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Truhn 3 Bumble Bees Satb

Peter Warlock: Capriol Suite (Score And Parts)

English musician Peter Warlock composed the Capriol Suite for string orchestra in 1926. Five of its six movements are loosely based on ancient tunes drawn from 'Orchésographie,' which was a treatise on dance published in 1589. Includes well-known, original repertoire and arrangements. Refreshing ideas for your concert performance. Includes the following parts: Violin 1 ? 5.Violin 2 ? 5.Viola ? 3.Cello ? 3.Bass ? 3.

Ferguson 3 Mediaeval Carols Voice/Pf

Phillips, J 3 Scandinavian Songs Ensemble

Phillips, J 3 Scandinavian Songs Unison/Piano

Seiber 3 Hungarian Folk-songs (Welsh) Ttbb

Martin Shaw: An Anglican Folk Mass (SATB)

The music of Shaw?s Anglican Folk Mass has been adapted to the text of ?An order for Holy Communion, Series 3?. In addition to many minor alterations, the Gloria has necessitated some rather bigger changes. The music for the Acclamations has been freely adapted from the original ?Alternative Kyrie? for which Series 3 makes no call.

Sharp, C 3 Nonsense Folk Songs Unison/Piano

Craxton, H 3 Pieces In Hungarian Style Piano

Parkinson, Ja Four Chansons No.3 And 4 Satb/Pf

Purcell, H 3 4 & 5 Part Fantasias Score (Warlock/Mangeot)

Arr. Henry Balfour Gardiner: There Were Three Ravens

There Were Three Ravens  by  Henry Balfour Gardiner for unaccompanied SATB choir. This work is a setting of text from Melismata (1611) by Thomas Ravenscroft . Duration: approx. 3 1/2 minutes.

Cecil Armstrong Gibbs: Cherry Tree (Voice/Piano)

Cecil Armstrong Gibbs was a prolific and versatile English composer of the 20th century. Gibbs is best known for his output of songs, but he also wrote a considerable amount of music for the amateur choirs that he conducted. His reputation as a song-writer largely lies in his natural gift for text setting – he insisted on giving priority to the words over the music and had very clear musical ideas on what a song should be. These principles prevailed when writing The Cherry Tree in 1949 – the Voice is clearly put to the foreground, with the Piano only supporting the singer in the background, so a confident and capable performance is needed from the soloist. Words by Margaret Rose. Performance time approximately 3 minutes.

Clark On Ilkley Moor Baht 'at Satb

For an apparent folksong, On Ilkley Moor baht ‘at has a very reliable provenance. The tune, Cranbrook, was devised in 1805 by Thomas Clark, a shoemaker of Canterbury and prolific composer of hymns for, in particular, Nonconformist churches of southeastern England. It was sung to When Shepherds Watched Their Flocks By Night.Some decades later, an East Riding church choir on an outing is said to have created the new words following an incident on their walk. In the many years that the song has been sung as On Ilkley Moor, ever more rambunctious interpolations have been added, e.g. ‘yum, yum, yum’ or ‘up the ducks!’ following ‘Then we will go and eat up ducks’.In this version by composer and Curwen & Sons Chairman Maurice Jacobson, a descant has been added at verses 3, 6 and 9, and a lively interplay arranged between high and low Voices in the verse and Chorus.