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Ludwig Van Beethoven: Duo For Violin And Violoncello (Fragment)

Ludwig Van Beethoven: Duo For Violin And Violoncello (Fragment)

While he was still in Bonn, perhaps in 1792 the year he departed for Vienna, Beethoven wrote this Duo for Violin and Violoncello . We do not know whether he ever completed his work as only the beginning of a fast sonata movement has survived. It is on a page in a collection of sketch leaves that is today known as the “Kafka Miscellany”. Robert D. Levin has completed this fragment in the same style and thus for the first time it is in a version that can be performed. Our edition contains two performance scores of this lively showpiece, thus guaranteeing an optimal duo experience. A welcome addition to the repertoire.

SEK 170.00
1

Ravel: Prélude À L'Après-Midi D'un Faune (Claude Debussy)

Ravel: Prélude À L'Après-Midi D'un Faune (Claude Debussy)

Ravel had limitless admiration for Debussy’s famous orchestral work, going so far as to say in an interview that it was his innermost wish to die to the sounds of this “unique marvel in the whole of music”. Since Debussy had himself already published a version for two pianos, Ravel in 1910 undertook an arrangement for piano 4-hands. It was published that same year by Fromont in Paris, and made an impact all of its own. Henle have been able to recruit Debussy specialist Denis Herlin as editor of this Henle Urtext edition, the first to evaluate all the available sources. The fingerings are by Andreas Groethuysen of the famous Tal & Groethuysen Duo.  

SEK 208.00
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Johannes Brahms: Sonata In E Minor Op. 38

Johannes Brahms: Sonata In E Minor Op. 38

The E minor Cello Sonata is the first work for one solo instrument and Piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata “whose two instruments are both absolutely easy to play” – and rightly so: contrary to the later F-major Sonata op. 99 (HN 1135), this early sonata is technically less demanding, yet musically more striking at the same time, so that it is a hit with amateurs and professionals alike. This Henle edition is based on the new Brahms Complete Edition and thus boasts, besides in-depth comments, a musical text revised according to the latest scholarly findings; as always, the Cello part is enhanced with additional markings.

SEK 180.00
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Maurice Ravel: Pavane Pour Une Infante Défunte

Maurice Ravel: Pavane Pour Une Infante Défunte

According to Ravel himself, the strange title of the little Piano piece composed in 1899, “Pavane for a dead princess”, should not be ascribed too much importance. He chose it mainly because he liked the alliteration it contained. At the same time he did, however, agree that the music evokes “a pavane that a little princess once might have danced at the Spanish court”. Following its premiere in 1902 the simple but effective piece gained unparalleled popularity, not least reflected in the numerous arrangements made of it, one of which, for small orchestra, was by Ravel himself. We are publishing the work in its original version as a fitting addition to our works by Ravel .

SEK 128.00
1

Sergei Rachmaninoff: Prélude In G Minor Op. 23 No. 5

Sergei Rachmaninoff: Prélude In G Minor Op. 23 No. 5

As indestructible as Rachmaninoff ’s C-sharp-minor Prélude (HN 1211) may be, it is not his only Prélude to have begun a “solo career” of its own: with its rousing rhythms and rhapsodic middle section, the famous piece in G minor certainly takes its place among them. Pianists who aren’t yet ready to tackle the complete cycle of 24 Préludes (available as HN 1200) can still enjoy Rachmaninoff “at his best” with this work. In conjunction with Moscow’s Glinka Archives, we were able to consult the autograph sources for our Urtext edition of the Préludes, which means that this single edition thus also benefits from the Urtext’s excellent editorial and graphic quality. As with all of our Rachmaninoff editions, the fingerings were once again provided by Marc-André Hamelin.

SEK 107.00
1

At The Piano - Mendelssohn: 13 Well-Known Original Pieces

At The Piano - Mendelssohn: 13 Well-Known Original Pieces

At the piano with Mendelssohn – everyone naturally thinks first of his wonderful Songs without Words, from which we have chosen a varied selection here. But there are other pieces in this volume that are no less fascinating, such as several of his enchanting children’s pieces, which belong alongside Robert Schumann’s Kinderszenen. In compositions such as the Prelude in f minor, we can also discern the love that Mendelssohn the German Romantic bore for the polyphony of J. S. Bach.

SEK 234.00
1

At The Piano - J.S. Bach: 13 Well-Known Original Pieces

At The Piano - J.S. Bach: 13 Well-Known Original Pieces

Johann Sebastian Bach is more or less the alpha and omega of piano playing: there is hardly a piano pupil who did not start off with his little preludes or his inventions. And almost all pianists regard his Well-tempered Clavier as an unsurpassed highpoint in the history of piano music. Our volume follows these well-trodden paths, but not without the occasional sideways glance at some less prominent pieces by the Master, such as his picturesque “Capriccio on the departure of a beloved brother”.

SEK 234.00
1

At The Piano - Haydn: 8 Well-Known Original Pieces

At The Piano - Haydn: 8 Well-Known Original Pieces

Haydn’s piano sonatas are indispensable in the moderately difficult piano repertoire – not just because of their sheer playability, but also because of their humour and inventiveness. Besides several easy individual movements, our volume also includes two complete sonatas so that the performer can experience the broader dramatic trajectory of a multi-movement work. We further include some charming arrangements for piano that Haydn made of his own works – such as the slow movement of his String Quartet op. 76 no. 3, whose theme is better known today as the German national anthem.

SEK 234.00
1

At The Piano - Schumann: 17 Well-Known Original Pieces

At The Piano - Schumann: 17 Well-Known Original Pieces

Schumann was a poet at the piano, and the best known of his piano pieces bear programmatic titles such as “Träumerei” (“Reverie”), “Von fremden Ländern und Menschen” (“Of foreign lands and people”) or “Vogel als Prophet” (“The bird as prophet”). His whole oeuvre exudes a sense of poetic freedom, making him the Romantic composer par excellence. Whether in his easiest pieces for children from his Album for the Young or in the more demanding Papillons, we can hear Schumann’s own distinctive voice everywhere – a voice whose many registers can be experienced in this selection, which ranges from the easy to the moderately difficult.

SEK 234.00
1

Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

“ His present pieces must convince both connoisseurs and others alike of the unbiased opinion that Beethoven will in time become one of the greatest composers in Europe ”, thus wrote Joseph Haydn, when informing the Elector in Bonn on the progress of his pupil in 1793. However, the elector replied that he was already familiar with parts of the Parthia Op. 103 that had been sent as evidence of the composer’s progress. Beethoven had apparently only reworked an earlier composition. Nevertheless we must agree with Haydn: the Parthia and the Rondo WoO 25 that was originally intended as the final movement provide wonderful evidence of Beethoven ’s great skill. This Urtext edition also contains additional parts for Horns in F.

SEK 202.00
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Sergei Rachmaninoff: Vocalise Op.34 No.14 For Voice And Piano

Sergei Rachmaninoff: Vocalise Op.34 No.14 For Voice And Piano

Rachmaninoff composed his collection of 13 songs Op. 34 in 1912, but it was only three years later that he added a little closing piece without any text: the Vocalise , which soon outshone the other songs in terms of popularity and renown. Since its first performance in 1916 this expressive, melancholy piece has circulated in countless arrangements by others. Rachmaninoff himself made an arrangement for Orchestra and Voice, as well as one for orchestra alone. Our Urtext edition contains the original version for High Voice and Piano, and is based on the autograph sources in the Glinka Museum in Moscow. A particular highlight is the separate vocal part that not only serves singers well but also all those instrumentalists who wish to play this wonderful piece using the original solo part.

SEK 149.00
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Antonín Dvorák: Piano Trio No. 3 In F Minor Op.65

Antonín Dvorák: Piano Trio No. 3 In F Minor Op.65

**Not for sale outside of the UK and Commonwealth.** Dvořák worked longer and more intensively on this Trio than on just about any other chamber music work. After his first successes with pieces inspired by Czech folk music, namely the popular Slavonic Dances (HN 757 and 918), he now wanted to prove himself as a composer of the highest order. This is why in the following summer, he thoroughly reworked the Trio that he had written within eight weeks in spring 1883 before giving it to his publisher. Although Brahms’ music was the undeniable model for the new work, it did not hinder the unfolding of a very personal tone that blends expressiveness and passion. As with the “Dumky” Trio op. 90 (HN 799), Andreas Groethuysen is once again responsible for the fingerings of the Piano part.

SEK 436.00
1

Ludwig Van Beethoven: Symphony No. 6 F Major (Pastoral Symphony) Op. 68

Ludwig Van Beethoven: Symphony No. 6 F Major (Pastoral Symphony) Op. 68

Beethoven most likely completed his 6th Symphony in early summer 1808. The work, called “Pastoral Symphony” by the composer himself, was given its first performance along with the 5th Symphony in Vienna in 1808. Both are frequently referred to as sibling works that complement one another. Based on the musical text of the Beethoven Complete Edition and provided with a new preface, this recently made edition represents the latest stage of Beethoven scholarship on this work. Thanks to this study score, the work is now available in a handy format and at an affordable price.

SEK 197.00
1

At The Piano - Debussy: 9 Well-Known Original Pieces

At The Piano - Debussy: 9 Well-Known Original Pieces

You do not need to be a piano virtuoso to enter into the dream world of French Impressionism. With Debussy this is especially straightforward because he knows how to create masterly miniatures possessing poetic depth, even with simple technical means. Clair de lune is probably the best known of these, though by no means the only example, as our selection here proves. And whoever works through this volume successfully can then play a real concert piece in the shape of La cathédrale engloutie, the final work in our selection.

SEK 234.00
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Beethoven Adelaide Op.46 Vce/Pf Urtx

Beethoven Adelaide Op.46 Vce/Pf Urtx

No singer is able to ignore Beethoven’s Adelaide. There are thousands of recordings, and many amateurs also love this lyrical setting of Friedrich von Matthisson’s poem. Matthisson himself said of it: “Several composers have breathed life into this little lyrical fantasy with music; but none of them have, I deeply believe, so put the text into the shade with their melody as the genius Ludwig van Beethoven in Vienna.” We are publishing the Lied in a new practical single edition that follows the musical text of the Beethoven Complete Edition, with a detailed preface by the specialist on Beethoven’s Lieder Helga Lühning.

SEK 139.00
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Johannes Brahms: Double Concerto A Minor Op. 102

Johannes Brahms: Double Concerto A Minor Op. 102

The cellist Robert Hausmann had actually requested a Cello concerto - but Brahms paired the Cello with a Violin in his " Double Concerto ". The unusual work has already been available as part of the new Brahms Complete Edition for several years. Using Brahms ’ original Piano reduction, Johannes Umbreit has produced a playable Piano setting that optimally renders the colourfulness of the score. The fingerings and bowings for the string parts have been supplied by the experienced soloists Frank Peter Zimmermann and Heinrich Schiff. The orchestral parts, based on the Complete Edition, are available from Breitkopf & Härtel (PB/OB 16104). 

SEK 520.00
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Robert Schumann: String Quartets Op. 41 (Study Score)

Robert Schumann: String Quartets Op. 41 (Study Score)

Although Schumann ’s first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets Op.41 in a minor, F major and A major were written in one go in June/July 1842. At the first private performances the audience was enthusiastic and it was Mendelssohn’s praise in particular that occasioned Schumann to dedicate the new works to him. The composer wrote to his publisher in an appropriately confident manner: “ Be assured, I have spared no pains in creating something very decent, indeed I sometimes think it is my best ”. As is generally known, today Schumann ’s Opus 41 forms part of the core repertoire for Quartet players.

SEK 335.00
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Robert Schumann: String Quartets Op.41

Robert Schumann: String Quartets Op.41

Although Schumann ’s first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets Op.41 in a minor, F major and A major were written in one go in June/July 1842. At the first private performances the audience was enthusiastic and it was Mendelssohn’s praise in particular that occasioned Schumann to dedicate the new works to him. The composer wrote to his publisher in an appropriately confident manner: “ Be assured, I have spared no pains in creating something very decent, indeed I sometimes think it is my best ”. As is generally known, today Schumann ’s Opus 41 forms part of the core repertoire for quartet players.

SEK 568.00
1

Erik Satie: Nocturnes

Erik Satie: Nocturnes

With the five Nocturnes composed in 1919, Satie concluded the series of cyclically organized Piano pieces which, in a way, constitute the backbone of his oeuvre. As his models, he chose the eponymous pieces by John Field and Frédéric Chopin, borrowing not only the romantic, elegiac inflections, but also the tripartite form and rocking movement. Totally original, in turn, is the harmony which he devised according to his own system. Commenting on his Nocturnes, Satie once said: “ This is a different expression of myself ”. Indeed, the pieces, which are not difficult to play, seem unusually serious and far removed from the nonsense, parody and cabaret atmosphere that colour such a large part of his oeuvre.

SEK 133.00
1

Alexander Glasunow: Élégie Op. 44

Alexander Glasunow: Élégie Op. 44

A precious gem of romantic Viola literature is now available in Henle quality. Thanks to the publisher’s good connections to Russian archives, we were able to assess Glazunov ’s autograph for the first time for this first Urtext edition, and uncover the discrepancies between the autograph and the first print. Written in 1893 for the Danish violist Franz Hildebrand, the Élégie is one of the few original works of the 19th century for Viola and thus a welcome enrichment of the repertoire. Since the piece does not make any particularly high technical demands on the soloist, the Élégie is ideally suited for teaching as well – and Tabea Zimmermann’s fingerings guarantee the best possible support.

SEK 160.00
1

Johannes Brahms: Piano Pieces Op. 119

Johannes Brahms: Piano Pieces Op. 119

Johannes Brahms ’ summer sojourn in 1893 in Bad Ischl was productive. Alongside the pieces op. 118, he also wrote his last cycle of Piano pieces, opus 119. The composer wrote to Clara Schumann of the opening work, saying that it was teeming with dissonances and that: “ every measure and every note must sound like a ritardando, as if one wanted to suck the melancholy out of each single one, with lust and pleasure out of the aforementioned dissonances! ” Yet opus 119 contains something for every mood: No. 3 surprises with its lively and light C major, and the cycle is completed with the defiant rhapsody in E flat major. This edition, based on the Brahms Complete Edition, is an invitation to pianists to rediscover Brahms ’ complex cosmos.

SEK 165.00
1

Bernhard Henrik Crusell: Clarinet Concerto F Minor Op. 5

Bernhard Henrik Crusell: Clarinet Concerto F Minor Op. 5

The Swedish composer Bernhard Henrik Crusell was long viewed as an insider tip among clarinettists; in the meantime, his concertos have found their way to the concert stage. This is hardly surprising considering the enchanting music with which Crusell – himself a Clarinet virtuoso of international rank – has enriched the early romantic repertoire. Crusell ’s works needn’t shy from a comparison with Weber’s and Spohr’s Clarinet output. This Henle Urtext edition of the F-Minor Concerto marks the beginning of a new publication series of all three Clarinet concertos by Crusell which has been entrusted to the editor and clarinettist Nicolai Pfeffer. Since he combines editorial experience with many years of performance practice, the works are in the best possible hands.

SEK 287.00
1

Johannes Brahms: Symphonies No. 3 And 4 - Arrangement For Piano Four-Hands

Johannes Brahms: Symphonies No. 3 And 4 - Arrangement For Piano Four-Hands

In order to also promote the circulation of his works outside the concert hall, Johannes Brahms made Piano arrangements of many of his orchestral works. As the composer, he was able to take greater liberties than any other arranger would have been able to take. And it is precisely due to Brahms ’ creative ideas in the Piano scoring that his arrangements have enjoyed renewed interest in the music world over the past decades. With this Urtext edition of the Symphonies Nos. 3 and 4 , based on the musical text in the Johannes Brahms Complete Edition, our catalogue now contains all four symphonies in the authentic Piano arrangements made by the composer. Once again, Andreas Groethuysen has kindly provided the fingerings.

SEK 632.00
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Domenico Dragonetti: The Famous Solo - Für Kontrabass Und Orchester

Domenico Dragonetti: The Famous Solo - Für Kontrabass Und Orchester

It is a bit of a paradox: one of Dragonetti ?s favourite pieces and also his showpiece, The Famous Solo , originally for Double Bass and Orchestra, is largely unknown today. This cannot be down to the virtuoso work itself, but is more likely due to the unclear source situation with its different versions. In this edition, Tobias Glöckler presents Dragonetti ?s autograph arrangement for Double Bass and String Quartet for the first time. For those who would like to study the orchestral version, there is also a Piano reduction, based on a contemporary model. Using this edition, The Famous Solo can be performed as needed in the solo and orchestral tuning ? Piano scores and quartet parts in e minor and f sharp minor are also included.

SEK 425.00
1