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Cantata 22: Subdue Us Through Thy kindness

Marienlieder: No. 6. Mary Magdalene, Op. 22

De Profundis, K.Anh.A 22 : Out of the Deep

Cantata 22: For Us a Child is Born: Alleluja!

Three Songs from Ecclesiastes : Ecclesiastes 1, 2, 2, 22-3, 8, 15

Three Songs from Ecclesiastes : Ecclesiastes 1, 2, 2, 22-3, 8, 15

Three Songs from Ecclesiastes : Ecclesiastes 1, 2, 2, 22-3, 8, 15

Vier ernste Gesänge : Four viceious Songs

What does a chorus do after they perform the Alto Rhapsody? Answer: Four Serious Songs. This arrangement includes the original piano accompaniment by Brahms. Includes Brahms's original German text and a singable English translation by Paul England (alt). Duration: 18:20 Contents: 1. Denn es gehet dem Menschen (One thing befalleth the beasts) Ecclesiastes 3:19-22 2. Ich wandte mich und sahe (So I returned and did consider) Ecclesiastes 4:1-3 3. O Tod, wie bitter bist du (O death, how bitter art thou) Ecclesiastes 41 4. Wenn ich mit Menschen und mit Engelszungen redete (Though I speak with the tongues of men, and of the angels) I Corinthians 13:1-3, 12-13What does a chorus do after they perform the Alto Rhapsody? Answer: Four Serious Songs. This arrangement includes the original piano accompaniment by Brahms. Includes Brahms's original German text and a singable English translation by Paul England (alt). Duration: 18:20 Contents: 1. Denn es gehet dem Menschen (One thing befalleth the beasts) Ecclesiastes 3:19-22 2. Ich wandte mich und sahe (So I returned and did consider) Ecclesiastes 4:1-3 3. O Tod, wie bitter bist du (O death, how bitter art thou) Ecclesiastes 41 4. Wenn ich mit Menschen und mit Engelszungen redete (Though I speak with the tongues of men, and of the angels) I Corinthians 13:1-3, 12-13

Fourteen Angels

The intertwining of friendship and the guitar engendered this composition. Christine and Jerry da Silva are close friends of Kurt Wolf, with whom Jerry studies guitar, Kurt is my close friend, who studied with me for his MM in classical guitar at the University of Minnesota. Following the tragic loss of their infant daughter, Elena, at the age of one month, Kurt commissioned this work for chorus and guitar to offer his friends the gift of something lasting in the face of impermanence. As requested, I incorporated the Catalan carol, El Noi de la Mare, which is also famous as a guitar solo. It was always the father's intention that this gift would eventually be placed inservice as a soothing lullaby, one which he had planned to play frequently for his infant child.