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Carl Nielsen: Fantasy Pieces Op. 2 For Oboe And Piano

Carl Nielsen ’s Fantasy Pieces for Oboe and Piano were composed in 1889/90. Having just gained a position as a violinist in the Royal Danish Orchestra, Nielsen had already experienced success with his String Suite Op. 1 both as a composer and as a conductor. Several sketches and autographs bear witness to his intensive work on these contrasting pieces for Oboe, which were to appear in 1890 as his Opus 2. The two movements, Romance and Humoreske, are dedicated to the oboist Olivo Krause who played in the royal orchestra. His beautiful tone and virtuosic technique probably played no small part in the fact that these miniatures by the “young, talented composer” took the public and critics by storm at their first performance in March 1891.

SEK 202.00

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Georg Friedrich Händel: Air with Variations From Suite in E major (The Harmonious Blacksmith)

G. F. Handel (1685-1759) was a German-born British composer and organist who spent his life working in London. In addition to his well-known, large-scale works like the Water Music and Music for the Royal Fireworks , he wrote nearly 200 smaller works for keyboard instruments. The Harmonious Blacksmith is a popular name given to the final movement of Handel's Suite No. 5 in E major for Harpsichord, more properly known as Air and Variations (HWV 430). The work was published in 17620, but the name was added at some point in the 19th century, some 75 years after the composer’s death.

SEK 115.00

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J.S. Bach: Concerto For Violin And Orchestra In E BWV 1042

The Concerto For Violin And Orchestra In E (BWV 1042) was written in three movements: Allegro – Adagio – Allegro Assai . Its history is somewhat vague, as no autograph manuscript survives. Originally scored for Violin, Strings, and Continuo, it is presented here with a Piano reduction. Editorial suggestions for bowing and fingering have been provided, together with a “clean” copy for the violinist’s own use. J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. He spent most of his life working as an organist and choirmaster, but was also employed as a composer a many different Royal Courts.

SEK 234.00

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W.A. Mozart: Klarinettenquintett KV.581 Fragment KV.Anh.91

Ever since Mozart encountered the Clarinet in Mannheim in 1778 he loved the instrument’s warm and expressive tone. His friendship with Anton Stadler, the clarinetist in the Royal-Imperial Court Orchestra in Vienna, prompted him to compose not only the Clarinet Concerto (K. 622) but also this “Quintet of Quintets”, which was written two years before his death. Like almost all his works for the Clarinet, this Quintet was probably intended originally for the Basset Clarinet. However, it survives only in two posthumous prints, both of which call for a standard Clarinet. These prints form the basis of our edition. As an added bonus, the appendix contains a fragmentary Allegro in Bb major for the same combination of instruments.

SEK 261.00

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Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume 2 K.10-15

Leopold Mozart was only able to understand his son?s musical genius in terms of it being a God-given wonder: ?That my boy [...] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it?. In 1764 Wolfgang composed six sonatas in London ? possibly after the model of Johann Christian Bach?s ?Opus 2? ? that can either be played as piano trios, as violin sonatas or simply on the piano. ?Royal? sources were consulted for the edition: the copy in the British Library bears the handwritten note: ?This Volume belongs to the Queen 1788?.With marked and unmarked string parts.

SEK 351.00

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Wolfgang Amadeus Mozart: Clarinet Quintet In A Major K.581 And Fragment K.Anh.91 (516c)

Ever since Mozart encountered the Clarinet in Mannheim in 1778 he loved the instrument’s warm and expressive tone. His friendship with Anton Stadler, the clarinetist in the Royal-Imperial Court Orchestra in Vienna, prompted him to compose not only the Clarinet Concerto (K. 622) but also this “Quintet of Quintets”, which was written two years before his death. Like almost all his works for the Clarinet, this Quintet was probably intended originally for the Basset Clarinet. However, it survives only in two posthumous prints, both of which call for a standard Clarinet. These prints form the basis of our edition. As an added bonus, the appendix contains a fragmentary Allegro in Bb major for the same combination of instruments.

SEK 149.00

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Wolfgang Amadeus Mozart: Serenade major K. 375 for 2 Clarinets, 2 Horns and 2 Bassoons(with parts for horns E flat and F)

Late in the evening, on his name day in 1781, Mozart was on his way to bed when he suddenly heard familiar sounds coming from outside: the six musicians who had given the première of his Serenade in E-flat Major two weeks beforehand and whom he had described as “poor fellows, but who can blow together quite nicely” had now met in the courtyard and were serenading him with his own work. Although it was officially composed for Therese Hickel, in actual fact Mozart mainly wanted to impress Emperor Joseph II, whose chief of the royal chamber music often went to Therese’s house – “That’s the reason why I also put a little effort into it”. Did it really help? At any rate Mozart was appointed imperial chamber composer by Joseph II a few years later.

SEK 367.00

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Carl Nielsen: Fantasy Piece In G Minor (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Carl Nielsen 's Fantasy Piece In G Minor for Clarinet in Bb and Piano. Henle Urtext edition score. One of Nielsen 's early works, Fantasy Piece In G Minor was written between the ages of 16 and 18, while he was a member of the military band in the Danish town of Odense. With this miniature, he gave proof of his mature compositional talent on the one hand, and of the socialisation through the music of the classic and early romantic eras on the other. With its skilful interconnection of Italianate cantabilità and brilliant suppleness, the two-part Fantasy Piece offers a welcome change in the Clarinet repertoire. This edition is based on the sole surviving source, long considered a copy, in Copenhagen’s Royal Library, which has since been ascertainably identified as an autograph manuscript.

SEK 139.00

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W.A. Mozart: 9 Variations On A Minuet By Duport KV. 573

It is said that in a recital given on 23 March 1783 with the celebrated composer Christoph Willibald Gluck most likely in attendance, Mozart improvised variations on the song “Unser dummer Pöbel meint” from Gluck’s Singspiel Die Pilgrime von Mekka. He later put them to paper and had them printed three years later. It is quite possibly Christoph Willibald GlIn April and May 1789, Mozart, along with Prince Lichnowsky, undertook a journey via Dresden and Leipzig to Berlin, where he presumably played before the Prussian King Friedrich Wilhelm II. No doubt as a friendly homage to the royal chamber music director and cellist Jean-Pierre Duport, he anticipated his meeting by writing during the journey nine variations on a Minuet, also by Duport. Today they belong among Mozart’s most beloved variation cycles. uck’s celebrity that was responsible for K. 455 being one of Mozart’s musically most demanding variation cycles.

SEK 149.00

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Niels Gade: Fantasy Pieces Op 43 Clarinet/Piano

Along with Robert Schumann’s identically titled op. 73, the Fantasiestücke of 1864 by the Danish composer Niels Wilhelm Gade are an essential part of the repertoire of all clarinettists. Gade lived in Leipzig for a long time and had been among Schumann’s close friends. With this deeply romantic composition, he made an important contribution to establishing the clarinet as a chamber-music soloist. The four pieces in this collection can of course be performed separately, and are ideal teaching material. Our editor, the clarinettist Nicolai Pfeffer, has drawn upon the German and Danish first editions and the autograph in Copenhagen as sources, and consequently has been able to eliminate several discrepancies found in older editions.

SEK 218.00

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Carl Nielsen: Canto Serioso For Horn And Piano (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Carl Nielsen 's Canto Serioso for Horn in F and Piano. Urtext edition score. The Danish composer Carl Nielsen was one of the most original composers at the turn of the 20th century. Based on the German Romantic tradition he developed his own musical language, especially in his symphonies that are still played very frequently. He also, however, often turned to chamber music settings. Canto Serioso was originally written as an audition piece for the Copenhagen Opera Orchestra, where the position of low Horn player was to be filled. This fairly short work makes the most of the low register and the instrument’s sonorous mid-range, making it a welcome addition to the late Romantic repertoire for Horn.

SEK 165.00

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