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Everlasting Voices (Medium Low) : Selection of Songs within Comfortable Range for older Singers

Increasing numbers of people are taking to singing in later life, in part driven by increasing medical evidence of the health benefits it brings. Singing aids physical and neurological well-being, but above all it brings enjoyment, not only to those who have a lifetime experience of singing (both in choirs and solo), but also to those whom it is an entirely new activity. Everlasting Voices , compiled specifically for the older singer, contains: • 24 songs with a modest vocal range, in a wide range of styles • background notes about the songs and their composers • pronounciation guides for singing in Italian, German, Spanish and French • a guide to keeping your voicehealthy • performing advice and technical guidance.

Everlasting Voices (Medium High) : Selection of Songs within Comfortable Range for older Singers

Increasing numbers of people are taking to singing in later life, in part driven by increasing medical evidence of the health benefits it brings. Singing aids physical and neurological well-being, but above all it brings enjoyment, not only to those who have a lifetime experience of singing (both in choirs and solo), but also to those whom it is an entirely new activity. Everlasting Voices , compiled specifically for the older singer, contains: • 24 songs with a modest vocal range, in a wide range of styles • background notes about the songs and their composers • pronounciation guides for singing in Italian, German, Spanish and French • a guide to keeping your voicehealthy • performing advice and technical guidance.

Inveni David

Then David Mourned

John, David : for Orchestra

Sonaten(6) 1 (David)

Violin Concerto No.3 In G K.216

W.A. Mozart's Violin Concerto No.3 In G K.216 for Violin and Piano, as arranged by Wilhelm Weisman, with cadenza written by David Oistrach.

Crossing Borders 1

Crossing Borders is a new progressive series of volumes designed to introduce the developing pianist to a broad range of popular music, including jazz, blues, rock and pop.

Hymns and Descants from A Song to David

Barcarolles

The new Peters edition of Faure's Barcarolles, like that of the Nocturnes, draws on a very wide range of sources including piano rolls played by him and printed copies bearing his corrections.

David Wept For Slain Absalom Op. 246 No. 1

Das Pianobuch Volume 1

Containing the most extraordinary range of material – from Berio and Corea to Ginastera and Milhaud, these two volumes (see also EP10906B) must surely become an essential part of therepertoire of every serious Piano teacher.

Half Moon Rising

Half Moon Rising offers a broad range of choirs an informed introduction to performing Chinese choral music. The collection includes: a representative and contrasting selection of works from the past century - folksongarrangements, pieces mixing traditional Chinese and Western Romantic styles, and contemporary settings of ancient poetry; a broad range of styles and dialects, illustrating the region’s rich diversity, all presented with thetransliterated original text; poetic English translations below the staves and introductions containing information on the composers/arrangers, performance notes, and literal English translations

Das Pianobuch Volume 2

Containing the most extraordinary range of material – from Berio and Corea to Ginastera and Milhaud, these two volumes (see also EP 10906b), these two volumes must surely become an essential part of the arsenal ofrepertoire for every serious piano teacher

Les Pêcheurs De Perles : Opera in 3 Acts.

This major new Urtext edition of Bizet’s classic opera is a reconstruction of Bizet’s original intentions as indicated in the vocal score he himself prepared in 1864. With the original French text and an English translation by David Parry, and supported by complete orchestral material, this is both an authoritative and practical edition.

Concerto in E minor Op.64

Felix Mendelssohn's Violin Concerto in E minor, Op. 64, is his last large orchestral work. It forms an important part of the violin repertoire and is one of the most popular and most frequently performed violin concertos inhistory. A typical performance lasts just under half an hour. Mendelssohn originally proposed the idea of the violin concerto to Ferdinand David, a close friend and then concertmaster of the Leipzig Gewandhaus Orchestra.Although conceived in 1838, the work took another six years to complete and was not premiered until 1845. During this time, Mendelssohn maintained a regular correspondence with David, who gave him many suggestions. The workitselfwas one of the foremost violin concertos of the Romantic era and was influential on many other composers.

Crossing Borders 2

Crossing Borders is a new progressive series of volumes designed to introduce the developing pianist to a broad range of popular music, including jazz, blues, rock and pop. Most of the pieces are original, written by RemoVinciguerra, and the series as a whole is intended to be used as a lively and entertaining parallel to the standard classical training.The rhythmic, melodic and harmonic fingerprints of a wide range of popular styles aregradually introduced, yet a classical spirit or framework can also be recognised in much of the music.In accordance with the relative freedom typical of popular music, many interpretative decisions, especiallyconcerningdynamics and pedalling, are left to the players. Tempo indications are for guidance only, and need not be taken too literally.

Crossing Borders 4

Crossing Borders is a new progressive series of volumes designed to introduce the developing pianist to a broad range of popular music, including jazz, blues, rock and pop. Most of the pieces are original, written by RemoVinciguerra, and the series as a whole is intended to be used as a lively and entertaining parallel to the standard classical training.The rhythmic, melodic and harmonic fingerprints of a wide range of popular styles aregradually introduced, yet a classical spirit or framework can also be recognised in much of the music.In accordance with the relative freedom typical of popular music, many interpretative decisions, especiallyconcerningdynamics and pedalling, are left to the players. Tempo indications are for guidance only, and need not be taken too literally.

Crossing Borders 3

Crossing Borders is a new progressive series of volumes designed to introduce the developing pianist to a broad range of popular music, including jazz, blues, rock and pop. Most of the pieces are original, written by RemoVinciguerra, and the series as a whole is intended to be used as a lively and entertaining parallel to the standard classical training.The rhythmic, melodic and harmonic fingerprints of a wide range of popular styles aregradually introduced, yet a classical spirit or framework can also be recognised in much of the music.In accordance with the relative freedom typical of popular music, many interpretative decisions, especiallyconcerningdynamics and pedalling, are left to the players. Tempo indications are for guidance only, and need not be taken too literally.

Crossing Borders 6

Crossing Borders is a new progressive series of volumes designed to introduce the developing pianist to a broad range of popular music, including jazz, blues, rock and pop. Most of the pieces are original, written by RemoVinciguerra, and the series as a whole is intended to be used as a lively and entertaining parallel to the standard classical training.The rhythmic, melodic and harmonic fingerprints of a wide range of popular styles aregradually introduced, yet a classical spirit or framework can also be recognised in much of the music.In accordance with the relative freedom typical of popular music, many interpretative decisions, especiallyconcerningdynamics and pedalling, are left to the players. Tempo indications are for guidance only, and need not be taken too literally.

Crossing Borders 5

Crossing Borders is a new progressive series of volumes designed to introduce the developing pianist to a broad range of popular music, including jazz, blues, rock and pop. Most of the pieces are original, written by RemoVinciguerra, and the series as a whole is intended to be used as a lively and entertaining parallel to the standard classical training.The rhythmic, melodic and harmonic fingerprints of a wide range of popular styles aregradually introduced, yet a classical spirit or framework can also be recognised in much of the music.In accordance with the relative freedom typical of popular music, many interpretative decisions, especiallyconcerningdynamics and pedalling, are left to the players. Tempo indications are for guidance only, and need not be taken too literally.

Russian Operatic Arias for Soprano : 19th and 20th Century Repertoire

Fifteen arias from the Russian operatic canon that span the breadth of the 19th and 20th centuries, selected and edited by David Fanning for Soprano and Piano.Each aria is complete with translations in English, German andFrench, as well as a pronunciation guide. You'll find a full synopsis of each featured opera explaining fully the context in which each aria is presented. Includes works by Glinka, Shostokavich and Tchaikovsky.