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Ralph Vaughan Williams: String Quartet In G Minor Set Of Parts

String Quartet In G Minor set of parts. Full score also available for sale.

Eric Thiman: Six Pieces In Various Styles - Set 2

Six Pieces In Various Styles is a beautiful collection of short pieces for solo Organ, by English-born composer Eric Thiman. This is the second set of six pieces.

Gustav Holst: White Summer Rose (SATB)

The vocal score for White Summer Rose by Gustav Holst. From a set of 12 Welsh folksongs, set by the composer between 1930 and 1931.

G Jacob: Folly's Song

Music for Mixed Chorus Set to a Poem by John Keats

Vaughan Williams: Ca' The Yowes To The Knowes (Bar/TTBB)

Set to words by Robert Burns. A version for Baritone solo/TTBB.

C. Armstrong Gibbs: The Bees' Song

Set to words by Walter De La Mare, for SSA and Piano accompaniment.

Eric Thiman: Winter Nativity

Carol for SSA Choir and Piano, set to the words of K.M. Warburton.

Patrick Hadley: La Belle Dame Sans Merci (Vocal Score)

Poem by John Keats set to music for Tenor Solo, Chorus of Mixed Voices and Orchestra.

Ralph Vaughan Williams: String Quartet In G Minor Score

String Quartet In G Minor 1909, revised 1921. Study Score. Set of parts available for sale.

Jacobson, M Blow The Wind Southerly Satb

The North Country folk-song Blow The Wind Southerly , set by Maurice Jacobson for unaccompanied SATB choir.

Ralph Vaughan Williams: Merciless Beauty (String Trio)

Three rondels for High Voice and String Trio or Piano Accompaniment. Set to poems by Geoffrey Chaucer.

C.F. Chudleigh Candish: The Song Of The Jolly Roger (TTBB)

This highly popular and traditional song is set by C.F. Chudleigh Candish for men's voices with full Piano accompaniment.

C.F. Chudleigh Candish: The Song Of The Jolly Roger (TTBB Tonic Sol-Fa)

This highly popular and traditional song is set by C.F. Chudleigh Candish for men's voices. This is the Tonic Sol-Fa arrangement.

Bliss, A Set Of Act Tunes And Dances Score

Robert Schumann/Stuart Young: Butterfly

Stuart Young's Butterfly is an arrangement of Schumann's Papillons Op.2 No.8, and set to the words of Margaret Rose, for Unison Voice with Piano accompaniment.

Harry Ore: Three Latvian Folk Songs Op.27 (Piano Duet)

A set of three Latvian folksongs written for four hands at the Piano. The first is a slow and highly dramatic lament, the second is a more lyrical song, and the piece is completed by a fast and loud staccato finale.

Giacomo Meyerbeer: March Of Progress (SATB)

The March Of Progress is a song for SATB choir with Piano accompaniment. First published in 1902, the words were written by A. J. Foxwell , and set to an earlier tune by Giacomo Meyerbeer . Meyerbeer (1791-1864) was a German-Jewish composer and pianist. He is best remembered for his Operas, both in Germany and in France, and he undoubtedly did much for continental music during his lifetime. He has been somewhat overlooked in the UK and other English speaking countries, perhaps unfairly, but has maintained a world-wide fan base in many different countries.

Strauss The Blue Danube Waltz Satb Tonic Solfa

Johann Strauss the Younger (1825 - 1899) was a Viennese composer, best known for his operettas and dance music, especially his waltzes, polkas, and quadrilles. By the time his father died in 1849, he was already well-established as a renowned composer in his own right. His most famous work is probably the Blue Danube Waltz (Op. 314), written in 1866, which has become famous all over the world, with many adaptions and arrangements. The Blue Danube Waltz has been arranged for SATB choir by John Bateson, set to words by Florence Hoare. The vocal score is presented here in Tonic Sol-fa Notation.

Warlock, P Come To Bethlehem Satb

Come To Bethlehem is a Christmas carol by Dom Gregory Murray . It takes its melody from Capriol Suite , and is scored for SATB choir, with a Piano reduction for rehearsal purposes. Capriol Suite is a set of six dances in the Renaissance style. They form the most famous work of the English composer Peter Warlock (1894-1930), who also achieved fame for his scandalous lifestyle. Each dance is short, and draws inspiration from the tunes found in a 1589 dance manual. Warlock was an ardent admirer of Delius throughout his career, and his harmonic style is very similar. The whole suite was written over a single weekend in October 1926.

Herbert Howells: Fantasy String Quartet (Parts)

Herbert Howells was an English composer, organist, and teacher, most famous for his large output of Anglican Church music. However, for this reason his secular compositions tend to be unreasonably neglected. This edition of the Fantasy String Quartet has set out to change this. The delightful piece of chamber music makes full use of the unique characteristics of String instruments, giving all four players equal parts and opportunities to shine – separately as well as together as an ensemble. Possibly inspired by Vaughan Williams’ Phantasy Quintet, the Fantasy String Quartet requires skilful mastery of their instrument from each player. Performance time is ca. 13 minutes.

Holst A Dream Of Christmas 2pt

In his use of authentic Englsh folksongs, Gnostic texts and Vedic hymns, one can discern Holst’s search for a compositional Voice beyond the constraints of the European canon in the early 1900’s. In A Dream of Christmas, Holst set a medieval carol in Dorian mode, modulating to D for the words of Christ, manifesting his fascination medieval English music. Harmonies in the refrain are all in thirds and the piece is well within the abilities of amateur singers or Choruses.Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite The Planets.

Bantock My Luve Is Like A Red, Red Rose Ttbb

My Luve Is Like A Red, Red Rose is a poem by Robert Burns from 1794, based on traditional Scots sources. It has been set here for TTBB male voice chorus, with a Piano reduction provided for rehearsal purposes. Sir Granville Bantock (1868-1946) was a British composer, conductor and educator. He channelled his energetic and creative personality into many musical projects, championing the works of Jean Sibelius, founding the City of Birmingham Symphony Orchestra, and composing many splendid classical pieces. Viewed by his contemporaries as out-of-date, his music is now being appreciated as one of the last great contributions from the English Romantic movement.

Cecil Armstrong Gibbs: The Ballad Of Semmerwater (Voice/Piano)

Cecil Armstrong Gibbs was a prolific and versatile English composer of the 20th century. Gibbs is best known for his output of songs, but he also wrote a considerable amount of music for the amateur choirs that he conducted. His reputation as a song-writer largely lies in his natural gift for text setting – he insisted on giving priority to the words over the music and had very clear musical ideas on what a song should be. These principles prevailed when he set William Watson’s poem about a splendid city which stood by a lake and which vanished without trace to music. The Ballad Of Semmerwater is arranged here for Voice with Piano accompaniment.

Shaw A Blessing Satb

This short benediction, set to familiar words from Corinthians, Thessalonians and the first book of Peter, is an enduring favourite. Informally known as the Navy blessing or the Scottish blessing, the words are sensitively enhanced by Shaw’s tune and harmonies, and can create an inspiring, meditative finale. Composer, conductor and producer Martin Shaw was of the Holst and Vaughan Williams generation of composers that was key in reviving public interest in the work of Purcell and was also a co-founder of the Royal School of Church Music. He once toured Europe as conductor to dancer Isadora Duncan and was briefly engaged to the daughter of theatrical star Ellen Terry. His works number more than three hundred published pieces. Arranged for SATB and organ, duration 2½ minutes.

Adolphe Adam: Comrades In Arms

Comrades In Arms has been a staple of the Male Voice Choir repertoire for almost 150 years. The lyrics are from an earlier poem by George Linley (1798-1865), set to music by the French composer Adolphe Adam (1803-1856), who is perhaps better known for his operas and ballets. Adam provides all the musical contrast you would expect from an operatic composer: from the quiet, tranquil, opening refrain of On the breeze a sound is sounding , through a vigorous Allegro section, before finishing with a march-style call-and-response Be true and brave, and win the fight , he keeps the listener entertained throughout. This exciting chorus is sure to impress any audience. It has been scored for TTBB, and includes a Piano reduction.