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James Burton: Balulalow

Balulalow by James Burton, originally published in Noël! 3.

J.L.M.Bain: Brother James' Air (The Lord's My Shepherd)

Arranged by James Gibson for unison voices and organ.

James Davy: Sun Of My Soul

Sun Of My Soul is a work by  James Davy for Unison Voices and Organ Accompaniment that sets text by John Keble.

Arr. James O'Donnell: Once In Royal David's City

James O'Donnell 's arrangement of the carol Once In Royal David's City for SATB choir and Organ.

James Davy: O Salutaris Hostia

James Davy 's O Salutaris Hostia is a work for SATB Choir and Organ Accompaniment. A setting of Edward Caswall's Latin poem, a performance lasts around 4 minutes.

The Magic Flute Of James Galway

James Galway introduces ten pieces by various master composers including Handel, Bach, Mendelssohn, Chopin and Rachmaninov. All tunes are arranged for solo flute with piano accompaniment, by Phillip Moll.

James O'Donnell: The first Nowell

James O'Donnell's arrangement of the traditional English Christmas carol, The First Nowell, was originally published in Noël! 2. Now available in a separate edition which preserves the original scoring for SATB choir, with Organ accompaniment for the soaring final verse!

James Davy: Lord, Be Thy Word My Rule

Lord, Be Thy Word My Rule is a work by  James Davy for Unison Voices and Organ Accompaniment. The piece is a setting of a poem by Christopher Wordsworth.

James Whitbourn: Silent Night (Children's Voices/Optional SATB/Piano)

James Whitbourn 's arrangement of the classic carol  Silent Night is for Children's Voices, optional SATB Choir and Piano. A performance of the entire work lasts around 4 minutes.

James Davy: And They Shall Beat Their Swords Into Ploughshares

And They Shall Beat Their Swords Into Ploughshares is a work by James Davy for Unaccompanied SATB Choir that sets words from Isaiah 2:4 which lasts around 1 and a half minutes.

Thomas Adams: Hail! Breath Of Life! Satb/Organ

Christopher Le Fleming: Strings In The Earth And Air

For SA voices and piano, using text by James Joyce.

Tarik O'Regan: The Appointment (Countertenor/Guitar)

Version for Countertenor and Guitar composed in 1999. Commissioned by James Bowman.

Tarik O'Regan: The Appointment (Countertenor/Piano)

Version for Countertenor and Piano composed in 1999. Commissioned by James Bowman.

Eric Thiman: Praise, O Praise The Lord Of Harvest

A setting of words by James Hamilton for SATB Choir and Organ.

J.S. Bach: Organ Works Vol.3 (Novello)

Fantasias, Preludes and Fugues. Edited by Sir Frederick Bridge and James Higgs.

A James Hook Album

Twenty-two easy keyboard pieces from Guida di Musica.

J.S. Bach: Organ Works Book 12

Miscellaneous organ works, including Fugue in G (Gigue) and Pastorale in F. Edited by Sir Frederick Bridge and James Higgs.

Daniel Francois Esprit Auber: Hear Holy Power (Masaniello)

Daniel Francois Esprit Auber's Hear Holy Power, from his Opera Masaniello, for SATTB Choir with Piano accompaniment. Words by James Kenney.

James Nares: The Church Service

For SATB and Organ.

Donald Cashmore: Let All Mortal Flesh Keep Silence

An anthem for SATB based on the tune 'Picardy'. From the words of the Liturgy of St. James, translated by G. Moultrie.

James Nares: The Voice Of Joy

Anthem for Unison Treble Voices and Organ. Edited by Watkins Shaw.

James Nares: Try Me, O God

Short anthem for SATB Choir and Organ. Edited by Watkins Shaw.

Don Black/John Barry: Diamonds Are Forever - SAB/Piano

Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry.This SAB arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment.

Don Black/John Barry: Diamonds Are Forever - SATB/Piano

Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry.This SATB arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment.