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Johann Sebastian Bach: Two Part Inventions

Johann Sebastian Bach: Two Part Inventions

**Not for sale outside of the UK and Commonwealth.** All Piano students are familiar with Bach ’s Two Part Inventions – but virtuosos of the Keyboard also keep coming back to these timelessly beautiful but by no means easy works. It is hard to believe what Bach was able to express using only two parts! In his famous preface the composer himself calls the work an “Instruction” which teaches students and Keyboard lovers to “treat correctly” several parts, to “achieve a singing style in playing” and to “acquire a strong foretaste of composition”. This edition draws upon all known sources.

SEK 170.00
1

Ravel: Prélude À L'Après-Midi D'un Faune (Claude Debussy)

Ravel: Prélude À L'Après-Midi D'un Faune (Claude Debussy)

Ravel had limitless admiration for Debussy’s famous orchestral work, going so far as to say in an interview that it was his innermost wish to die to the sounds of this “unique marvel in the whole of music”. Since Debussy had himself already published a version for two pianos, Ravel in 1910 undertook an arrangement for piano 4-hands. It was published that same year by Fromont in Paris, and made an impact all of its own. Henle have been able to recruit Debussy specialist Denis Herlin as editor of this Henle Urtext edition, the first to evaluate all the available sources. The fingerings are by Andreas Groethuysen of the famous Tal & Groethuysen Duo.  

SEK 208.00
1

At The Piano -Beethoven: 9 Well-Known Original Pieces

At The Piano -Beethoven: 9 Well-Known Original Pieces

Beethoven’s 32 piano sonatas are the “New Testament” of music, according to Hans von Bülow. Our selection here does not take things quite so solemnly, because we have also taken the opportunity to show the more “worldly” side of the composer, with dances, bagatelles, the unusual character piece “Lustig und traurig” (“Happy and sad”), and of course the indestructible “Für Elise”. As usual in our series “At the piano”, all the pieces are arranged progressively from easy to medium level of difficulty. And you do not have to be in awe of Beethoven’s piano sonatas either: the highly Classical sonata in G major (essentially a sonatina) offers an ideal introduction to the many-facetted world of Beethoven’s sonatas. In contrast to this, we also show Beethoven the “poet at the piano”, with the first movement of his “Moonlight” Sonata in c-sharp minor, along with the funeral march from the Sonata in A-flat major – visionary creations that already point far ahead into the world of Romanticism.

SEK 234.00
1

Johannes Brahms: Symphonies No. 3 And 4 - Arrangement For Piano Four-Hands

Johannes Brahms: Symphonies No. 3 And 4 - Arrangement For Piano Four-Hands

In order to also promote the circulation of his works outside the concert hall, Johannes Brahms made Piano arrangements of many of his orchestral works. As the composer, he was able to take greater liberties than any other arranger would have been able to take. And it is precisely due to Brahms ’ creative ideas in the Piano scoring that his arrangements have enjoyed renewed interest in the music world over the past decades. With this Urtext edition of the Symphonies Nos. 3 and 4 , based on the musical text in the Johannes Brahms Complete Edition, our catalogue now contains all four symphonies in the authentic Piano arrangements made by the composer. Once again, Andreas Groethuysen has kindly provided the fingerings.

SEK 632.00
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Johannes Brahms: Sonata In E Minor Op. 38

Johannes Brahms: Sonata In E Minor Op. 38

The E minor Cello Sonata is the first work for one solo instrument and Piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata “whose two instruments are both absolutely easy to play” – and rightly so: contrary to the later F-major Sonata op. 99 (HN 1135), this early sonata is technically less demanding, yet musically more striking at the same time, so that it is a hit with amateurs and professionals alike. This Henle edition is based on the new Brahms Complete Edition and thus boasts, besides in-depth comments, a musical text revised according to the latest scholarly findings; as always, the Cello part is enhanced with additional markings.

SEK 180.00
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Johannes Brahms: Piano Pieces Op. 119

Johannes Brahms: Piano Pieces Op. 119

Johannes Brahms ’ summer sojourn in 1893 in Bad Ischl was productive. Alongside the pieces op. 118, he also wrote his last cycle of Piano pieces, opus 119. The composer wrote to Clara Schumann of the opening work, saying that it was teeming with dissonances and that: “ every measure and every note must sound like a ritardando, as if one wanted to suck the melancholy out of each single one, with lust and pleasure out of the aforementioned dissonances! ” Yet opus 119 contains something for every mood: No. 3 surprises with its lively and light C major, and the cycle is completed with the defiant rhapsody in E flat major. This edition, based on the Brahms Complete Edition, is an invitation to pianists to rediscover Brahms ’ complex cosmos.

SEK 165.00
1

At The Piano - Debussy: 9 Well-Known Original Pieces

At The Piano - Debussy: 9 Well-Known Original Pieces

You do not need to be a piano virtuoso to enter into the dream world of French Impressionism. With Debussy this is especially straightforward because he knows how to create masterly miniatures possessing poetic depth, even with simple technical means. Clair de lune is probably the best known of these, though by no means the only example, as our selection here proves. And whoever works through this volume successfully can then play a real concert piece in the shape of La cathédrale engloutie, the final work in our selection.

SEK 234.00
1

Frédéric Chopin: Scherzo B Flat Minor Op. 31

Frédéric Chopin: Scherzo B Flat Minor Op. 31

Chopin gave the “scherzo” a character all of its own, and his second Scherzo is probably the best known of the four works that he composed in that genre. In contrast to the first Scherzo, which survives only in its first editions, we are fortunate in that manuscript material is also extant for the second. These multitude sources are complemented by printed copies once belonging to Chopin ’s pupils that contain his own annotations, and which have been newly evaluated for this revised Henle Urtext edition. Footnotes provide information on authorised variants, and in addition to the report printed in the edition itself, a detailed critical report is available on the Internet with in-depth information for those keen to know more about the history of the sources.

SEK 155.00
1

Felix Mendelssohn Bartholdy: Concert Pieces Op.113 And 114 For Clarinet, Basset Horn (2 Clarinets) And Piano

Felix Mendelssohn Bartholdy: Concert Pieces Op.113 And 114 For Clarinet, Basset Horn (2 Clarinets) And Piano

“Favourite dish in exchange for favourite music” – this perfectly summarizes the genesis of the Konzertstücke. When the clarinettist Heinrich Joseph Baermann and his son Carl, who also played the Basset Horn, stopped to pay a visit to Felix Mendelssohn Bartholdy in 1832, they came to a most curious agreement: they promised their composer friend a generous portion of “Dampfnudeln” (steamed dumplings) and “Rahmstrudel” (sweet-cheese strudel) that Mendelssohn was mad about, if he were to write a piece for them which they could use on their concert tours. The Konzertstück in f minor that originated in this fashion was followed shortly afterwards by a second one in d minor. Both are extremely effective works which wonderfully bring out the unique sound and performance technique of the two instruments from the Clarinet family.

SEK 335.00
1

Johann Sebastian Bach: Sinfonias (Three Part Inventions)

Johann Sebastian Bach: Sinfonias (Three Part Inventions)

Johann Sebastian Bach ’s three-part Sinfonias acquaint pianists of every age with the art of playing three equal parts with just two hands – a true phenomenon. It is no accident that these pieces, together with the two-part Inventions, are considered indispensable to every pianist. This beautiful music has lost nothing of its relevance to us nearly 300 years after its creation. Henle are now presenting a 2015 edition of this classic collection, which draws upon all known sources and offers the best in instruction, especially with respect to the transmitted embellishment variants. This volume is ideal for pianists of every age.

SEK 165.00
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Gabriel Fauré: Violin Sonata No.2 E Minor Op.108

Gabriel Fauré: Violin Sonata No.2 E Minor Op.108

Fauré ’s 2nd Violin Sonata was written in 1916 in Evian and Paris, the first in a series of chamber music works. It is thus one of Faure ’s late works, characterised by austerity, introspection and the intensity of its expression. It is hard to imagine a greater contrast to the brilliant and ornamental style of the virtuosic 1st Violin Sonata (HN 980), published 40 years earlier. The 2nd Sonata concentrates on the essentials, and on closer contact turns out to be a fascinating composition that harmonically explores the limits of tonality, delving deep into the “Modernism” of the 1920s.

SEK 399.00
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Claude Debussy: Minstrels From Préludes I For Violin And Piano

Claude Debussy: Minstrels From Préludes I For Violin And Piano

The first volume of Debussy ’s Préludes for Piano (HN 383) was published in 1910 and was soon followed by arrangements for various scorings commissioned by the original publisher. Debussy personally transcribed only one Prélude, Minstrels , which was released in 1914 in a version for Violin and Piano. Back at that time, “ Minstrels ” was the name given to comedians who performed in blackface and caricatured the alleged behaviour of Blacks in America. The arrangement is of interest not only to pianists, since Debussy intervened in the original musical text by adding variants, but also to violinists, who will discover charming and rewarding music of medium difficulty (5 of 9).

SEK 139.00
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Max Reger: Clarinet Quintet In A, Op. 146

Max Reger: Clarinet Quintet In A, Op. 146

With his Clarinet quintet, begun in 1915, Reger was remembering his role models Mozart and Brahms, whose works in this genre he particularly admired. This melancholic quintet that is worked through in a strictly motivic way was to be Reger ’s last opus. Shortly after he had sent it to his publisher, he died of heart attack in May 1916. The quintet was to become his swan song, first performed at a memorial for the composer on 6 November 1916. Almost one hundred years later, we are now publishing it for the first time in an Urtext edition, edited by the Reger scholar Michael Kube.

SEK 563.00
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Max Reger: Clarinet Quintet In A Major Op.146

Max Reger: Clarinet Quintet In A Major Op.146

With his Clarinet Quintet , begun in 1915, Reger was remembering his role models Mozart and Brahms, whose works in this genre he particularly admired. This melancholic quintet that is worked through in a strictly motivic way was to be Reger ’s last opus. Shortly after he had sent it to his publisher, he died of heart attack in May 1916. The Quintet was to become his swan song, first performed at a memorial for the composer on 6 November 1916. Almost one hundred years later, Henle are now publishing it for the first time in an Urtext edition, edited by the Reger scholar Michael Kube.

SEK 250.00
1

Brahms: Horn Trio E Flat Major Op. 40 (Score/Parts)

Brahms: Horn Trio E Flat Major Op. 40 (Score/Parts)

This Trio’s unusual scoring for horn, violin and piano prompted speculation early on about a possible background to it that had no connection with music. Brahms’s biographer Max Kalbeck saw in it a lament for the composer’s mother, recently deceased, to whom he had supposedly played folk songs on the horn in his childhood. There is no doubt that Brahms loved the sound of the natural horn, and bestowed several of his most inspired melodies on the instrument. Horn players justifiably adore this Trio op. 40, and this Henle Urtext edition now offers an optimal basis for studying and performing this masterpiece. This edition follows the musical text of the New Brahms Complete Edition and thus guarantees the greatest fidelity to the sources and reflects the current state of research. The pianist Klaus Schilde has added helpful fingerings to the piano part. Extra parts are also provided for the alternative scoring authorised by Brahms (with viola or cello instead of horn).

SEK 404.00
1

Alexander Glasunow: Élégie Op. 44

Alexander Glasunow: Élégie Op. 44

A precious gem of romantic Viola literature is now available in Henle quality. Thanks to the publisher’s good connections to Russian archives, we were able to assess Glazunov ’s autograph for the first time for this first Urtext edition, and uncover the discrepancies between the autograph and the first print. Written in 1893 for the Danish violist Franz Hildebrand, the Élégie is one of the few original works of the 19th century for Viola and thus a welcome enrichment of the repertoire. Since the piece does not make any particularly high technical demands on the soloist, the Élégie is ideally suited for teaching as well – and Tabea Zimmermann’s fingerings guarantee the best possible support.

SEK 160.00
1

Robert Schumann: String Quartets Op. 41 (Study Score)

Robert Schumann: String Quartets Op. 41 (Study Score)

Although Schumann ’s first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets Op.41 in a minor, F major and A major were written in one go in June/July 1842. At the first private performances the audience was enthusiastic and it was Mendelssohn’s praise in particular that occasioned Schumann to dedicate the new works to him. The composer wrote to his publisher in an appropriately confident manner: “ Be assured, I have spared no pains in creating something very decent, indeed I sometimes think it is my best ”. As is generally known, today Schumann ’s Opus 41 forms part of the core repertoire for Quartet players.

SEK 335.00
1

Robert Schumann: String Quartets Op.41

Robert Schumann: String Quartets Op.41

Although Schumann ’s first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets Op.41 in a minor, F major and A major were written in one go in June/July 1842. At the first private performances the audience was enthusiastic and it was Mendelssohn’s praise in particular that occasioned Schumann to dedicate the new works to him. The composer wrote to his publisher in an appropriately confident manner: “ Be assured, I have spared no pains in creating something very decent, indeed I sometimes think it is my best ”. As is generally known, today Schumann ’s Opus 41 forms part of the core repertoire for quartet players.

SEK 568.00
1

Domenico Dragonetti: The Famous Solo - Für Kontrabass Und Orchester

Domenico Dragonetti: The Famous Solo - Für Kontrabass Und Orchester

It is a bit of a paradox: one of Dragonetti ?s favourite pieces and also his showpiece, The Famous Solo , originally for Double Bass and Orchestra, is largely unknown today. This cannot be down to the virtuoso work itself, but is more likely due to the unclear source situation with its different versions. In this edition, Tobias Glöckler presents Dragonetti ?s autograph arrangement for Double Bass and String Quartet for the first time. For those who would like to study the orchestral version, there is also a Piano reduction, based on a contemporary model. Using this edition, The Famous Solo can be performed as needed in the solo and orchestral tuning ? Piano scores and quartet parts in e minor and f sharp minor are also included.

SEK 425.00
1

Johannes Brahms: Klavierkonzert Number 2 B Dur Op.83 - Klavierauszug

Johannes Brahms: Klavierkonzert Number 2 B Dur Op.83 - Klavierauszug

Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: “... a second one will sound different”. Nevertheless, a good 20 years elapsed before that second concerto finally took form, and only in 1881 was he able to announce: “I wanted to tell you that I have written a very small Piano concerto with a tiny little delicate Scherzo”. This Piano reduction of this anything-but-little symphonic concerto presents the solo part as it appears in the respective, recently published volume of the Brahms Complete Edition (HN 6020). Lars Vogt has succeeded in taming the opulent Piano writing with his fingerings. The refined arrangement of the complex orchestral part for the accompanying second piano stems from Johannes Umbreit.

SEK 367.00
1

Sergei Rachmaninoff: Prélude In G Minor Op. 23 No. 5

Sergei Rachmaninoff: Prélude In G Minor Op. 23 No. 5

As indestructible as Rachmaninoff ’s C-sharp-minor Prélude (HN 1211) may be, it is not his only Prélude to have begun a “solo career” of its own: with its rousing rhythms and rhapsodic middle section, the famous piece in G minor certainly takes its place among them. Pianists who aren’t yet ready to tackle the complete cycle of 24 Préludes (available as HN 1200) can still enjoy Rachmaninoff “at his best” with this work. In conjunction with Moscow’s Glinka Archives, we were able to consult the autograph sources for our Urtext edition of the Préludes, which means that this single edition thus also benefits from the Urtext’s excellent editorial and graphic quality. As with all of our Rachmaninoff editions, the fingerings were once again provided by Marc-André Hamelin.

SEK 107.00
1

At The Piano - Mozart: 15 Well-Known Original Pieces

At The Piano - Mozart: 15 Well-Known Original Pieces

This volume opens with especially easy minuets written by Mozart when he was just eight years old. A successful mix of well-known and unusual pieces leads the player all the way to the profound Fantasy in d minor. A special feature here is the C-major study, which has not been available in any Henle edition until now. Selected individual movements from Mozart’s piano sonatas show the stylistic and emotional breadth and subtlety of his music, and offer manifold opportunities to practise and overcome specific technical challenges.

SEK 234.00
1

At The Piano - Grieg: 15 Well-Known Original Pieces

At The Piano - Grieg: 15 Well-Known Original Pieces

Edvard Grieg was a master of the Romantic miniature for piano, and with his ten volumes of “lyric pieces” he more or less created a new genre all on his own. These works offer an abundance of wonderful pieces that are ideal for a guided return to the piano. It proved difficult to choose a selection of them for our volume. But we also offer well-known pieces from the orchestral suites From Holberg’s Time and Peer Gynt, which Grieg himself arranged for the piano. Naturally they are presented superbly in true Urtext.

SEK 234.00
1

Ludwig Van Beethoven: Symphony No. 6 F Major (Pastoral Symphony) Op. 68

Ludwig Van Beethoven: Symphony No. 6 F Major (Pastoral Symphony) Op. 68

Beethoven most likely completed his 6th Symphony in early summer 1808. The work, called “Pastoral Symphony” by the composer himself, was given its first performance along with the 5th Symphony in Vienna in 1808. Both are frequently referred to as sibling works that complement one another. Based on the musical text of the Beethoven Complete Edition and provided with a new preface, this recently made edition represents the latest stage of Beethoven scholarship on this work. Thanks to this study score, the work is now available in a handy format and at an affordable price.

SEK 197.00
1