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O Come, O Come, Emmanuel

O Come, O Come, Emmanuel

A recurring rhythmic motif begins in the accompaniment and anchors this simple but creative setting of the tune VENI EMMANUEL. The composer specifies sopranos/tenors on the upper staff and altos/basses on the lower, but we were intrigued by the fact that the piece is well-written and flexible enough to be successful in a variety of situations, large or small. Duration 3:00 A recurring rhythmic motif begins in the accompaniment and anchors this simple but creative setting of the tune VENI EMMANUEL. The composer specifies sopranos/tenors on the upper staff and altos/basses on the lower, but we were intrigued by the fact that the piece is well-written and flexible enough to be successful in a variety of situations, large or small. Duration 3:00

SEK 65.00
1

Little Innocent Lamb

Little Innocent Lamb

An original "big choral" take on this classic spiritual, this unaccompanied setting has divisi in all parts, a touch of chromaticism that is totally in character, and plenty of variation in texture, tempo, and mood. While your first thought might be for a large choir, the careful writing makes this completely possible for a small, skillful group as well. Despite being a solid new work, the familiar and fun parts of the text are all there with slight adaptations.

SEK 73.00
1

Day by Day

Day by Day

This well-known text, attributed to Richard of Chichester and adeptly amended by Alan Hommerding, is set for unison voices with the option of a second part. It is simple but still affords room for a small choir (or children's choir) to improve: some large intervals, meter changes, and the necessity of watching the conductor carefully. Following the dynamic and tempo markings will insure a perfomance that lives up to the "dolce" nature of the anthem. Accompaniment is organ (preferred) or piano: the flexibility required for a sensitive presentation would be a good task for a student. Duration 2:30

SEK 63.00
1