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Niels Rosing-Schow: Ut-Sons (Sea Songs) (Player's Score)

Niels Rosing-Schow: Ut-Sons (Sea Songs) (Player's Score)

Niels Rosing-Schow 's Ut-Sons (Sea Songs) for Guitar Duo (2016). Commissioned by 'OpenDays Festival' for the guitar duo Per Dybro Sørensen and Michael Norman. Programme note The work has been written for a first performance at the Utzon Center in Aalborg, Denmark. It is an important aspect of the work that it must communicate with the building's remarkable architecture. The title is a play on words on the name Utzon. Ut - Sons (French Ut = the note C) means 'C - sounds', and the note C is the centre of the opening music, which returns several times in the first half of the piece. C - sounds is deliberately miss-spelled as Sea Sounds in the subtitle of the work. This expresses the proximity of the sea, which is heard in the music as re-occurring broken chords similar to the sound of small, friendly waves on the beach sand. In between these easily recognizable musical elements are established 'musical rooms', which are different versions of a common harmonic musical material. The quasi-canonical passages played by the two guitarists are mirroring each other without ever being totally identical, thus reflecting thesubtle broken symmetries of the building. (Niels Rosing-Schow, 2016)

SEK 423.00
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Per Nørgård: Roads To Ixtlan.

Per Nørgård: Roads To Ixtlan.

All roads lead to Rome, as the saying goes - but do all roads also lead to Ixtlan, perhaps at another time? Ixtlan being the city of the highest aspirations of the Mexican sorcerer, Don Genaro (according to Carlos Casteneda, the anthropologist publishing a series of books on Don Juan, Don Genaro's col-league). There was no final outcome to Genaro's journey, and there will never be one. I will never reach Ixtlan, he said, so Genaro is still on his way there.(Ixtlan may perhaps be interpreted as the inner goal of your heart).In any case: in these three movements the three points of departure are utterly different; still they unanimously move towards just one melodic outcome, a kind of musical centre of gravitation.

SEK 304.00
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Roads To Ixtlan Stemmer, Kopi

Roads To Ixtlan Stemmer, Kopi

All roads lead to Rome, as the saying goes - but do all roads also lead to Ixtlan, perhaps at another time? Ixtlan being the city of the highest aspirations of the Mexican sorcerer, Don Genaro (according to Carlos Casteneda, the anthropologist publishing a series of books on Don Juan, Don Genaro's col-league). There was no final outcome to Genaro's journey, and there will never be one. I will never reach Ixtlan, he said, so Genaro is still on his way there.(Ixtlan may perhaps be interpreted as the inner goal of your heart).In any case: in these three movements the three points of departure are utterly different; still they unanimously move towards just one melodic outcome, a kind of musical centre of gravitation.

SEK 679.00
1

Per Nørgård: To H.C. Andersen Poesier

Per Nørgård: To H.C. Andersen Poesier

1. ?The Native Land of Light? (for mixed chorus, SATB)2. ?Come lift me up? (for mixed chorus, SATB *) *) the second movement may be performed by a children?s chorus or by the female voices (SSA) from a mixed chorusProgramme NoteFrom my very first aquaintance with these Andersen poems, I was deeply moved by the simple, almost naive, yet evocative imagery, with which Andersen realized his visions, images like: ?The Melody of the Heart?, ?The Poem of Beauty?, ?A Spiritual Hindustan?, ?Fly, Death, over the Sea of Time, fly to Eternal Summer?. Along with this ?childishness? Hans Christian Andersen?s poetry encompasses enormous ? almost Willim Blake-ish ? cosmic visions, in the interpolations between e.g. ?reaching the Heaven? as opposed to ?you?ll find it in a Rosebud?, or the juxtaposition of ?Everyday Life? and ?Eternal Poetry? - which become one. Thus the music came to life in my immediate encounter with these words, which almost sang themselves into my Musical Furnace ? if you will. Per Nørgård

SEK 135.00
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