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Franz Joseph Haydn: Trios Fur Zwei Floten Und Violoncello

Franz Joseph Haydn: Trios Fur Zwei Floten Und Violoncello

London, with its bustling musical scene, always provided Haydn with welcome surroundings at a time when the Flute was extraordinarily popular among English amateurs. The Earl of Abingdon, an accomplished flautist, undoubtedly enjoyed playing these entertaining trios. Abingdon was a member of Haydn ’s circle of acquaintances in London and a composer in his own right: a theme from one of his songs (“The Lady’s Mirror”) served Haydn for a set of variations in the second trio. Neither of the men could have foreseen the huge success that these cheerful and straightforward pieces would enjoy among music-lovers all over the world.

SEK 335.00
1

Kinsky/Halm - Das Werk Beethovens : The Works of Beethoven

Kinsky/Halm - Das Werk Beethovens : The Works of Beethoven

Since its publication in 1955, the Kinsky-Halm as it is known in musical circles, has been an integral part of any scholarly research into Ludwig van Beethoven's works. Yet it serves many other groups and is used by musicians,music scholars, those interested in music, antiquarian booksellers, librarians and authors of programme notes and booklets. The compendium gives information on every composition, including the genesis and performance history, thesources and relevant literature. Numerous musical examples aid the identification of the works.

SEK 844.00
1

Klavierquartett Nr. 2 G-moll : Opus 45

Klavierquartett Nr. 2 G-moll : Opus 45

Inspired by the success of his First Piano Quartet, published in 1884, the composer began a second work in this genre only a short time later. The style is considerably more serene and individual than that of the First Piano Quartet, and both the sequence and character of the movements are more reminiscent of Schumann and Brahms. In its Andante, as Fauré later recalled, he unconsciously set to music the memories of the sound of bells in his childhood. Through the comparison with the autograph, Fauré specialist Fabian Kolb was able to correct with this Urtext edition numerous errors of the first edition. As also in the case of the Henle edition of the First Piano Quartet, Pascal Rogé - an authority on French music - was responsible for providing the fingerings in the piano part.

SEK 526.00
1

Danzas Espanolas

Danzas Espanolas

This Spanish composer wrote compositions for every genre, but the piano was undoubtedly his main focus. The 12 Danzas españolas, first published in four volumes between 1890 and 1895, are an important highlight in his earlyoeuvre. My inspiration is founded above all in the singing of the people, explained Granados. Nevertheless, [these dances] are quite original and are no mere transcriptions. They thus set themselves apart from the conventionalfolkloric pieces of the time, belonging instead in the tradition of the character pieces of Chopin or Schumann. Their rhythms and melodies borrow from dances from all over Spain, and thisis what gives them their unique atmosphere.All available sources were consulted for this Urtext edition, including Granados's own recordings.

SEK 351.00
1

Johannes Brahms: Clarinet Sonatas Op.120

Johannes Brahms: Clarinet Sonatas Op.120

In the later years of his life, in the 1890s, Johannes Brahms was inspired by the clarinettist Richard Mühlfeld to compose Trio Op.114, Quintet Op.115 and the Sonatas Op.120 – three gems in the Clarinet chamber music repertoire. Brahms also provided a part for Viola as an alternative to the Clarinet. The revision of this Henle Urtext edition of the Viola version of Op.120 is based on the musical text of the New Brahms Complete Edition and in many respects contains significant improvements: the original autograph was consulted for the first time, the newly set Piano score now contains the Viola part, and Viola players can benefit from fingerings and bowings by Tabea Zimmermann in the solo part.

SEK 345.00
1

Symphony No. 9 D minor Op. 125

Symphony No. 9 D minor Op. 125

After the first sketches had been put to paper in 1815, Beethoven only finally put the finishing touches to his last completed symphony in 1824. With its extended finale in which soloists and choir perform, building the bridge to the symphonic cantata with their invocation of fraternity, it marks a caesura in the history of the symphony that echoed long into the nineteenth century. The main theme of the ode “To Joy” by Friedrich Schiller, set to music in the final movement, has become one of the most popular melodies in all of classical music and today serves as the official anthem of Europe. Based on the musical text of the Beethoven Complete Edition and furnished with a newpreface, this recently prepared edition reflects the latest in Beethoven scholarship. Now, in this study edition, it is available to everyone at a reasonable price and in a handy format.

SEK 250.00
1

Die Sieben letzten Worte unseres Erlösers am Kreuz : Hob. XX/2, Vokalfassung, Wissenschaftliche Gesamtausgabe, Kritischer Bericht, Reihe XXVIII, Band

Die Sieben letzten Worte unseres Erlösers am Kreuz : Hob. XX/2, Vokalfassung, Wissenschaftliche Gesamtausgabe, Kritischer Bericht, Reihe XXVIII, Band

Written entirely in German. When Haydn stopped in Passau on his second journey to England, he heard a vocal version of his own orchestral work The Seven Last Words. It had been made by the Kapellmeister at Passau cathedral JosephFriebert and Haydn was quite impressed - except: I believe I could have done the voice parts better. He acquired a copy and set about making his own vocal version, taking over most of the text. Haydn particularly liked his ownvocal work and it was also enthusiastically received by his contemporaries. The study edition is based on the volume (HN 5822) published as part of the Complete Edition by the Joseph Haydn Institute in Cologne.

SEK 1003.00
1

Samtliche Lieder Band II

Samtliche Lieder Band II

Beethoven’s importance as the creator of monumental orchestral works and of substantial chamber music and solo sonatas is so great that his rich song oeuvre is often hardly even noticed. But his Lieder offer a highly entertaining repertoire in which love songs and humorous songs alternate with serious pieces of philosophical or religious subject matter. Goethe, Claudius, Herder, Lessing, Gellert and Rousseau are among the authors whose poems he set. In this way, we are offered a panorama of the waning 18th and incipient 19th centuries with a specific blend of feeling for nature, Enlightenment thought and religious sensibility. This Henle Urtext edition in two volumes, which isbased on the Beethoven Complete Edition, also contains those songs which were rediscovered long after Beethoven’s death and were therefore hardly known for a long time. A detailed preface on the history and source situation of Beethoven’s art songs rounds off this edition.

SEK 457.00
1

Franz Joseph Haydn: String Quartets Op.77 And Op.103 (Urtext Edition)

Franz Joseph Haydn: String Quartets Op.77 And Op.103 (Urtext Edition)

These are the last of the nearly seventy quartets in Haydn ’s oeuvre. Originally he intended to write a set of six quartets, as so often in the past, but at the time they were written, in 1803, Haydn ’s health was so poor that he could not fully satisfy the commission from Prince Lobkowitz. Instead he published only two complete quartets as op. 77. Later he allowed an incomplete work consisting of two middle movements to appear as op. 103, adding to the print the portentous words: “Gone is all my strength, old and weak am I”. Musically, however, these quartets are anything but weak: they represent the aged composer virtually at the zenith of his powers. Haydn even went so far as to call op. 77, no. 2, his “most beautiful string quartet”.

SEK 379.00
1

Zwölf Gedichte Opus 35 : Liederreihe nach Kerner

Zwölf Gedichte Opus 35 : Liederreihe nach Kerner

As with the Dichterliebe (HN 549), Frauenliebe und Leben (HN 547) or the song cycles with texts by Heine and Eichendorff (HN 548 and 550), the Kerner Cycle op. 35 was written in 1840, Schumann’s “Liederjahr”. Yet it has a special place: it was composed in the time immediately following Schumann’s marriage to Clara Wieck. Schumann set a series of poems to music in November, during a “quiet week, which went by with composing and much loving and kissing”, and the cycle was complete by the turn of the year. It contains a great deal of intimate musical innuendos. The first edition of 1841 was soon followed by a second issue, many of the songs were published individually and the “Wanderlied” soon became a core piece in the repertoire. With Henle’s edition the songs in Schumann’s cycle are once again being published together in a single volume.

SEK 266.00
1

Sämtliche Klavierwerke Band 1

Sämtliche Klavierwerke Band 1

To commemorate the 200th anniversary of Robert Schumann’s birth, an ambitious project has been realized in 2010: For the first time since Clara Schumann’s Complete Edition of 1879 93, all of the works for piano solo are appearing as one editorialproject. All of the Schumann titles published by G. Henle Publishers have undergone a careful revision by Schumann expert Ernst Herttrich who also added works previously missing from our catalogue. The complete piano works, comprising six volumes,are now available in paperbound or clothbound editions, as well as a study edition set in a slipcase. Clearly ordered by opus numbers, the complete edition includes not only all of Schumann’spiano works, revised to reflect the latest scholarlyfindings, but also informative commentary texts, alternative versions and many things more.Contents: Abegg-Variationen op. 1- Papillons op. 2- Paganini-Etüden op. 3- Intermezzi op. 4- Impromptus op. 5- Davidsbündlertänze op. 6- Toccata op. 7

SEK 536.00
1

Sämtliche Klavierwerke Band 2

Sämtliche Klavierwerke Band 2

To commemorate the 200th anniversary of Robert Schumann’s birth, an ambitious project has been realized in 2010: For the first time since Clara Schumann’s Complete Edition of 1879 93, all of the works for piano solo are appearing as one editorialproject. All of the Schumann titles published by G. Henle Publishers have undergone a careful revision by Schumann expert Ernst Herttrich who also added works previously missing from our catalogue. The complete piano works, comprising six volumes,are now available in paperbound or clothbound editions, as well as a study edition set in a slipcase. Clearly ordered by opus numbers, the complete edition includes not only all of Schumann’spiano works, revised to reflect the latest scholarlyfindings, but also informative commentary texts, alternative versions and many things more.Contents: Fantasiestücke op. 12 (mit Anhang: WoO 28), Paganini-Etüden op. 10- Sonate fis-moll op. 11- Allegro h-moll op. 8- Carnaval op. 9

SEK 536.00
1

Samtliche Klavierwerke Band 2 (Clothbound)

Samtliche Klavierwerke Band 2 (Clothbound)

To commemorate the 200th anniversary of Robert Schumann’s birth, an ambitious project has been realized in 2010: For the first time since Clara Schumann’s Complete Edition of 1879 93, all of the works for piano solo are appearing as one editorialproject. All of the Schumann titles published by G. Henle Publishers have undergone a careful revision by Schumann expert Ernst Herttrich who also added works previously missing from our catalogue. The complete piano works, comprising six volumes,are now available in paperbound or clothbound editions, as well as a study edition set in a slipcase. Clearly ordered by opus numbers, the complete edition includes not only all of Schumann’spiano works, revised to reflect the latest scholarlyfindings, but also informative commentary texts, alternative versions and many things more.Contents: Fantasiestücke op. 12 (mit Anhang: WoO 28), Paganini-Etüden op. 10- Sonate fis-moll op. 11- Allegro h-moll op. 8- Carnaval op. 9

SEK 770.00
1

Samtliche Klavierwerke Band 1 (Clothbound)

Samtliche Klavierwerke Band 1 (Clothbound)

To commemorate the 200th anniversary of Robert Schumann’s birth, an ambitious project has been realized in 2010: For the first time since Clara Schumann’s Complete Edition of 1879 93, all of the works for piano solo are appearing as one editorialproject. All of the Schumann titles published by G. Henle Publishers have undergone a careful revision by Schumann expert Ernst Herttrich who also added works previously missing from our catalogue. The complete piano works, comprising six volumes,are now available in paperbound or clothbound editions, as well as a study edition set in a slipcase. Clearly ordered by opus numbers, the complete edition includes not only all of Schumann’spiano works, revised to reflect the latest scholarlyfindings, but also informative commentary texts, alternative versions and many things more.Contents: Abegg-Variationen op. 1- Papillons op. 2- Paganini-Etüden op. 3- Intermezzi op. 4- Impromptus op. 5- Davidsbündlertänze op. 6- Toccata op. 7

SEK 770.00
1

Concerto for Orchestra

Concerto for Orchestra

With the “Concerto for Orchestra,” Henle inaugurates a series of affordable study scores based on the text of the Bartók Complete Edition. When Bartók received the commission to compose this piece from Serge Koussevitsky in May 1943, it meant not only financial support, but also an important creative impetus for the gravely ill composer. By October, the five-movement concerto, which Koussevitsky enthusiastically dubbed “the best orchestral work of the last 25 years,” was already complete. The first performances in the winter of 1944–45 were also very successful. Nevertheless, Bartók was moved to set down an alternate ending, which thecomposer, who passed away in September 1945, would never be destined to hear. Bartók specialist Klára Móricz includes both versions in her edition and summarises the history and transmission of the “Concerto for Orchestra” in a fascinating foreword. A brief commentary section provides information about the principles underlying the edition.

SEK 292.00
1

Sämtliche Klavierwerke Band 3

Sämtliche Klavierwerke Band 3

To commemorate the 200th anniversary of Robert Schumann’s birth, an ambitious project has been realized in 2010: For the first time since Clara Schumann’s Complete Edition of 1879 93, all of the works for piano solo are appearing as one editorialproject. All of the Schumann titles published by G. Henle Publishers have undergone a careful revision by Schumann expert Ernst Herttrich who also added works previously missing from our catalogue. The complete piano works, comprising six volumes,are now available in paperbound or clothbound editions, as well as a study edition set in a slipcase. Clearly ordered by opus numbers, the complete edition includes not only all of Schumann’spiano works, revised to reflect the latest scholarlyfindings, but also informative commentary texts, alternative versions and many things more. Contents: Symphonische Etüden op. 13- Sonate mit Frühfassung [Concert sans Orchestre] f-moll op. 14- Kinderszenen op. 15- Kreisleriana op. 16

SEK 611.00
1

Samtliche Klavierwerke Band 3 (Clothbound)

Samtliche Klavierwerke Band 3 (Clothbound)

To commemorate the 200th anniversary of Robert Schumann’s birth, an ambitious project has been realized in 2010: For the first time since Clara Schumann’s Complete Edition of 1879 93, all of the works for piano solo are appearing as one editorialproject. All of the Schumann titles published by G. Henle Publishers have undergone a careful revision by Schumann expert Ernst Herttrich who also added works previously missing from our catalogue. The complete piano works, comprising six volumes,are now available in paperbound or clothbound editions, as well as a study edition set in a slipcase. Clearly ordered by opus numbers, the complete edition includes not only all of Schumann’spiano works, revised to reflect the latest scholarlyfindings, but also informative commentary texts, alternative versions and many things more.Contents: Symphonische Etüden op. 13- Sonate mit Frühfassung [Concert sans Orchestre] f-moll op. 14- Kinderszenen op. 15- Kreisleriana op. 16

SEK 876.00
1

Klaviertrio Nr. 2 c-moll Opus 66 : Piano Trio no. 2 in c minor op. 66

Klaviertrio Nr. 2 c-moll Opus 66 : Piano Trio no. 2 in c minor op. 66

After the great success of his first Piano Trio in d minor op. 49, some five years passed before Mendelssohn set to work on a new composition for this formation. But then the c-minor Trio came into being in a relatively shortperiod in March/April 1845 and was published around a year later. Much more sombre in character than the sibling work, this second trio is also considered much more difficult in terms of technique (above all in the piano part).Thus, it has always stood somewhat in the shadow of the earlier trio. However, chamber music aficionados generally regard it as the more mature and challenging work in terms of compositional technique. The trio, taken from thevolume Mendelssohn · Piano Trios HN 957, is now available from Henle for the first time also as a practical single edition.

SEK 367.00
1

21 Etüden für Violoncello : 21 Etudes for Violoncello

21 Etüden für Violoncello : 21 Etudes for Violoncello

“More than 20 years ago I was called upon by friends, artists, and aficionados to write about fingerings for the violoncello,” then-famous Berlin cellist Jean-Louis Duport thus opens his “Essai” from 1806, dedicated to “Professeurs de Violoncelle”. His methodology revolutionized cello technique, and the 21 etudes printed in its appendix are still regarded today as perhaps the most important set of studies for all budding cellists. Modelled after the volumes of etudes for violin, Henle is also issuing the Urtext here, together with all original fingerings and bowings, while also offering alternatives by the famous cellist and teacher Wolfgang Emanuel Schmidt. This edition also offers a second cello part provided by Duport for accompaniment.

SEK 292.00
1