo Förlag: [Förlagets namn, om tillgängligt] ISBN: [ISBN-nummer, om tillgängligt] Fokusområden: Teknik: Utveckling av vokal kontroll, artikulation och uttryck Musikalitet: Utforskning av dynamik, frasering och känslomässigt djup Stil: Integration av moderna musikaliska element med klassisk vokalteknik Användning: Idealisk för recitaler, tävlingar eller som en del av undervisningsrepertoaren för sångare som vill utforska samtida vokalmusik baserad på litterära mästerverk.