Awardvindende Google Marketing Powerhouse

Short Pieces for Flute and Piano: Book 3

A great choice for concerts and recitals. This delightful set of intermediate pieces for flute and piano features the following movement titles: 1. A Folk Tune, 2. A Waltz, 3. A Tango

Standin' in the Need of Prayer from 3 Folk Hymns

Standin’ in the Need of Prayer is a lively tune in swing rhythm. New words are added within the lighthearted approach. It becomes evident during the singing that the choir feels that they are in the greatest need of prayer! Children’s voices are definitely envisioned as part of this rendition. Duration: 3:15

Sojourn 3

Commissioned by and dedicated to clarinetist Eugene Jones, was premiered by Mr. Jones on a concert of chamber music at East Tennessee University in Johnson City, Tennessee, on February 28, 2010. This solo is the third in a series of works by the composer titled “Sojourn” for solo instruments. The single-movement work utilizes a Silesian folk song from Schlesische Volkslieder (used in the hymn Fairest Lord Jesus) as its basis. The opening section features material in quasi-Stravinskian rhythm and meter alternating with material hinting strongly at the folk tune and its variants. Melodic material is gradually transformed to the area of D major as the fantasy-like treatment of thefolk tune begins. After a complete statement in D major, a free variation ensues, also in D major, but is interrupted just before its completion by material from the opening section. Melodic transformation back to the octatonic and hybrid pitch material follows and the piece ends with a showy ascending, then diving, flourish.

Ringeltanze: 3. Beautiful Star

Amo!: 3. Amo! : Madrigal

Cynthia, Opus 4/3

Sojourn 3 : A Clarinet Solo

The B-flat clarinet version was commissioned by and dedicated to clarinetist Eugene Jones, was premiered by Mr. Jones on a concert of chamber music at East Tennessee University in Johnson City, Tennessee, on February 28, 2010. This solo is the third in a series of works by the composer titled “Sojourn” for solo instruments. The single-movement work utilizes a Silesian folk song from Schlesische Volkslieder (used in the hymn Fairest Lord Jesus) as its basis. The opening section features material in quasi-Stravinskian rhythm and meter alternating with material hinting strongly at the folk tune and its variants. Melodic material is gradually transformed to the area of D major asthe fantasy-like treatment of the folk tune begins. After a complete statement in D major, a free variation ensues, also in D major, but is interrupted just before its completion by material from the opening section. Melodic transformation back to the octatonic and hybrid pitch material follows and the piece ends with a showy ascending, then diving, flourish.

Songs for Soprano, Volume 3

Gaudete: No. 3. Dormi, Jesu

Harlem Songs: No. 3. Tambourines

Opera Aria Anthology, Volume 3 : Tenor

Vier ernste Gesänge : Four viceious Songs

What does a chorus do after they perform the Alto Rhapsody? Answer: Four Serious Songs. This arrangement includes the original piano accompaniment by Brahms. Includes Brahms's original German text and a singable English translation by Paul England (alt). Duration: 18:20 Contents: 1. Denn es gehet dem Menschen (One thing befalleth the beasts) Ecclesiastes 3:19-22 2. Ich wandte mich und sahe (So I returned and did consider) Ecclesiastes 4:1-3 3. O Tod, wie bitter bist du (O death, how bitter art thou) Ecclesiastes 41 4. Wenn ich mit Menschen und mit Engelszungen redete (Though I speak with the tongues of men, and of the angels) I Corinthians 13:1-3, 12-13What does a chorus do after they perform the Alto Rhapsody? Answer: Four Serious Songs. This arrangement includes the original piano accompaniment by Brahms. Includes Brahms's original German text and a singable English translation by Paul England (alt). Duration: 18:20 Contents: 1. Denn es gehet dem Menschen (One thing befalleth the beasts) Ecclesiastes 3:19-22 2. Ich wandte mich und sahe (So I returned and did consider) Ecclesiastes 4:1-3 3. O Tod, wie bitter bist du (O death, how bitter art thou) Ecclesiastes 41 4. Wenn ich mit Menschen und mit Engelszungen redete (Though I speak with the tongues of men, and of the angels) I Corinthians 13:1-3, 12-13

Psalm Cycle III : No. 3. Psalm 139

Sonata in F Minor, Op. 14/3

Chamber Music, Volume 3: Four Joyce Songs

Hildegard Triptych: No. 3: O virtus Sapientiae

Four Songs: No. 3. The Mild Mother

Marienlieder: No. 3. Mary's Pilgrimage : Marias Wallfahrt

Marienlieder: No. 3. Marias Wallfahrt : Mary's Pilgrimage

All-Night Vigil: 3. Blest the man

Earthsongs: No. 3 As is the sea marvelous

Together in Song: No. 3 The Gospel Plow

The Morning Train: 3. Maid of Constant Sorrow

A familiar American folk song is "A Man of Constant Sorrow." Adaptations exist for a maid of constant sorrow as well. This is a very simple melody, placed in the key of C major. The message is a mournful one. The soul is troubled, and not at rest. "All through this world, I'm bound to ramble...perhaps I'll take the very next train." Then, later, "perhaps I'll die upon this train." Some comfort is taken with the lines "I know we'll meet on God's Golden Shore." But the life on this earth is one of constant sorrow. Duration: 2:30.

Eternal Brightness: 3. The Beauty of the Earth