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Ludwig Van Beethoven: Christus Am Ölberge Op.85 - Study Score

Ludwig Van Beethoven: Christus Am Ölberge Op.85 - Study Score

As the new house composer at the Theater an der Wien, Beethoven had an opportunity to perform an oratorio during Passiontide in 1803. In a very short space of time he drew up his one and only work for this genre. It deals with Christ's suffering and prayer in the garden of Gethsemane until he is taken prisoner.Following the première, the publisher of the first edition, who disliked the "operatic" libretto by Franz Xaver Huber, had an unauthorized revision of the texts undertaken. Although Beethoven resisted and demanded that it should be changed back to the original, this new version spread throughout the world.This Urtext edition presents the work with the original libretto that Beethoven set to music and following the text in the Beethoven Complete Edition.

SEK 436.00
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Joseph Haydn: Die Sieben Letzten Worte Unseres Erlösers Am Kreuze (The Seven Last Words On The Cross)

Joseph Haydn: Die Sieben Letzten Worte Unseres Erlösers Am Kreuze (The Seven Last Words On The Cross)

At the end of the 18th century, the town of Cádiz in southern Spain provided the backdrop for a Passion to mark Christ?s hour of death; its focal point was the reading and interpretation of Christ?s last words. Haydn was commissioned to write short meditative music to be played alternately with the readings. Haydn composed a work for orchestra. Due to its success, the publisher commissioned Haydn to make an arrangement for string quartet. As the wind instruments double the strings for the most part, only a few changes had to be made to the string parts. Here is the Henle Urtext Study Score of Joseph Haydn's The Seven Last Words of Christ arranged for String Quartet, based upon on the musical text of the Haydn Complete Edition.Also available as part of a 12 part set including all Haydn's works for String Quartet, Cat. No. HN9216

SEK 208.00
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Joseph Haydn: The Seven Last Words of Christ Hob.XX/1B (String Quartet)

Joseph Haydn: The Seven Last Words of Christ Hob.XX/1B (String Quartet)

At the end of the 18th century, the town of Cádiz in southern Spain provided the backdrop for a Passion to mark Christ?s hour of death; its focal point was the reading and interpretation of Christ?s last words. Haydn was commissioned to write short meditative music to be played alternately with the readings. Haydn composed a work for orchestra. Due to its success, the publisher commissioned Haydn to make an arrangement for string quartet. As the wind instruments double the strings for the most part, only a few changes had to be made to the string parts. Here is the Henle Urtext Edition of Joseph Haydn's The Seven Last Words of Christ arranged for String Quartet, based upon on the musical text of the Haydn Complete Edition.

SEK 393.00
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Wagner/Liszt: Overture To Tannhauser Piano Solo

Wagner/Liszt: Overture To Tannhauser Piano Solo

Looking back in 1876, Liszt admitted candidly to the publisher Breitkopf & Härtel that his “Wagner transcriptions” had “only served as modest propaganda for Wagner’s noble genius, using the meagre possibilities of the piano”. In fact, in around 1850, Wagner’s operas Der fliegende Holländer, Tannhäuser and Lohengrin – which would later be so successful – were only being performed at the Weimar Court Theatre under Liszt’s baton. Liszt was inspired to compose his Tannhäuser Paraphrase by performances in Weimar of the overture in 1848 and of the whole opera in February 1849. Liszt’s piano arrangement of the overture is a technically brilliant piece of the highest order. It is a further milestone in Henle Publishers’ series of Liszt’s Wagner arrangements.

SEK 218.00
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Johann Sebastian Bach: Flute Sonatas, Volume II (Three Sonatas attributed to J. S. Bach)

Johann Sebastian Bach: Flute Sonatas, Volume II (Three Sonatas attributed to J. S. Bach)

is now possible to add the epithet“previously“ to the formulation of these sonatas as “attributed to Bach” in the title of our Urtext edition, today it is assumed that none of the three sonatas was written by “Father” Bach, but rather by his son Carl Philipp Emanuel. Yet this, too, cannot be completely and unambiguously authenticated, doubts linger. In any case, the issue does not detract from the extraordinary popularity of, for example, the Sonatas in E flat major and g minor, which have stunningly beautiful slow movements. The sonatas are part of the flautist’s daily bread.

SEK 292.00
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Johann Sebastian Bach: Art Of The Fugue BWV 1080

Johann Sebastian Bach: Art Of The Fugue BWV 1080

Bach’s death meant that the Art of Fugue was left unfinished. In his father’s manuscriptCarl Philipp Emanuel noted exactly where the last fugue of the Art of Fugue broke off: “While working on this fugue, in which the name BACH appears in the countersubject, the author died.” Our editor Davitt Moroney brings the fugue to a close with 30 supplementary measures. There has been frequent speculation about what type of scoring would be most appropriate for the piece, particularly since Bach wrote the individual parts in score form and left no information about instrumentation. Certainly, strict fugues can be found in any ensemble scoring, this had been normal for centuries. It isremarkable, though, how the cycle can easily be played on the harpsichord or piano a strong argument for keyboard performance.

SEK 229.00
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Frederic Chopin: Preludes

Frederic Chopin: Preludes

Fréderic Chopin ’s stay with George Sand on Mallorca in the winter 1838/1839 was ill-fated. Yet Chopin still managed to finish his “ Préludes ” there which he had begun to compose in Paris. Today’s interpreter not only has to deal with numerous variant readings but also with corrupt performance traditions. The “ Préludes ” are the first edition to be completed in our comprehensive Chopin revisions; the editor has taken the latest scholarly findings into account and in the musical text brings to light “established” variants as well as others which are to be found in the sources. And there is another first here, too: the printed volume contains a shorter critical report – the extensive version with all the details can be downloaded.

SEK 399.00
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Robert Schumann: Intermezzi Op.4 (Piano)

Robert Schumann: Intermezzi Op.4 (Piano)

Encouraged by the success of his “Papillons”, Schumann composed his Intermezzi op. 4 , also known as “longer Papillons”, in 1832. Despite the at times improvisatory style, Schumann worked very carefully on this composition, “The Intermezzi are going to be something special – each note is going to be weighed up carefully”. The fact that Schumann was very preoccupied with counterpoint at the time cannot be missed. Bach’s influence can be especially felt in numbers 1 and 5, something that contemporary critics greatly appreciated. This edition has been revised in Schumann ’s anniversary year to reflect the latest scholarly findings. An extensive source critical text has also been included.

SEK 202.00
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Max Reger: Clarinet Sonata Op.107 - Version For Viola (Urtext)

Max Reger: Clarinet Sonata Op.107 - Version For Viola (Urtext)

Just as Johannes Brahms had done with his Opus 120, Reger also provided parts for two alternative solo instruments for his Sonata op. 107: "I will also arrange the clarinet part for viola, so that the work can also be played thus" (letter to his publisher). He by no means wanted to leave the arrangement of the viola part to the publisher, as slurs had to be changed here and there as well as octave transpositions had to be made - "only I can do this work!" The viola?s sonorous mid range comes close to that of the clarinet, but lends the work its own timbre. Viola players will also value this Urtext edition on account of the practical fingerings and bowing marks.?

SEK 314.00
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Robert Schumann: Three Piano Sonatas For The Young Op.118 - Urtext

Robert Schumann: Three Piano Sonatas For The Young Op.118 - Urtext

Following the resounding success of his Album for the Young op. 68, it seemed natural for Schumann to compose further works with an educational aim. This was part of a contemporary trend and his own children gave him many ideas.The Three Sonatas op. 118 are dedicated to his eldest daughters Marie, Elise and Julie, and can be understood as character studies of the three very different girls. They are comparatively demanding teaching material, although Schumann had intended this: "The young must also become accustomed to performing longer movements". Not only advanced students of the piano will enjoy these charming "sonatas for the young"!

SEK 261.00
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Marko Tajcevic: Songs from the Mur-Island, Little Pieces for Piano

Marko Tajcevic: Songs from the Mur-Island, Little Pieces for Piano

Marko Tajcevic (1900-1984) was a Croatian composer, teacher, and music critic. He was a slow and meticulous composer, completing only 54 works in his lifetime. He confined himself to small-scale chamber works, and was considered to be the “Master of the Miniature”. Like many of his works, Songs from the Mur-Island (1938) was inspired by folk-songs from his homeland. The Mur-Island is a county in the far north of Croatia, bordered by the River Mur. These Little Pieces for Piano are suitable for any pianist of Grade 3 standard, and are sure to provide a unusual and welcome diversion from the usual exam-style pieces.

SEK 167.00
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Edvard Grieg: Piano Concerto In A Minor Op.16 (2 Pianos)

Edvard Grieg: Piano Concerto In A Minor Op.16 (2 Pianos)

Piano and Piano reduction of orchestral score.Grieg's celebrated Piano Concerto turns out to be an editor's nightmare. Even during the composer's lifetime the work was so famous that it had to be reprinted over and over again, each time with revisions from the composer. A detailed preface throws light into the mare's nest of the sources. Einar Steen-Nökleberg, equally well-known for his complete recording of Grieg's piano music, has judiciously revised the piano reduction to make it more playable.

SEK 356.00
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Franz Schubert: String Quartet A Minor Op. 29 D 804 (Rosamunde)

Franz Schubert: String Quartet A Minor Op. 29 D 804 (Rosamunde)

The quartet in a minor is one of the chamber music works with which Schubert wanted to “pave the way to the great symphony” in spring 1824. At the same time he was paving his way to a wider audience, as the “Rosamunde” Quartet was the first and only string quartet that was not only publicly performed in Schubert’s lifetime but also published in parts. It is fortunate for us that this was the case because the autograph of this much-loved quartet is missing today and the only source for the work is the first edition. And this is precisely where the challenge lies, as the parts exhibit some inaccuracies regarding the articulation and dynamics. They have had to be carefully resolved, something which our new Urtext edition has done in an exemplary fashion. Its name can be traced back to Schubert’s incidental music to the play Rosamunde, which can be heard at the beginning of the Andante. Quite a few people might, however, be reminded of the Impromptu in B flat major op. post. 142 no. 3, in which Schubert later once again took up the beautiful melody.

SEK 234.00
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Joseph Haydn: The Seven Last Words Of Christ - Arrangement For Piano

Joseph Haydn: The Seven Last Words Of Christ - Arrangement For Piano

In 1786 Haydn was commissioned by the cathedral canon in Cádiz to write meditative music, which was to be performed alternately with readings of Christ's last words on Good Friday. Already in the spring of 1787 the orchestral version and an arrangement for string quartet (HN851 and HN9771) were published by Artaria in Vienna. Barely ten years later he also made an oratorio version, which Henle has published as a study score (HN9830). Although Haydn did not undertake the version for "Clavicembalo o Forte Piano" (harpsichord or fortepiano) himself, he received the proofs and praised the piano reduction as being "very good and conceived with particular care". In addition, this expressive work is also extremely well-suited to being performed on the organ.

SEK 330.00
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Joseph Haydn: String Quartets Book VII

Joseph Haydn: String Quartets Book VII

The chamber music world has been eagerly awaiting this ? all of Haydn's string quartets are finally available in Henle Urtext quality! The last edition to be finished contains the String Quartets op. 54/55, sometimes also known as the "First Tost Quartets". Contrary to what the opus numbers might suggest, it is a cohesive cycle of six works. Mozart's influence is felt more deeply, the forms are more diverse and the first Violin is every now and then required to do real acrobatics. In this volume in particular several treasures can be found that are not often played.

SEK 717.00
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Sonatinas For Piano Volume I Baroque to Pre-Classic

Sonatinas For Piano Volume I Baroque to Pre-Classic

Through the amiable genre of the sonatina, generations of piano pupils have slowly and cautiously approached its “big sister”, the sonata. With the aid of our three-volume selection of sonatinas from two centuries, intermediate piano pupils large and small can undertake an excursion through the development of piano music from the early 18th to the end of the 19th century. This first volume contains 26 easy to moderately difficult sonatinas from the time of the High Baroque and pre-classical periods by composers including C.P.E. and J.C.F. Bach, Handel, Georg Benda, Domenico Scarlatti and Antonio Soler. Since the term “sonatina” had quite diverse meanings at this time, the volumeoffers works of varied character. The simple pieces at the beginning provide a way in, then the sonatinas follow in chronological order. A table shows the most important embellishments and their correct execution according to the rules of the time. A large body of literature for piano lessons!

SEK 308.00
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J. S. Bach: Trio Sonata In G BWV 1038

J. S. Bach: Trio Sonata In G BWV 1038

Bach?s Trio Sonata In G BWV 1038 For Flute, Violin And Continuo has survived as a set of parts in Johann Sebastian Bach?s hand ? yet the source does not give a composer. Thus its authenticity has been called into question time and again. According to the latest research, however, this tone sensitive sonata is presumed to be an original work by Bach. Editor, Peter Wollny, a declared expert, outlines the reasons for this in detail. The violin part is to be played in scordatura according to the source, so this version has provided a part in original notation as well as in standard notation for regularly tuned violins.

SEK 287.00
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Max Reger: Clarinet Sonata Op.107 - Version For Violin (Urtext)

Max Reger: Clarinet Sonata Op.107 - Version For Violin (Urtext)

When Reger submitted his Clarinet Sonata op. 107 for printing, he remarked: "You immediately notice that the work was originally for clarinet (viola) but that it can also be played by violin and piano." He wrote the violin part himself, adjusting it to suit the needs of the violin. Even before the first performance of the original for clarinet, he had tried out the work with a violinist. "Should the critics claim once again that it is incomprehensible - then these gentlemen are simply first class asses. The work sounds very good, is intimate chamber music and not difficult to play together." There is nothing more to be said.?

SEK 314.00
1

Wolfgang Amadeus Mozart: Piano Sonata In A Minor KV 310

Wolfgang Amadeus Mozart: Piano Sonata In A Minor KV 310

This dark and tragic sonata in A minor, composed in Paris in 1778, tends to be linked with the death of Mozart’s mother on 3 July 1778. While this of course cannot be ruled out, not a single concrete piece of authentic evidence exists that points to such a connection. Use of a minor tonality as the compositional realization of a personal experience of pain is a sort of interpretation that also falls considerably too short, Mozart’s art is far too multifaceted for it to be pinned so one-dimensionally to his biography. The sole authoritative source for the Urtext edition of this much-loved and much-played sonata is Mozart’s autograph manuscript (which in parts is difficultto decipher), as the first edition published in 1781 (together with K. 309 and 311) is riddled with errors.

SEK 128.00
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Ludwig van Beethoven: 3 Variation Works WoO 70, 64, 77

Ludwig van Beethoven: 3 Variation Works WoO 70, 64, 77

This small volume comprises three variation cycles of Beethoven’s which are brought together in Urtext editions that are technically fairly easy to master (level of difficulty 3-5). Two of them, the Variations on a Swiss Song WoO 64 and the Variations on an original theme WoO 77, are already marked as “faciles” or “très faciles” in the titles of the respective first editions. When Beethoven sent a manuscript of the Variations on a Theme from Paisiello’s opera La Molinara to the lady for whom he had written the work, he is said to have added the words: “They are so easy that the lady should be able to sight-read them.” It is clear that such remarks were not to be taken tooseriously, all three variation cycles boast both musical and technical challenges.

SEK 117.00
1

Italian Violin Music Of The Baroque Era Volume 1

Italian Violin Music Of The Baroque Era Volume 1

Instrumental virtuosity and the new impulses of baroque thought are to be found in the solo sonatas that came into being in Italy from the early decades of the 17th century. Both aspects have been taken into account when selecting pieces for this interesting collected edition of Italian violin music of the baroque era. The first volume concentrates on two groups: on the one hand on Corelli in Rome, Torelli in Bologna and Veracini in Florence, and on the other, on the three famous representatives of the last generation of Italian baroque composers Geminiani, Tartini and Locatelli whose sphere of influence extended from Padua via Amsterdam to England. All the works have beenedited on the basis of the original sources, and therefore provide, in the tried and tested Urtext manner, a clear view of these baroque treasures. The preface gives explanatory notes on performance practice and basso continuo realization, and a list of variant readings rounds off this well-researched Urtext edition.

SEK 536.00
1

W. A. Mozart: Sonata A K331 (Revised Urtext Edition)

W. A. Mozart: Sonata A K331 (Revised Urtext Edition)

A sensational finding provided the impetus for this new edition. In autumn 2014 a hitherto unknown Mozart autograph of the famous Piano Sonata In A Major (with the enduring “Turkish March”) surfaced in Budapest. After a painstaking study of the manuscript and a meticulous comparison with all of the other sources, G. Henle Publishers is now issuing the first definitive Urtext edition of significant parts of this masterpiece (the new autograph does not contain the complete sonata). It must be said that there are serious deviations from the musical text as we know it. So we are proud to be able to say that it is not possible to seriously study this sonata without consulting our Urtext edition.

SEK 115.00
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