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Wagner/Liszt: Overture To Tannhauser Piano Solo

Wagner/Liszt: Overture To Tannhauser Piano Solo

Looking back in 1876, Liszt admitted candidly to the publisher Breitkopf & Härtel that his “Wagner transcriptions” had “only served as modest propaganda for Wagner’s noble genius, using the meagre possibilities of the piano”. In fact, in around 1850, Wagner’s operas Der fliegende Holländer, Tannhäuser and Lohengrin – which would later be so successful – were only being performed at the Weimar Court Theatre under Liszt’s baton. Liszt was inspired to compose his Tannhäuser Paraphrase by performances in Weimar of the overture in 1848 and of the whole opera in February 1849. Liszt’s piano arrangement of the overture is a technically brilliant piece of the highest order. It is a further milestone in Henle Publishers’ series of Liszt’s Wagner arrangements.

SEK 218.00
1

Sonatinas For Piano Volume I Baroque to Pre-Classic

Sonatinas For Piano Volume I Baroque to Pre-Classic

Through the amiable genre of the sonatina, generations of piano pupils have slowly and cautiously approached its “big sister”, the sonata. With the aid of our three-volume selection of sonatinas from two centuries, intermediate piano pupils large and small can undertake an excursion through the development of piano music from the early 18th to the end of the 19th century. This first volume contains 26 easy to moderately difficult sonatinas from the time of the High Baroque and pre-classical periods by composers including C.P.E. and J.C.F. Bach, Handel, Georg Benda, Domenico Scarlatti and Antonio Soler. Since the term “sonatina” had quite diverse meanings at this time, the volumeoffers works of varied character. The simple pieces at the beginning provide a way in, then the sonatinas follow in chronological order. A table shows the most important embellishments and their correct execution according to the rules of the time. A large body of literature for piano lessons!

SEK 308.00
1

Johann Sebastian Bach: Flute Sonatas, Volume II (Three Sonatas attributed to J. S. Bach)

Johann Sebastian Bach: Flute Sonatas, Volume II (Three Sonatas attributed to J. S. Bach)

is now possible to add the epithet“previously“ to the formulation of these sonatas as “attributed to Bach” in the title of our Urtext edition, today it is assumed that none of the three sonatas was written by “Father” Bach, but rather by his son Carl Philipp Emanuel. Yet this, too, cannot be completely and unambiguously authenticated, doubts linger. In any case, the issue does not detract from the extraordinary popularity of, for example, the Sonatas in E flat major and g minor, which have stunningly beautiful slow movements. The sonatas are part of the flautist’s daily bread.

SEK 292.00
1

Max Reger: Fantasy and Fugue on B-A-C-H op. 46

Max Reger: Fantasy and Fugue on B-A-C-H op. 46

“For me, Sebastian Bach is the be-all and end-all of music; true progress lies and resides in him alone.” It was with these programmatic words that Max Reger prefaced his answer to a survey “What does Johann Sebastian Bach mean to me, and what is his significance for our time?”, posed by the editors of a magazine in 1905. Reger had already proven his adoration of Bach with his magnificent homage to the composer, written and published in 1900 and probably the best-known of his works for Organ. It is an established work in the concert repertoire of well-known virtuosi, but is also increasingly being performed by ambitious church musicians. Henle has now published this sea of notes and performance directions in an edition with a particularly clear and readable text.

SEK 292.00
1

Claude Debussy: La Cathédrale Engloutie Preludes 1 No.10

Claude Debussy: La Cathédrale Engloutie Preludes 1 No.10

This single edition – it is number 10 in the first volume of the Préludes (HN 383) of 1910 – shows the extent of Debussy ’s imagination as he conjures up the old city of Ys that has sunk into the sea. Debussy enjoyed playing this piece himself and also left behind a recording on Piano roll. This gives important insights into his tempi. The term prélude, reminiscent of Chopin, makes clear the return to traditional forms, which the now established composer was slowly embracing once again. The programmatic title, as with all of the Préludes, is only given at the end of the piece, thus underlining its passing significance.

SEK 128.00
1

Georg Friedrich Händel: Flute Sonatas, Volume II [Hallenser-Sonatas], three Sonatas attributed to Händel (with separate Flute/Basso Continuo part (two

Georg Friedrich Händel: Flute Sonatas, Volume II [Hallenser-Sonatas], three Sonatas attributed to Händel (with separate Flute/Basso Continuo part (two

The fact that the three so-called “Hallenser” Sonatas do not all date from Handel’s youth in Halle does not adversely affect their popularity. Since only very little is known about them, and because certain stylistic characteristics suggest an early composition date, the sonatas were formerly assigned to Handel’s Halle years. However, we now know that at least the e minor Sonata was written in London. We include a combined part for Flute/Basso in this Urtext edition, so that both players flautist and accompanist can play from this musical text. We are also offering, in addition to the thoroughbass figuring, a historically-appropriate thoroughbass realization withinthe score.

SEK 271.00
1

Johann Sebastian Bach: Inventions And Sinfonias

Johann Sebastian Bach: Inventions And Sinfonias

Johann Sebastian Bach ’s Inventions and Sinfonias are rightly considered as indispensable to every pianist. In his famous preface to the collection, Bach himself called it an “Instruction” which teaches students and keyboard lovers to “treat correctly” both two and three voices, to “achieve a singing style in playing” and to “acquire a strong foretaste of composition”. To this end, Bach created timelessly beautiful music which has lost nothing of its relevance to us nearly 300 years after its creation. We are now presenting a new edition of this classic collection, which draws upon all known sources and offers the best in “instruction”, especially with respect to the transmitted embellishment variants. 

SEK 308.00
1

J.S. Bach: Inventions And Sinfonias Piano Urtext

J.S. Bach: Inventions And Sinfonias Piano Urtext

Bach’s Inventions and Sinfonias are rightly considered as indispensable to every pianist. In his famous preface to the collection, Bach himself called it an “Instruction” which teaches students and keyboard lovers to “treat correctly” both two and three voices, to “achieve a singing style in playing” and to “acquire a strong foretaste of composition”. To this end, Bach created timelessly beautiful music, which has lost nothing of its relevance to us nearly 300 years after its creation. We are now presenting a new edition of this classic collection, which draws upon all known sources and offers the best in “instruction”, especially with respect to the transmitted embellishment variants. The new Bach – ideal for pianists of every age

SEK 261.00
1

Johann Sebastian Bach: Inventions And Sinfonias

Johann Sebastian Bach: Inventions And Sinfonias

Johann Sebastian Bach ’s Inventions and Sinfonias are rightly considered as indispensable to every pianist. In his famous preface to the collection, Bach himself called it an “Instruction” which teaches students and Keyboard lovers to “treat correctly” both two and three voices, to “achieve a singing style in playing” and to “acquire a strong foretaste of composition”. To this end, Bach created timelessly beautiful music which has lost nothing of its relevance to us nearly 300 years after its creation. This edition of the classic collection draws upon all known sources and offers the best in “instruction”, especially with respect to the transmitted embellishment variants. This volume is deal for pianists of every age.

SEK 222.00
1

J.S. Bach: Two Part Inventions Piano Urtext

J.S. Bach: Two Part Inventions Piano Urtext

All piano students are familiar with Bach’s two-part Inventions – but virtuosos of the keyboard also keep coming back to these timelessly beautiful but by no means easy works. It is hard to believe what Bach was able to express using only two parts! In his famous preface the composer himself calls the work an “Instruction” which teaches students and keyboard lovers to “treat correctly” several parts, to “achieve a singing style in playing” and to “acquire a strong foretaste of composition”. We are now presenting a new edition of this

SEK 170.00
1

Alban Berg: Piano Sonata Op.1 (Henle Urtext)

Alban Berg: Piano Sonata Op.1 (Henle Urtext)

An authoritative scholarly Henle Urtext edition of Alban Berg's Piano Sonata Op.1, edited by Ullrich Scheideler.Berg's pupil Adorno once said, "Whoever is seriously trying to comprehend Berg's music should closely apply themselves to the eleven-page piano sonata". It is tempting to enlarge upon this statement: Whoever is trying to get to grips with New Music will not be able to avoid Berg's opus 1. It is one of the most frequently played sonatas amongst the Second Viennese School piano compositions. With this publication Henle is introducing Urtext editions to classical modernism. Once again, pianists will find flawless engraving, an absolutely reliable musical text and a commentary based on the sources.

SEK 224.00
1

Robert Schumann: Song Cycle op. 24

Robert Schumann: Song Cycle op. 24

Schumann was the first to set a complete cycle of Heinrich Heine’s poems to music. His literary “forks of lightning” had already fascinated Schumann when he was 17 years old. However, he only wrote Opus 24 in 1840, in his “year of song”, choosing to set a cycle of poems from the “Buch der Lieder”. He wrote the following to his fiancée: “Ah, Clara, what bliss it is to write for the Voice”. This enthusiasm is reflected in each of the nine songs. This is Kazuko Ozawa’s third edition of a Schumann cycle to be published in Henle Urtext.

SEK 245.00
1

Robert Schumann: Four Marches Op.76 - Urtext

Robert Schumann: Four Marches Op.76 - Urtext

As he was interested in politics, Schumann took an active interest in the democratically motivated unrest in spring 1848. The following year he directly witnessed the May uprising in Dresden, after which he had to flee the country with his family. These circumstances influenced his music.As early as June, Schumann sent four out of originally five marches for Piano to his publisher, requesting him to publish them immediately. "I did not know of a better way in which to give vent to my feelings ? I wrote them in a true fervour." The Four Marches op. 76 are new to the Henle catalogue.

SEK 208.00
1

J.S. Bach: Two Part Inventions

J.S. Bach: Two Part Inventions

Bach's Two Part Inventions 1-15, included in this edition, were a part of what Bach described as his "honest method by which amateurs of the keyboard - especially, however, those desirous of learning - are shown a clear way not only (1) to learn to play cleanly in two parts, but also, after further progress, (2) to handle three obligate parts correctly and well; and along with this not only to obtain good inventions (ideas) but to develop the same well; above all, however, to achieve a cantabile style in playing and at the same time acquire a strong foretaste of composition." This Urtext edition makes use of the latest research, and thus is as accurate as possible. Those wishing to go on to three parts using this method may also consider Bach's Sinfonias (Three Part Inventions) HN1360.

SEK 146.00
1

W.A. Mozart: String Quintets - Book 1 (Study Score)

W.A. Mozart: String Quintets - Book 1 (Study Score)

“Because I only need four parts to express everything” – Haydn is said to have replied thus when asked why he had not composed a string quintet. Mozart saw things differently. He applied himself to this genre six times, even giving important parts to the two Violas. Following Volume II, which contains the three most often played quintets, we warmly recommend Mozart ’s first Quintet K. 174 to ensembles, (the 3rd and final volume was published in 2008). The editors were able to refer to the autograph, which is once again accessible. It shows Mozart ’s intensive compositional work, resulting in the fact that he composed the minuet and finale of the work a second time. The first version of both movements is included in the appendix of our edition, enabling insightful comparisons.

SEK 229.00
1

Joseph Haydn: The Seven Last Words of Christ Hob.XX/1B (String Quartet)

Joseph Haydn: The Seven Last Words of Christ Hob.XX/1B (String Quartet)

At the end of the 18th century, the town of Cádiz in southern Spain provided the backdrop for a Passion to mark Christ?s hour of death; its focal point was the reading and interpretation of Christ?s last words. Haydn was commissioned to write short meditative music to be played alternately with the readings. Haydn composed a work for orchestra. Due to its success, the publisher commissioned Haydn to make an arrangement for string quartet. As the wind instruments double the strings for the most part, only a few changes had to be made to the string parts. Here is the Henle Urtext Edition of Joseph Haydn's The Seven Last Words of Christ arranged for String Quartet, based upon on the musical text of the Haydn Complete Edition.

SEK 393.00
1

W.A. Mozart: Piano Sonata In C K.309 (284b) - Urtext

W.A. Mozart: Piano Sonata In C K.309 (284b) - Urtext

?I wish to do it to reflect the character of Mad:selle Rose,? Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannabich in Mannheim and during her lessons immediately introduced her to the Sonata K. 309 that he had composed for her. Indeed, in December 1777 according to her teacher she was already able to perform it ?excellently?. So that a great many other pupils might follow in her footsteps, Henle are now publishing this small gem that shows Mozart?s great skill in composing for the piano as a single edition with a new preface by the editor; it was previously only available in the complete volumes (HN1 and HN3).

SEK 160.00
1

J.S. Bach: Sinfonias (Three Part Inventions)

J.S. Bach: Sinfonias (Three Part Inventions)

Bach's Sinfonias 1-15 (Three Part Inventions), included in this edition, were a part of what Bach described as his "honest method by which amateurs of the keyboard - especially, however, those desirous of learning - are shown a clear way not only (1) to learn to play cleanly in two parts, but also, after further progress, (2) to handle three obligate parts correctly and well; and along with this not only to obtain good inventions (ideas) but to develop the same well; above all, however, to achieve a cantabile style in playing and at the same time acquire a strong foretaste of composition." This Urtext edition makes use of the latest research, and thus is as accurate as possible. Recommended follow up to Bach's Two Part Inventions, also published by G. Henle Verlag HN1169.

SEK 148.00
1

Joseph Haydn: Il Ritorno Di Tobia

Joseph Haydn: Il Ritorno Di Tobia

Written 25 years prior to Haydn's late great oratorios, his first oratorio, telling the Biblical story of young Tobias who is able to cure his blind father with heavenly help, is in the tradition of the Neapolitan oratorio and already displays signs of Haydn's personal style; it is one of the most significant sacred works that he had written up to that time. This applies both to the virtuoso arias as well as to the expressive choruses. This work was long-neglected, but this Urtext Study Edition reflects its renewed popularity.

SEK 685.00
1

Frederic Chopin: Preludes (Henle Urtext Edition)

Frederic Chopin: Preludes (Henle Urtext Edition)

Study Score, paperbound. Fréderic Chopin?s stay with George Sand on Mallorca in the winter 1838/1839 was ill-fated. Yet Chopin still managed to finish his 'Préludes' there which he had begun to compose in Paris. Today?s interpreter not only has to deal with numerous variant readings but also with corrupt performance traditions. The editor of this edition has taken the latest scholarly findings into account and in the musical text brings to light 'established' variants as well as others which are to be found in the sources.

SEK 176.00
1

Pyotr Ilyich Tchaikovsky: Sechs Stucke Fur Klavier Op. 19

Pyotr Ilyich Tchaikovsky: Sechs Stucke Fur Klavier Op. 19

Peter Ilyich Tchaikovsky numbers among the most frequently performed composers in the concert halls of the world. He had already composed two symphonies, three operas, the fantasy-overture “Romeo and Juliet” and a string quartet when he wrote his enchanting “Six Pieces for Piano” op. 19 in 1873. Each of the pieces is dedicated to one of his friends or to pianists close to him, and was individually tailored to their respective technical abilities. This Henle Urtext edition offers a preface that discusses in detail the genesis and the source situation of these piano pieces. They offer a good opportunity to get to know and love this popular Russian composer away from hisbest-known works.

SEK 324.00
1