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Air

Air con variazioni

Calligraphy for air and ground

Air für Blechbläserquintett : für Blechbläserquintett

Scene For Five Characters

The composer calls his Scene for Five Characters for brass quintet a mystery-play parody or a mystical comedy, enriched with theatrical components. The four ancient elements (fire, water, earth and air) evoked by two trumpets, cornet and trombone as performers of several imaginary scenes move on the stage around the tuba as a point of reference. The characteristic tones of the individual instruments and their related humorous representation of motifs render a basic situation of communication, illustrative of human characters and relationships. The subtitles of the nine parts provide help in understanding the scenes: Prelude: Quarrel between Fire and Water: Monologue of theEarth: The Edges Visit the Centre: Fire's Appeasing Serenade to Water: Duet of Air and Earth: Turning Round: Tercet of Fire, Water and Air: Farewell.

Air (BWV 1068-II) für Violine und Klavier : für Violine und Klavier

Sideways Air on a Black Hole for Clarinet in Sib : Konzertstück. Solo

The composer writes the following about this work: 'As if we could only walk sideways in a tilted force field, Petruska-Harlequin in my piece evokes waltz fragments on a capsized 'Titanic', or Berlioz's Romeo und Juliet. Vertiginous chromatic martellato-staccato sequences keep tearing apart the clarinet's virtuosic aerial gymnastics interspersed among the fragments and half-heard wisps of sound. We suddenly find ourselves now in the depths, now in the highest regions, sidelong, as if all these fragments of musical memories were dancing on the edge of the event-horizon of a black hole...' This work, dedicated to the clarinettist Csaba Klenyán, was composed in 2002 inSaskatoon (Canada).

Suite Für Zwei Trompeten Und Zwei Posaunen

The titles of all three movements evoke the Baroque era. The first movement is a small ouverture falling into three parts (slow-fast-slow). The second one is a Gigue with alternating bars which is followed attacca by the final movement Air. Due to the presence of alternating bars this otherwise moderately difficult piece requires very careful ensemble playing.

Die Zauberflöte

The present volume now appearing in the series contains the following excerpts from Mozart's The Magic Flute, transcribed for junior string orchestra - Aria (Papageno, 1. act, Der Vogelfänger bin ich ja), Duet (Pamina, Papageno, 1. act, Bei Männern, welche Liebe fühlen), Scene (the three boys and Tamino, 1. act, Zum Ziele führt dich diese Bahn), Choir and duet (rabszolgák, Pamina, Papageno, 1. act, Komm, du schönes Glockenspiel), March of priests (2. act), Air with choir (Sarastro, 2. act, O Isis und Osiris), Trio (the three boys, 2. act, Bald prangt, den Morgen zu verkünden), Aria (Papageno, 2. act, Ein Mädchen oder Weibchen).

A Panorama of Songs 2B : Easy songs from four centuries in six languages for low voice

A Panorama of Songs fills a want that has been felt for decades. A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period, it seeks to help beginner-level students of voice teachers and répétiteurs, and foremost the singers themselves. The series brings a breath of fresh air and new works to the conventional Lied repertoire, truly offering a new panorama. Using the means of modern technology it also provides immense help in learning and performing the songs. The three volumes of the series are arranged by level of difficulty, and all of them are available for high and low voices ("a" volumes for high voices, "b" volumesfor low voices). Each volume is a complete unit in itself, including all six languages (English, French, German, Italian, Russian, and Spanish) and presenting a cross-section of styles from the early Baroque to the 20th century. Interpretation of the songs is facilitated by literal English and Hungarian translations of their texts, and the reading of the Cyrillic script is assisted by transliteration (again in English and Hungarian). Ornamentation suggestions for the performance of the Baroque works are also included. The printed music is accompanied by additional useful material to help the learning process, available online at www.emb.hu/downloads. The website contains the piano accompaniments of all of the songs, as well as all the original texts recited by native speakers.

A Panorama of Songs 3B : Easy songs from four centuries in six languages for low voice

A Panorama of Songs fills a want that has been felt for decades. A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period, it seeks to help beginner-level students of voice teachers and répétiteurs, and foremost the singers themselves. The series brings a breath of fresh air and new works to the conventional Lied repertoire, truly offering a new panorama. Using the means of modern technology it also provides immense help in learning and performing the songs. The three volumes of the series are arranged by level of difficulty, and all of them are available for high and low voices ("a" volumes for high voices, "b" volumesfor low voices). Each volume is a complete unit in itself, including all six languages (English, French, German, Italian, Russian, and Spanish) and presenting a cross-section of styles from the early Baroque to the 20th century. Interpretation of the songs is facilitated by literal English and Hungarian translations of their texts, and the reading of the Cyrillic script is assisted by transliteration (again in English and Hungarian). Ornamentation suggestions for the performance of the Baroque works are also included. The printed music is accompanied by additional useful material to help the learning process, available online at www.emb.hu/downloads. The website contains the piano accompaniments of all of the songs, as well as all the original texts recited by native speakers.

A Panorama of Songs 3A : Easy songs from four centuries in six languages for high voice

A Panorama of Songs fills a want that has been felt for decades. A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period, it seeks to help beginner-level students of voice teachers and répétiteurs, and foremost the singers themselves. The series brings a breath of fresh air and new works to the conventional Lied repertoire, truly offering a new panorama. Using the means of modern technology it also provides immense help in learning and performing the songs. The three volumes of the series are arranged by level of difficulty, and all of them are available for high and low voices ("a" volumes for high voices, "b" volumesfor low voices). Each volume is a complete unit in itself, including all six languages (English, French, German, Italian, Russian, and Spanish) and presenting a cross-section of styles from the early Baroque to the 20th century. Interpretation of the songs is facilitated by literal English and Hungarian translations of their texts, and the reading of the Cyrillic script is assisted by transliteration (again in English and Hungarian). Ornamentation suggestions for the performance of the Baroque works are also included. The printed music is accompanied by additional useful material to help the learning process, available online at www.emb.hu/downloads. The website contains the piano accompaniments of all of the songs, as well as all the original texts recited by native speakers.

A Panorama of Songs 1B : Easy songs from four centuries in six languages for low voice

A Panorama of Songs fills a want that has been felt for decades. A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period, it seeks to help beginner-level students of voice teachers and répétiteurs, and foremost the singers themselves. The series brings a breath of fresh air and new works to the conventional Lied repertoire, truly offering a new panorama. Using the means of modern technology it also provides immense help in learning and performing the songs. The three volumes of the series are arranged by level of difficulty, and all of them are available for high and low voices ("a" volumes for high voices, "b" volumesfor low voices). Each volume is a complete unit in itself, including all six languages (English, French, German, Italian, Russian, and Spanish) and presenting a cross-section of styles from the early Baroque to the 20th century. Interpretation of the songs is facilitated by literal English and Hungarian translations of their texts, and the reading of the Cyrillic script is assisted by transliteration (again in English and Hungarian). Ornamentation suggestions for the performance of the Baroque works are also included. The printed music is accompanied by additional useful material to help the learning process, available online at www.emb.hu/downloads. The website contains the piano accompaniments of all of the songs, as well as all the original texts recited by native speakers.

A Panorama of Songs 2A : Easy songs from four centuries in six languages for high voice

A Panorama of Songs fills a want that has been felt for decades. A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period, it seeks to help beginner-level students of voice teachers and répétiteurs, and foremost the singers themselves. The series brings a breath of fresh air and new works to the conventional Lied repertoire, truly offering a new panorama. Using the means of modern technology it also provides immense help in learning and performing the songs. The three volumes of the series are arranged by level of difficulty, and all of them are available for high and low voices ("a" volumes for high voices, "b" volumesfor low voices). Each volume is a complete unit in itself, including all six languages (English, French, German, Italian, Russian, and Spanish) and presenting a cross-section of styles from the early Baroque to the 20th century. Interpretation of the songs is facilitated by literal English and Hungarian translations of their texts, and the reading of the Cyrillic script is assisted by transliteration (again in English and Hungarian). Ornamentation suggestions for the performance of the Baroque works are also included. The printed music is accompanied by additional useful material to help the learning process, available online at www.emb.hu/downloads. The website contains the piano accompaniments of all of the songs, as well as all the original texts recited by native speakers.

A Panorama of Songs 1A : Easy songs from four centuries in six languages for high voice

A Panorama of Songs fills a want that has been felt for decades. A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period, it seeks to help beginner-level students of voice teachers and répétiteurs, and foremost the singers themselves. The series brings a breath of fresh air and new works to the conventional Lied repertoire, truly offering a new panorama. Using the means of modern technology it also provides immense help in learning and performing the songs. The three volumes of the series are arranged by level of difficulty, and all of them are available for high and low voices ("a" volumes for high voices, "b" volumes for low voices). Each volume is a complete unit in itself, including all six languages (English, French, German, Italian, Russian, and Spanish) and presenting a cross-section of styles from the early Baroque to the 20th century. Interpretation of the songs is facilitated by literal English and Hungarian translations of their texts, and the reading of the Cyrillic script is assisted by transliteration (again in English and Hungarian). Ornamentation suggestions for the performance of the Baroque works are also included. The printed music is accompanied by additional useful material to help the learning process, available online at www.emb.hu/downloads. The website contains the piano accompaniments of all of the songs, as well as all the original texts recited by native speakers.

Grabstein Für Stefan Op 15C

This piece, written in memory of Stephan Stein in 1989 for guitar solo and chamber ensemble, grew out from sketches made in 1978-79.At the core of the musical texture is a choral-like sequence of guitar chords occasionally completed or interrupted by chordal or melodic commentaries of other groups of instruments. An essential element of the composition is the placing of various groups of instruments at different points of the room. Thus, space functions as a type of acoustic filter, similarly to the majority of Kurtág's instrumental pieces around 1990. The physical distance at which the notes and the groups of notes sound is of decisive importance. The music producedfarther away is not necessarily softer because its energy is felt: we are aware that even if it sounds farther away it is of great intensity. What sounds closer, on the other hand, is not necessarily the most important at the given moment of the process. It is as if space were observed through lenses of differing magnifying forces or if the air around us were felt thicker or thinner by our skin. It depends on the nature of the musical texture whether we still take notice of the directions or we are captivated by the sound that suddenly fills the room (as, for example, at the dynamic climax of the piece when gas horns and whistles join).Grabstein für Stephan represents an exceptional phase in Kurtág's lifework. Even if he has compositions of similar tone (for example in the series Games for piano) or similar solutions (in some of the other pieces of op. 15 or the Twelve Microludes for string quartet) the relaxed mood and the narrative character of Grabstein stand without precedence. It seems as if a composition of aphoristic brevity were enlarged here. The gestures are more extended, with much more time left for them. In this way, the larger form does not emerge as constructed from mosaics but viewed from the angle of the whole as the attention focuses on one or another motif.