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Kuhnau Johann Complete Works For Keyboard Piano Organ Pf Bk

Complete works for keyboard from Henle. In German and English.

SEK 727.00

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Johannes Brahms: Double Concerto A Minor Op. 102

The cellist Robert Hausmann had actually requested a Cello concerto - but Brahms paired the Cello with a Violin in his " Double Concerto ". The unusual work has already been available as part of the new Brahms Complete Edition for several years. Using Brahms ’ original Piano reduction, Johannes Umbreit has produced a playable Piano setting that optimally renders the colourfulness of the score. The fingerings and bowings for the string parts have been supplied by the experienced soloists Frank Peter Zimmermann and Heinrich Schiff. The orchestral parts, based on the Complete Edition, are available from Breitkopf & Härtel (PB/OB 16104).

SEK 520.00

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At The Piano - Haydn: 8 Well-Known Original Pieces

Haydn’s piano sonatas are indispensable in the moderately difficult piano repertoire – not just because of their sheer playability, but also because of their humour and inventiveness. Besides several easy individual movements, our volume also includes two complete sonatas so that the performer can experience the broader dramatic trajectory of a multi-movement work. We further include some charming arrangements for piano that Haydn made of his own works – such as the slow movement of his String Quartet op. 76 no. 3, whose theme is better known today as the German national anthem.

SEK 234.00

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Ludwig Van Beethoven: Symphony No. 6 F Major (Pastoral Symphony) Op. 68

Beethoven most likely completed his 6th Symphony in early summer 1808. The work, called “Pastoral Symphony” by the composer himself, was given its first performance along with the 5th Symphony in Vienna in 1808. Both are frequently referred to as sibling works that complement one another. Based on the musical text of the Beethoven Complete Edition and provided with a new preface, this recently made edition represents the latest stage of Beethoven scholarship on this work. Thanks to this study score, the work is now available in a handy format and at an affordable price.

SEK 197.00

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Beethoven: Bagatelle In A Minor WoO 59 (Für Elise)

There are probably very few Piano students who have not tried their hand at this piece; it is undeniably one of the most popular classical Piano pieces today. And yet unanswered questions still remain. They not only concern details in the musical text but also its famous nickname: Is “Elise”, the reading in the dedication in the autograph, even actually correct? Or should it read “Therese”? And whom might Beethoven have actually meant? The revised musical text is now being published in advance of the long-awaited volume “Piano Pieces” in the Complete Edition, prepared by the Beethoven scholar Joanna Cobb Biermann.

SEK 96.00

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Beethoven Adelaide Op.46 Vce/Pf Urtx

No singer is able to ignore Beethoven’s Adelaide. There are thousands of recordings, and many amateurs also love this lyrical setting of Friedrich von Matthisson’s poem. Matthisson himself said of it: “Several composers have breathed life into this little lyrical fantasy with music; but none of them have, I deeply believe, so put the text into the shade with their melody as the genius Ludwig van Beethoven in Vienna.” We are publishing the Lied in a new practical single edition that follows the musical text of the Beethoven Complete Edition, with a detailed preface by the specialist on Beethoven’s Lieder Helga Lühning.

SEK 139.00

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Ludwig Van Beethoven: Symphony No. 5 In C Minor Op.67

Beethoven is presumed to have completed his 5th Symphony in early 1808; today, it is one of the most famous works of classical music of all. Its nickname “Fate Symphony” was given to it posthumously by Beethoven ’s biographer Anton Schindler; a title which no longer plays a role in modern-day Beethoven scholarship. Based on the recently published musical text of the Beethoven Complete Edition and supplied with a new preface by editor Jens Dufner, one of the most vibrant and stimulating orchestral works of the standard repertoire is now available in a practical format for travel, study or the concert hall.

SEK 197.00

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Alexander Skrjabin: Piano Sonata No. 4 In F Sharp Op. 30

Skrjabin ten complete Piano sonatas offer a fascinating insight into the Russian composer’s stylistic development. While his first works still fully reflect the late-romantic tradition, the late works keep bursting the bounds of tonality. The boldly outlined, two-movement Fourth Sonata marks a turning point, for it evokes the world of the “Poème de l’extase” with its mystical atmosphere hovering between ethereal rapture and ecstatic flight. The publication of opus 30 means that all of Skrjabin ’s sonatas are now available in Henle Urtext quality and edited by the expert Valentina Rubcova of Moscow – an invitation to all pianists to plunge into this unique cosmos.

SEK 170.00

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Johannes Brahms: Piano Pieces Op. 119

Johannes Brahms ’ summer sojourn in 1893 in Bad Ischl was productive. Alongside the pieces op. 118, he also wrote his last cycle of Piano pieces, opus 119. The composer wrote to Clara Schumann of the opening work, saying that it was teeming with dissonances and that: “ every measure and every note must sound like a ritardando, as if one wanted to suck the melancholy out of each single one, with lust and pleasure out of the aforementioned dissonances! ” Yet opus 119 contains something for every mood: No. 3 surprises with its lively and light C major, and the cycle is completed with the defiant rhapsody in E flat major. This edition, based on the Brahms Complete Edition, is an invitation to pianists to rediscover Brahms ’ complex cosmos.

SEK 165.00

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Johannes Brahms: Symphonies No. 3 And 4 - Arrangement For Piano Four-Hands

In order to also promote the circulation of his works outside the concert hall, Johannes Brahms made Piano arrangements of many of his orchestral works. As the composer, he was able to take greater liberties than any other arranger would have been able to take. And it is precisely due to Brahms ’ creative ideas in the Piano scoring that his arrangements have enjoyed renewed interest in the music world over the past decades. With this Urtext edition of the Symphonies Nos. 3 and 4 , based on the musical text in the Johannes Brahms Complete Edition, our catalogue now contains all four symphonies in the authentic Piano arrangements made by the composer. Once again, Andreas Groethuysen has kindly provided the fingerings.

SEK 632.00

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Johannes Brahms: Sonata In E Minor Op. 38

The E minor Cello Sonata is the first work for one solo instrument and Piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata “whose two instruments are both absolutely easy to play” – and rightly so: contrary to the later F-major Sonata op. 99 (HN 1135), this early sonata is technically less demanding, yet musically more striking at the same time, so that it is a hit with amateurs and professionals alike. This Henle edition is based on the new Brahms Complete Edition and thus boasts, besides in-depth comments, a musical text revised according to the latest scholarly findings; as always, the Cello part is enhanced with additional markings.

SEK 180.00

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Sergei Rachmaninoff: Prélude In G Minor Op. 23 No. 5

As indestructible as Rachmaninoff ’s C-sharp-minor Prélude (HN 1211) may be, it is not his only Prélude to have begun a “solo career” of its own: with its rousing rhythms and rhapsodic middle section, the famous piece in G minor certainly takes its place among them. Pianists who aren’t yet ready to tackle the complete cycle of 24 Préludes (available as HN 1200) can still enjoy Rachmaninoff “at his best” with this work. In conjunction with Moscow’s Glinka Archives, we were able to consult the autograph sources for our Urtext edition of the Préludes, which means that this single edition thus also benefits from the Urtext’s excellent editorial and graphic quality. As with all of our Rachmaninoff editions, the fingerings were once again provided by Marc-André Hamelin.

SEK 107.00

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Johannes Brahms: Klavierkonzert Number 2 B Dur Op.83 - Klavierauszug

Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: “... a second one will sound different”. Nevertheless, a good 20 years elapsed before that second concerto finally took form, and only in 1881 was he able to announce: “I wanted to tell you that I have written a very small Piano concerto with a tiny little delicate Scherzo”. This Piano reduction of this anything-but-little symphonic concerto presents the solo part as it appears in the respective, recently published volume of the Brahms Complete Edition (HN 6020). Lars Vogt has succeeded in taming the opulent Piano writing with his fingerings. The refined arrangement of the complex orchestral part for the accompanying second piano stems from Johannes Umbreit.

SEK 367.00

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Robert Schumann: Twelve Poems Op. 35, Set Of Songs On Texts By Kerner (High/Medium Voice)

As with the Dichterliebe (HN 549), Frauenliebe und Leben (HN 547) or the song cycles with texts by Heine and Eichendorff (HN 548 and 550), the Kerner Cycle op. 35 was written in 1840, Schumann ’s “Liederjahr”. Yet it has a special place: it was composed in the time immediately following Schumann ’s marriage to Clara Wieck. Schumann set a series of poems to music in November, during a “quiet week, which went by with composing and much loving and kissing”, and the cycle was complete by the turn of the year. It contains a great deal of intimate musical innuendos. The first edition of 1841 was soon followed by a second issue, many of the songs were published individually and the “Wanderlied” soon became a core piece in the repertoire. With this edition the songs in Schumann ’s cycle are once again being published together in a single volume.

SEK 287.00

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Brahms: Horn Trio E Flat Major Op. 40 (Score/Parts)

This Trio’s unusual scoring for horn, violin and piano prompted speculation early on about a possible background to it that had no connection with music. Brahms’s biographer Max Kalbeck saw in it a lament for the composer’s mother, recently deceased, to whom he had supposedly played folk songs on the horn in his childhood. There is no doubt that Brahms loved the sound of the natural horn, and bestowed several of his most inspired melodies on the instrument. Horn players justifiably adore this Trio op. 40, and this Henle Urtext edition now offers an optimal basis for studying and performing this masterpiece. This edition follows the musical text of the New Brahms Complete Edition and thus guarantees the greatest fidelity to the sources and reflects the current state of research. The pianist Klaus Schilde has added helpful fingerings to the piano part. Extra parts are also provided for the alternative scoring authorised by Brahms (with viola or cello instead of horn).

SEK 404.00

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Béla Bartók: Mikrokosmos, Volumes V-VI

Bartók’s Mikrokosmos is one of the milestones in the pedagogical piano repertoire – and yet it is also far more than a “classical” piano primer. These 153 piano pieces, organised in ascending order of difficulty, engage not only with technical aspects of piano playing, but also with the fundamentals of composition – from “Ostinato”, “Free variations” and “Imitation and inversion” concerning compositional technique, to programmatic ideas as in “From the diary of a fly” or the famous “Six dances in Bulgarian rhythm” that form the passionate close of this unique work. This Henle Urtext Edition is based on the corresponding volume of the Bartók Complete Edition that is currently in preparation, and also includes specific practical comments and tips concerning Bartók’s own performances. Furthermore, the six volumes of the first edition, which first appeared in 1940, are here gathered together in three practical double volumes that offer both beginners and advanced pianists a perfect introduction to this work.

SEK 377.00

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