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Let Nothing Ever Grieve Op.30

Johannes Brahms' Let Nothing Ever Grieve Op.30 composed for SATB choir with Piano accompaniment.

Angels ever watching

Lieder Volume 4

An anthology of 62 songs from Franz Schuberts's celebrated compositions, many of which are widely regarded as the finest ever written. Essential repertoire for the accomplished singer.

Lieder Volume 7

An anthology of 51 songs from Franz Schuberts's celebrated compositions, many of which are widely regarded as the finest ever written. Essential repertoire for the accomplished singer.

Lieder Volume 3

An anthology of 45 songs for low voice from Franz Schuberts's celebrated compositions, many of which are widely regarded as the finest ever written. Essential repertoire for the accomplished singer.

Let Nothing Ever Grieve Thee Op.30

15 Two-Part Inventions

Bach composed his 15 Two-Part Inventions or as he called them, Sinfonias, for Keyboard at the same time as their 15 Three-Part Counterparts. They are designed to, as Bach himself says: 'To playcleanly in two voices...(and) deal correctly with three obbligato voices...but, above all else, to acquire a true cantabile style of playing, and, with it, to get a good foretaste of the art of composition'.

Queen Elizabeth's Winchester Carol

Queen Elizabeth’s Winchester Carol, also known as ‘The Royal Carol’ uses a poem by King Henry VIII and equates the ever-green holly and ivy with the constancy of love. Composed for unaccompanied SATB divisi, and duration 3minutes.

Earthrise : Version for accompanied SATB Choir

A choral work inspired by the photograph of the same name taken from lunar orbit in 1968, considering the positive and negative sides of the human race's mastery and control of the world. The work was commissioned by the UK choir Ex Cathedra for its 40th anniversary, which fell in the same year (1969) as the 40th anniversary of the Moon landing. It was written for 40-part choir, on the model of Thomas Tallis's famous Spem in alium.

Henri Duparc: Complete Songs (High Voice) : Sämtliche Lieder (hohe Stimme und Klavier)

This is the first ever complete critical edition of Duparc´s songs. Edited by Roger Nichols, the elegantly presented music is supported by a fully comprehensive Critical Commentary which illuminates as never before the compositional stages of thesebeautiful songs. Roger Nichols´ international reputation as a leading authority on French music makes this edition essential for all singers who perform, study or teach these melodies.

Like as a Father

Dark as a Dungeon

Still as the Night

Dark as a Dungeon

Messe As-Dur D. 678

Soli, Chor und Orchester.

Res/As/Ex/Ins-pirer

Sonate 31 As Op.110

I Wonder as I Wander

As the hart panteth (Psalm 42)

As Adam Early in the Morning

Do You Doodle as You Dawdle?

Tossed as it is Untroubled (Meditation)

So Long As The Mind Keeps Silent

Ubi Caritas II: Through Infinite Ages

“Ubi Caritas II: Through Infinite Ages is a closely related sequel to my Ubi Caritas published in 2007. Re-imagining some of the same material, such as the main theme from the first piece, Ubi CaritasII is in one sense a more sunny version of its prequel. While Ubi Caritas II functions as an independent work, it is also intended to be used in combination with the other piece, for example as prelude/postlude‘bookends’, perhaps yielding a sense of unity and conclusion to the concert or recording. In those cases, I would usually recommend ending with Ubi Caritas II.” Ola GjeiloWatch here - CWU Chamber Choir: Gjeilo-Ubi Caritas II: Through Infinite Ages: