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Per Nørgård: Zigzag (Parts)

Per Nørgård: Zigzag (Parts)

Programme Note Zigzag ? percussion sextet (1981)ZIGZAG (1981, earlier entitled just SEXTET) is the second of my three percussion sextets (the other being RONDO (1964) and SQUARE AND ROUND (TWO DANCES) (1986)). ZIGZAG derives its characteristic rhythmic impulse from the establishing of simple metres (for instance four-bar patterns) that are abruptly cut off before completion, only to start over again immediately. This creates a sort of "cubistic" rhythmic effect, present also in my ISTERNIA (1979) for marimba solo and SONORA (1981) for flute and harp.Several percussion ensembles have performed SQUARE AND ROUND together with ZIGZAG, the latter played attacca as a third movement. I find the result of this combination convincing and satisfactory and I recommend it in performance ? with the title?Square, Round and Zigzag ? 3 pieces for percussion sextet? (1981/86).However, SQUARE AND ROUND as well as ZIGZAG may still be played separately.Per Nørgård

SEK 886.00
1

Per Nørgård: Zigzag (Score)

Per Nørgård: Zigzag (Score)

Programme Note Zigzag ? percussion sextet (1981)ZIGZAG (1981, earlier entitled just SEXTET) is the second of my three percussion sextets (the other being RONDO (1964) and SQUARE AND ROUND (TWO DANCES) (1986)). ZIGZAG derives its characteristic rhythmic impulse from the establishing of simple metres (for instance four-bar patterns) that are abruptly cut off before completion, only to start over again immediately. This creates a sort of "cubistic" rhythmic effect, present also in my ISTERNIA (1979) for marimba solo and SONORA (1981) for flute and harp.Several percussion ensembles have performed SQUARE AND ROUND together with ZIGZAG, the latter played attacca as a third movement. I find the result of this combination convincing and satisfactory and I recommend it in performance ? with the title?Square, Round and Zigzag ? 3 pieces for percussion sextet? (1981/86).However, SQUARE AND ROUND as well as ZIGZAG may still be played separately.Per Nørgård

SEK 485.00
1

Per Nørgård: Piano Concerto - Concerto In Due Tempi

Per Nørgård: Piano Concerto - Concerto In Due Tempi

Per Nørgård PIANO CONCERTO 'Concerto in due Tempi' was composed 1994-95 and dedicated to Per Salo, the pianist who also gave the world premiere on May 5, 1996 with the Danish National Radio Symphony Orchestra conducted by Leif Segerstam.The work has a duration of appr. 30 minutes. It unfolds itself as an uninterrupted interplay between the piano and the orchestral instruments, often in soloistic or chamber music combinations. An alto saxophone separates itself from the rest of the instruments, but contributes in a dramatic way to the ensemble playing, as a kind of ?anti-soloist?. ?Due tempi? does not refer to the number of movements, of which there is only one. This movement, however, invites a three-part interpretation (downwards, solo cadenza in the bass register, upwards!). The ?two tempi? in fact exist simultaneously and are in the ratio 7:5 (approximately the square root of two).Per Nørgård

SEK 1599.00
1