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Andrew Lloyd Webber: No Matter What (SATB/Piano)

Originally composed by Andrew Lloyd Webber, with lyrics by Jim Steinman, this soaring and tender ballad from the musical Whistle Down The Wind was a chart hit for Boyzone in 1998, reaching number one in 18 countries including the UK.No Matter What has been specially arranged by Peter Foggitt for SATB choir with piano accompaniment.

Frank Bridge: Adagio In E For Organ

Bridge’s early works – those written before the first World War – were more late Romantic in style, warmly expansive, than his mature works. The Adagio is a four-Voice fugue of poetic expressiveness that makes full use of the instrument’s tonal resources.British composer Frank Bridge was active in the early decades of the 20th century and was a highly respected conductor, violist and teacher – his sole composition student having been Benjamin Britten. Britten honoured his former teacher in his work Variations on a Theme of Frank Bridge, based on a theme from one of Bridge’s pieces for String quartet.

Andrew Lloyd Webber: I Don't Know How To Love Him (SSA/Piano) (Arr. Jeremy Birchall)

I Don't Know How To Love Him , one of the showstoppers from 'Jesus Christ Superstar' is arranged here by Jeremy Birchall for SSA Choir with Piano Accompaniment. Composed by Andrew Lloyd Webber with lyrics by Tim Rice, the song is often rated as the high point of the musical.

Herbert Howells: Te Deum Laudamus (St Paul's Chapel, Colombia University, USA)

For SATB and Organ. Dedicated to Searle Wright at St. Paul's Chapel, Columbia, USA.

W.S. Lloyd Webber: The Saviour

A meditation upon the death of Christ for Tenor and Bass soli, SATB chorus and Organ. Words selected and written by Bryn Rees. With congregational hymns.

Richard H. Lloyd: View Me Lord

Richard H. Lloyd's View Me Lord is a beautiful setting of the text by Thomas Campion, and scored for SATB Choir a cappella. A piano accompaniment part is scored for rehearsal use.

W.S Lloyd Webber: Four Bibulous Songs

Four Songs for Baritone and Piano.

W.S. Lloyd Webber: The Good Samaritan (Vocal Score)

W.S. Lloyd Webber: The Church With Joy Acclaims Her Lord

Anthem for SATB Choir and Organ.

W.S. Lloyd Webber: Magnificat and Nunc Dimittis In E Minor

A setting of the Evening Canticles for SATB Choir and Organ.

W.S. Lloyd Webber: Just As I Am, Thine Own To Be

For SATB Chorus.

John Denver: Annie's Song (SATB/Piano)

John Denver became a star as a bright-eyed, clear-voiced singer-songwriter in glasses and a cowboy hat. His love for the environment and his then wife Annie Martell inspired this romantic and wildly successful Annie's song , which is said to have been written in ten minutes on a ski lift. Here it has been arranged for SATB Choir, with Piano accompaniment, by Frank Metis.

Pops On High - Songs On The Lighter Side For Upper-Voice Choirs

Pops on High includes thirteen superb arrangements of classic popular songs for upper-voice choirs.Songs by Paul Simon, Jule Styne, Sting, Leonard Cohen, Jerome Kern, Andrew Lloyd Webber have been arranged by leading choral experts. The selection covers a wide range of styles and moods ? choirs will be sure to find the right piece to provide a light section in a concert programme, or simply for an encore! Specially selected to suit all ages and abilities, Pops on High provides a rich and varied musical resource for upper-voice choirs from schools, youth and community music programmes, as well as older and longer-established choral groups.

Gloucester Organ Album

The works include An Air composed for Holsworthy Church Bells by S S Wesley, Allegretto by C H Lloyd, The Chimes of Cloucester Cathedral by C Lee Williams, Cloister-Garth by Herbert Brewer, Procession from Air, Berceuse and Procession by Herbert Sumsion and John Sanders’s own Toccata, representing a procession of Organists at Gloucester Cathedral from 1865 to 1994.Organist, composer, educator, Choral director and administrator John Sanders, who died in 2003, was a tireless musician whose influence extends into the future through his engagement with generations of aspiring musicians. The tone of his life is evident from this volume, whose works are topped and tailed by his comments on the composers and on the history and development of the cathedral Organ itself.