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Dexter, H One More River 2pt/Piano

The Easiest Tune Book Of Christmas Carols Book 2

Thirty-one more carols arranged for easy piano with simple harmonies, lyrics and fingering, as compiled and arranged by Eleanor Franklin Pike.

Pyotr Ilyich Tchaikovsky: The Sleeping Beauty (Piano Duet)

An arrangement of the famous ballet by Tchaikovsky, with many of it's greatest themes and movements specially written for one Piano with four hands.

Massenet: Meditation For Organ

Romantic French composer Jules Massenet was one of the most prolific and celebrated operatic composers during his lifetime. This 'Meditation' is arranged for the organ.

Modest Mussorgsky: Gopak (Piano Duet)

An arrangement for four hands at one Piano, of the finale of Moussorgsky's unfinished comic opera Sorochintsï Fair. A light and entertaining piece at just under two minutes duration.

Jacques Offenbach: Gendarmes (TTBB)

Offenbach was a French composer of German origin and was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century. His 'Gendarmes' is written for TTBB.

William Boyce: Gavot From Symphony No. 4 (Organ)

In the 18th century, William Boyce was recognized as one of Britain’s most versatile and accomplished composers. The composer’s inventiveness and musicality are apparent in this late Baroque Gavot, which is a fine choice for processionals.Composer, Organist, and ecclesiastical arranger Wlliam Boyce was one of the leading musicians of his day. He completed the great tome Cathedral Music following the death of the editor which is still in use in Anglican services. He was widely celebrated for his odes, anthems, masques, incidental music and in particular his eight symphonies, from which this short dance is drawn. His work is enjoying a new appreciation.

Steal Away - Were You There? Sa Quodlibet (Hudson) Negro Spiritual

These two spirituals -- Steal Away and Were You There? -- have become staples in the gospel repertoire and have been skillfully and sensitively combined into a quodlibet for male Voices with Piano accompaniment. Twentieth century English Organist Hazel Hudson has published many of these combinations of separate tunes into one work, as well as works for student musicians and arrangements of religious music.The work is of intermediate difficulty and is an appealing piece for Choral programmes.

Johann Strauss II/Josef Strauss: Pizzicato Polka (Piano Duet)

This arrangement for Piano Duet depends upon the most delicate of staccato to reproduce the pizzicato effect, so it is both a delightful piece and superb practice for the intermediate pianist.Johann Strauss wrote the Pizzicato Polka, scored for String Orchestra with glockenspiel, with his brother Josef for a trip to St Petersburg. On the evening the novelty piece was introduced, such was the crowd’s enthusiasm that it was performed nine times. Similar scenes followed wherever the work was performed and it became one of the pair’s most popular works.

Stanley Dickson: Thanks Be To God

Thanks be to God is traditional in style and lends itself well to this four-part arrangement with stately chordal accompaniment. Few people know that ‘Stanley Dickson’ did not write this internationally renowned song of thanks. There was no ‘Stanley Dickson.’ It was a pseudonym, one of several used by Australian composer May Brahe to allow publishers to print more of her prodigious output. The only Australian woman composer of international renown in the first part of the 20th century, May Brahe also penned Bless This House and nearly 500 others.

Stephen Foster: Beautiful Dreamer (2-Part)

In the canon of American song, no name comes ahead of Stephen Foster. The 19th century composer wrote nearly 300 songs, creating some of the US’s best-known songs, among them Camptown Races, Swanee River, My Old Kentucky Home, Jeanie With The Light Brown Hair. These iconic tunes have been performed, recorded, mined for television and film scores and advertisements so much that many Americans recognize them without knowing their author. Beautiful Dreamer, one of Foster’s many sentimental ballads, was published after his death. In this arrangement, the song’s sentimentality has been honoured without exaggeration.

P Tchaikovsky: None But The Longing Heart

None But The Longing Heart (Often translated as None But The Lonely Heart ) is a song for solo Voice with Piano accompaniment. Written in 1869, it is the last in a collection of six Romances that formed the composer's opus 6. The words were originally written in German by Goethe, and translated into Russian by Lev Mey. The English words have been produced here by E. Teschemacher. Pyotr Ilyich Tchaikovsky (1840 - 1893) is one of the best-known Russian composers in the west. He was the first Russian composer to write in the European style, generating criticism from his peers for abandoning the Russian cultural heritage, but gathering acclaim across both Europe and America.

Albert Ketelbey: In A Monastery Garden (Simplified Edition)

Composer and arranger Albert W Ketèlbey is now almost unknown except for his work Bells Across the Meadows, but until the time of the Second World War, he strode the country’s musical stage like a giant of light musical entertainment. In 1929, he was declared ‘Britain’s greatest composer’ according to the number of performances of his works. Over the course of his career, he was a church Organist, musical director at London’s Vaudeville Theatre, editor to several music publishing firms and Music Director of the Columbia Gramophone Company.His most popular works are a series of Orchestral tone poems, like this one based on a verse from his own poem, In a Monastery Garden. The simplified version was prepared by the composer.

Js Bach: Prelude & Fugue No. 6 In D Minor Book 1

J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. Although he spent most of his life working as an organist and choirmaster, he was familiar with many different keyboard instruments. He utilised this knowledge when composing The Well-Tempered Clavier (1722), a collection of 24 Preludes and Fugues, in which he explored the harmonies accessible from every key. Prelude And Fugue In D Minor BMV 851 is No. 6 from Book One of the Clavier . It is written in a typical Baroque form. This popular edition from the highly-regarded musicologist Orlando Morgan is designed with the performer in mind, and is still seen as the best edition available for students today.

Js Bach: Prelude And Fugue No.5 In D Major Book 1 BMV 850

J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. Although he spent most of his life working as an organist and choirmaster, he was familiar with many different Keyboard instruments. He utilised this knowledge when composing The Well-Tempered Clavier (1722), a collection of 24 Preludes and Fugues, in which he explored the harmonies accessible from every key. Prelude And Fugue In D Major BWV 850 is No. 5 from Book One of the Clavier . It is written in a typical Baroque form, including an extended coda. This popular edition from the highly-regarded musicologist Orlando Morgan is designed with the performer in mind, and is still seen as the best edition available for students today.

Vaughan Williams Silent Noon In Eflat Voice And Piano

20th century English composer Ralph Vaughan Williams is perhaps best known for his symphonies and large-scale choral works, however the essence of his music can also be found in his songs. His 1903 House of Life cycle features 6 songs, out of which the most famous one is the second, Silent Noon . Composed before the rest of the cycle, and first published separately, this piece in E-flat major, for Voice and Piano can easily stand alone. By using the sonnet of renowned 19th century English painter and poet, Dante Gabriel Rossetti, Williams celebrates the beauty of the English language and advances toward the true 20th century English art song. All of the songs in House of Life are written for sonnets from Rossetti’s sonnet-sequence of the same name and thus the continuity of the cycle is enforced both by the music and the lyrics. At the same time, the similarity given by the strict rules of the Petrarchan sonnet-form emphasises the differences in mood, meaning and music between the six songs. Even though the (male) narrator in Silent Noon is optimistic and hopeful, some of the variations in the passages suggest the despairing of love in Song 6 (‘Love’s Last Gift’) which gives this piece an interesting, lyrical atmosphere.