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Final(ment)e, Beziehungsweisen

Final(ment)e, Interplay of relationships for two trumpets and orchestra, was composed as an atmospheric counterpart to the Requiem by Gabriel Fauré. Several quotations from that monumental work flowed into the structure ofFinal(ment)e, and can for this reason barely be perceived by the ear alone. And yet this results in a network of relationships that is constantly present in the background.

Final(ment)e, Beziehungsweisen

Final(ment)e, Interplay of relationships for two trumpets and orchestra, was composed as an atmospheric counterpart to the Requiem by Gabriel Fauré. Several quotations from that monumental work flowed into the structure ofFinal(ment)e, and can for this reason barely be perceived by the ear alone. And yet this results in a network of relationships that is constantly present in the background.

Final(ment)e, Beziehungsweisen

Final(ment)e, Interplay of relationships for two trumpets and orchestra, was composed as an atmospheric counterpart to the Requiem by Gabriel Fauré. Several quotations from that monumental work flowed into the structure ofFinal(ment)e, and can for this reason barely be perceived by the ear alone. And yet this results in a network of relationships that is constantly present in the background.

Final(ment)e, Beziehungsweisen

Final(ment)e, Interplay of relationships for two trumpets and orchestra, was composed as an atmospheric counterpart to the Requiem by Gabriel Fauré. Several quotations from that monumental work flowed into the structure ofFinal(ment)e, and can for this reason barely be perceived by the ear alone. And yet this results in a network of relationships that is constantly present in the background.

Violinkonzert Nr. 8 - h-Moll Op. 59

Violinkonzert Nr. 8 - h-Moll Op. 59

E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

E Susanna non vien ... Dove sono i bei momenti

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string orchestra, in this caseMozart's aria Dove sono i bei momenti.

Kadenz und Interludien zur Sonate : in a-moll für Flöte solo (Wq 132)

The ‘Cadenza and interludes’ for the Sonata in a minor for solo flute (Wq 132) by C. P. E. Bach were written to a commission from the flautist Philipp Jundt, who gave the first performance of the work on 22 May 2021. The briefcadenza was composed for a single breath, in the spirit of Quantz. The two interludes refer both motivically and harmonically to the corresponding movements of the Bach Sonata