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Focus a beam, Emptied of thinking outward?

The Only

The Only was written, as a conscious departure from intricate polyphonic part-writing, by a composer to whose thinking counterpoint is usually more central. This piece seeks to emulate the kind of easy lyricism which is such a fingerprint of JohnRutters music, while preserving a slightly more austere, even archaic harmonic language. The rhythmic patterning of the accompanying piano part suggests a more popular idiom, and makes the carol suitable for use outside the confines of a churchservice.

Everything we do is Music

Explore the music, ideas and ideals of John Cage, composer of 4'33'' and one of the twentieth century’s most original and inventive artists. “Everything we do is music” contains more than 50 fun, hands-on and thought-provoking activities, each taking a work by John Cage as a starting point and exploring the links between music, dance, visual art, poetry and nature. Most projects require no prior knowledge of reading music or playing an instrument and can be worked through with little preparation — each activity encouraging creative thinking and experimentation, exploring the world around us and blurring the boundaries separating life and art.

Gloria In D RV 589 - Vocal Score

Vivaldi's international renown came about largely as a result of his concertos, which were collated, and, of course performed, throughout the courts of Europe. Quite unlike the concertos, Vivaldi's voluminous output of sacredworks was hardly known beyond the purlieus of their original performance. Following the composer's death they became increasingly unknown and even today it is difficult to say how many pieces of church music Vivaldi composed.As few of Vivaldi’s church compositions can be dated on the basis of written or stylistic evidence, the origins of the Gloria In D remain shrouded with conjecture.Rather than being conceivedaspart of a larger Mass setting, the Gloria is an independent work, a cyclical composition of broad design consisting of twelve self-contained movements. Stylistically, it closely resembles a concertante Mass.This Urtext edition of Vivaldi’s ever-popular work provides you with an accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions, as edited by KlausBurmeister.

Trumpet Concerto Eb major

Hummel, who early in his career became well-known in Vienna as a brilliant pianist, studied with Mozart, Albrechtsberger, Salieri and Haydn and soon earned a high reputation as a composer. His style of composition derived from theclassical precepts of his teachers: Mozart's influence is clearly discernible even in his later years. However, as time progressed Hummel adopted elements from the emerging romanticism of the day and increasingly turned to ahighly figurative style with a level of virtuosity which, though appealing in its brilliance, often served as an end in itself. Historically, his piano music bridges the gap between that of Mozart and Chopin, forming atransitionbetween the classical tradition and the fashionable style of the musical salon.The Concerto For Trumpet And Orchestra dates from quite an early period in Hummel's career and was composed in 1803. In itsthree-movement design, its formal layout and its melodic and harmonic workmanship, the work still lies fully within the bounds of the classical tradition. This edition for Trumpet and Piano has been arranged by Martin Focke andthe Solo Trumpet part, which is also included on a separate insert, has been edited by Joachim Pliquett.Note that the original key is in E major and that this version has been transposed down a half-tone as to make thepiece performable on a B-flat trumpet.