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Into Sound : fifty etudes to make the flute be your voice

Into Sound : fifty etudes to make the flute be your voice

Into Sound stems from the need to provide the basics and technique of flute sound emission, through a pragmatic approach that analyses all aspects related to posture, lip support and breathing. The author emphasises the importance of the different parts of the body involved, highlighting the areas used to execute certain techniques (the throat for vibrato, legato and modulation, the diaphragm for staccato, the mouthpiece for arpeggios, tremolos and chromatism). The aim is to offer daily training to improve these aspects through 50 studies, “... for making the flute your voice”. Giampaolo Pretto’s work has the merit of being enjoyable, avoiding the repetitiveness of technical exercises and exploiting the student’s musical sense. Aimed mainly at students have intermediate or advanced grade, it can also be useful for beginners, who can use it to carry out exercises prior to playing.

SEK 276.00
1

First Book of Classical Trumpet : 100 Progressive Melodies of 3 to 8 Notes with Piano Accompaniment

First Book of Classical Trumpet : 100 Progressive Melodies of 3 to 8 Notes with Piano Accompaniment

Level: Beginner The First Book of Classical Trumpet offers a selection of 100 melodies from classic repertoire, the result of Andrea Cappellari's many years of research and experience in music teaching. Students of any age will be able to perform melodies by classical composers from the very first lessons. All 100 short melodies consist of a minimum of three and a maximum of eight notes. Only basic rhythmic note values are used, from the eighth note to the whole note. The pieces are presented in progressive order of difficulty, and are in the most appropriate keys for the instrument. The simple piano accompaniments encourage ensemble playing at a beginner level and the recorded piano accompaniments are an excellent tool for practicing. A few selected melodies also have a second trumpet part as part of the recorded accompaniment. The book also includes a separate instrumental pull-out part. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.Level: Beginner The First Book of Classical Trumpet offers a selection of 100 melodies from classic repertoire, the result of Andrea Cappellari's many years of research and experience in music teaching. Students of any age will be able to perform melodies by classical composers from the very first lessons. All 100 short melodies consist of a minimum of three and a maximum of eight notes. Only basic rhythmic note values are used, from the eighth note to the whole note. The pieces are presented in progressive order of difficulty, and are in the most appropriate keys for the instrument. The simple piano accompaniments encourage ensemble playing at a beginner level and the recorded piano accompaniments are an excellent tool for practicing. A few selected melodies also have a second trumpet part as part of the recorded accompaniment. The book also includes a separate instrumental pull-out part. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

SEK 276.00
1

First Book of Classical Violin : 100 Progressive Melodies of 3 to 8 Notes with Piano Accompaniment

First Book of Classical Violin : 100 Progressive Melodies of 3 to 8 Notes with Piano Accompaniment

Level: Beginner The First Book of Classical Violin offers a selection of 100 melodies from classic repertoire, the result of Andrea Cappellari's many years of research and experience in music teaching. Students of any age will be able to perform melodies by classical composers from the very first lessons. All 100 short melodies consist of a minimum of three and a maximum of eight notes. Only basic rhythmic note values are used, from the eighth note to the whole note. The pieces are presented in progressive order of difficulty, and are in the most appropriate keys for the instrument. The simple piano accompaniments encourage ensemble playing at a beginner level and the recorded piano accompaniments are an excellent tool for practicing. A few selected melodies also have a second violin part as part of the recorded accompaniment. The book also includes a separate instrumental pull-out part. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.Level: Beginner The First Book of Classical Violin offers a selection of 100 melodies from classic repertoire, the result of Andrea Cappellari's many years of research and experience in music teaching. Students of any age will be able to perform melodies by classical composers from the very first lessons. All 100 short melodies consist of a minimum of three and a maximum of eight notes. Only basic rhythmic note values are used, from the eighth note to the whole note. The pieces are presented in progressive order of difficulty, and are in the most appropriate keys for the instrument. The simple piano accompaniments encourage ensemble playing at a beginner level and the recorded piano accompaniments are an excellent tool for practicing. A few selected melodies also have a second violin part as part of the recorded accompaniment. The book also includes a separate instrumental pull-out part. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

SEK 276.00
1

First Book of Classical Flute : 100 Progressive Melodies of 3 to 8 Notes with Piano Accompaniment

First Book of Classical Flute : 100 Progressive Melodies of 3 to 8 Notes with Piano Accompaniment

Level: Beginner The First Book of Classical Flute offers a selection of 100 melodies from classic repertoire, the result of Andrea Cappellari's many years of research and experience in music teaching. Students of any age will be able to perform melodies by classical composers from the very first lessons. All 100 short melodies consist of a minimum of three and a maximum of eight notes. Only basic rhythmic note values are used, from the eighth note to the whole note. The pieces are presented in progressive order of difficulty, and are in the most appropriate keys for the instrument. The simple piano accompaniments encourage ensemble playing at a beginner level and the recorded piano accompaniments are an excellent tool for practicing. A few selected melodies also have a second flute part as part of the recorded accompaniment. The book also includes a separate instrumental pull-out part. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. Level: Beginner The First Book of Classical Flute offers a selection of 100 melodies from classic repertoire, the result of Andrea Cappellari's many years of research and experience in music teaching. Students of any age will be able to perform melodies by classical composers from the very first lessons. All 100 short melodies consist of a minimum of three and a maximum of eight notes. Only basic rhythmic note values are used, from the eighth note to the whole note. The pieces are presented in progressive order of difficulty, and are in the most appropriate keys for the instrument. The simple piano accompaniments encourage ensemble playing at a beginner level and the recorded piano accompaniments are an excellent tool for practicing. A few selected melodies also have a second flute part as part of the recorded accompaniment. The book also includes a separate instrumental pull-out part. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

SEK 276.00
1

First Book of Classical Clarinet : 100 Progressive Melodies of 3 to 8 Notes with Piano Accompaniment

First Book of Classical Clarinet : 100 Progressive Melodies of 3 to 8 Notes with Piano Accompaniment

Level: Beginner The First Book of Classical Clarinet offers a selection of 100 melodies from classic repertoire, the result of Andrea Cappellari's many years of research and experience in music teaching. Students of any age will be able to perform melodies by classical composers from the very first lessons. All 100 short melodies consist of a minimum of three and a maximum of eight notes. Only basic rhythmic note values are used, from the eighth note to the whole note. The pieces are presented in progressive order of difficulty, and are in the most appropriate keys for the instrument. The simple piano accompaniments encourage ensemble playing at a beginner level and the recorded piano accompaniments are an excellent tool for practicing. A few selected melodies also have a second clarinet part as part of the recorded accompaniment. The book also includes a separate instrumental pull-out part. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.Level: Beginner The First Book of Classical Clarinet offers a selection of 100 melodies from classic repertoire, the result of Andrea Cappellari's many years of research and experience in music teaching. Students of any age will be able to perform melodies by classical composers from the very first lessons. All 100 short melodies consist of a minimum of three and a maximum of eight notes. Only basic rhythmic note values are used, from the eighth note to the whole note. The pieces are presented in progressive order of difficulty, and are in the most appropriate keys for the instrument. The simple piano accompaniments encourage ensemble playing at a beginner level and the recorded piano accompaniments are an excellent tool for practicing. A few selected melodies also have a second clarinet part as part of the recorded accompaniment. The book also includes a separate instrumental pull-out part. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

SEK 276.00
1

Stanze : versione originale per arpa

Stanze : versione originale per arpa

Milan, 1990 I was writing a series of piano pieces. I had a goal: to remove, and leave space. The title refers to the poetic stanzas but also to invisible spaces to be inhabited with the mind. One day my friend Cecilia Chailly calls me and asks me if I have a harp piece for her to play. I give her Vega to try. Two days later I go to her house to listen and, with mutual enthusiasm, I give her all the pieces that we will soon be recording. Cecilia will perform them in concert on various and memorable occasions. Here, I would like to express my profound thanks for her heartfelt help in correcting this new harp edition. (L. Einaudi)

SEK 276.00
1

Opera completa per pianoforte : a cura di Giuseppe Filianoti

Opera completa per pianoforte : a cura di Giuseppe Filianoti

From his earliest Scherzo (1883) to the Piccola suite Danza (1947), the complete piano compositions of Francesco Cilea (1866-1950) are presented in this volume for the first time in full version, collated with the source material, by Giuseppe Filianoti. Conceived in part for pedagogical purposes, these compositions are embued with the essence of the noble Italian tradition of “Salon music,” from the modest little descriptive sketch to the album leaf of moderate difficulty, to the more technically demanding pages with an old-fashioned or impressionist flavor. Cilea’s works for the piano are enhanced by a simplicity and beauty designed to instruct young learners, delight refined pianists, and be appreciated by the most savvy listeners. The volume includes an introductory essay and a chronology of Cilea’s life and works in Italian and English.

SEK 405.00
1

Vincenzo Bellini: Il Pirata

Vincenzo Bellini: Il Pirata

Full Vocal score of Vincenzo Bellini's complete opera Il Pirata. With Italian lyrics and synopsis in Italian, English, French and German. The story reflects the conflict between Guelfs and Ghibellines, mainly between Manfred, the illegitimate son of Frederick II of Swabia, and Charles of Anjou, brother of Louis IX, the king of France. The story, set in the period immediately after the death of Manfred, concerns the clash between two men: on the one hand, Gualtiero, one of Manfred?s followers and Imogene?s former lover, now outlawed and forced to be a pirate; on the other, Ernesto, a duke loyal to the new Angevin king, who with perverse guile has succeeded in marrying Imogene.

SEK 486.00
1

Capriccio per violino solo M.S. 54 : Edizione critica di - Critical edition by Italo Vescovo

Capriccio per violino solo M.S. 54 : Edizione critica di - Critical edition by Italo Vescovo

This Capriccio per violino solo M.S. 54 should be considered as part of the group of short musical dedications that Paganini was in the habit of giving away to friends, colleagues and the personalities he met during his travels. Dated 1828, dedicated to Count Maurizio Dietrichstein, is a truly unique work, not only for the way in which the music is organised (notated on four staves, one for each string) but also because of the way in which it was conceived musically. The concept of polyphony is brought to an extreme level, at least in conceptual and visual terms, in this composition. Its brief structure is reminiscent of a kind of four-part chorale written in score. It is characterised by its lyrical and elegant writing style, where the four voices move in polyphonic fashion, giving birth to an extremely refined harmonic texture. This critical edition is based on the manuscript kept in the Österreichische Nationalbibliothek of Vienna compared with the modern editions.

SEK 216.00
1

Lucia di Lammermoor : Edizione critica a cura di Gabriele Dotto e Roger Parker (Vol. 1: XLIV, Vol. 2: VIII)

Lucia di Lammermoor : Edizione critica a cura di Gabriele Dotto e Roger Parker (Vol. 1: XLIV, Vol. 2: VIII)

Gaetano Donizettis Lucia di Lammermoor, written to a libretto by Salvadore Cammarano, was first performed at the Teatro di San Carlo in Naples on 26 September 1835. It has remained in the repertory without interruption as one of Donizettis most popular operas throughout its nearly 200-year history. The edition proposes as the principal text a version of the opera that, for the most part, is as near as possible to that given at the premiere in Naples. However, one of the important new features of the edition is that it includes several fully orchestrated passages that, for unknown reasons, were cancelled very close to the time of the first performance. It also features in the third-act mad scene an obbligato part for the glass harmonica, an instrument that Donizetti had chosen for this extraordinary scene, and drafted in his autograph score, but was then constrained to substitute with a solo flute when the glass harmonica player got into contractual difficulties with the theatre. While the glass harmonica part was considered a mere musicological curiosity some decades ago, the critical edition now convincingly argues for its legitimate restoration as part of the composers preferred concept. The Sources section of the edition includes a detailed examination of all contemporary sources for the opera. The composers autograph score is of course the most important of these, but also of great value is the first printed vocal score of the opera, which in some numbers has a piano reduction prepared by the composer and contains many vocal variants (all reported in the score) that will be a great value to performers. There are also a number of early manuscript copies of the full score, several of which are valuable in outlining the first interpretations of Donizettis music. The critical edition restores the original keys, thus maintaining Donizettis overall harmonic design, but discusses transpositions that later entered the performing and editorial tradition of the opera. Three transposed pieces which may have had Donizettis approval will be made available available in the material for hire to theatres.

SEK 4627.00
1

Gioachino Rossini: Il Barbiere Di Siviglia (The Barber Of Seville) - Opera Vocal Score

Gioachino Rossini: Il Barbiere Di Siviglia (The Barber Of Seville) - Opera Vocal Score

Gioachino Rossini (1792-1868) was an Italian composer who is best remembered for his operas. The 1815 masterpiece Il Barbiere Di Siviglia is widely considered the greatest of comic operas. The libretto was adapted by Cesore Sterbini from the first of a trilogy of plays by the French dramatist Beaumarchais, considered highly subversive for their depiction of nobility as buffoons dependant on and manipulated by their wily servants. The plot involves the efforts of the amorous young Count Almaviva to woo and win the lovely Rosina, in the process outwitting her ward, Dr. Bartolo, who fancies her for himself. This Ricordi Critical Edition of the Vocal Score is in Italian and English.

SEK 583.00
1

Inno Patriottico M.S. 81 per violino solo : Edizione critica di Italo Vescovo

Inno Patriottico M.S. 81 per violino solo : Edizione critica di Italo Vescovo

Paganini’s Inno patriottico con variazioni for solo violin M.S. 81 is a composition dating back to the period between 1796 and 1800, during which he also composed works such as the Carmagnola con variazioni M.S. 1 for violin and guitar, the Grande Concerto M.S. 75, the Tema variato for violin M.S. 82 and the Sonata a violin solo M.S. 83. There is not very much background material regarding the piece: the only certainties we have about it are that it dates from his early period, springs from a Genovese environment and has numerous similarities to the Carmagnola con variazioni M.S. 1: both compositions are based on a sprightly popular theme in 6/8 that can be traced back to the Perigordino, a French dance that first appeared in the Ligurian Apennines during the Napoleonic period. The structure of the Inno patriottico con variazioni substantially follows that of the Carmagnola and Tema variato: a theme followed by a series of variations in which Paganini demonstrates his personal concept of variation. This edition is based on a recently rediscovered, non-autograph source owned by the descendants of Eredi Sivori, in combination with the copy held by the Archivio Storico del Comune di Genova and printed sources.

SEK 216.00
1

Andante e Polacca per violino e pianoforte : a cura di - edited by Rina You

Andante e Polacca per violino e pianoforte : a cura di - edited by Rina You

The edition of the Andante e Polacca for violin and piano published here was realised from an autograph manuscript held in the library of the Conservatory of Santa Cecilia in Rome. An inspired melodic vein, with a cantability typical of Late Romantic Italian compositions, characterises the piece, especially in the first part. The Polacca distinguishes itself for its virtuosity: rapid scales, brilliant bowings and open string passages keep the bowed-string player engaged during the second and longest part of the piece. The recovery of this composition has occurred during a period which gives particular importance to the rediscovery of works composed in Italy around the turn of the twentieth century, rarely performed in concert series, which can only be fully appreciated through their promotion and dissemination in the form of musical editions and recordings.

SEK 236.00
1

Due Terzetti per due violini e chitarra : Edizione critica di Italo Vescovo

Due Terzetti per due violini e chitarra : Edizione critica di Italo Vescovo

Nicolò Paganini’s trios for strings and guitar make up a small but significant group of pieces consisting of five works of different lengths, formal structure and difficulty: the Serenata in F major M.S. 115, the Terzetto in A minor M.S. 116, the Serenata in C major M.S. 17, the Terzetto concertante in D major M.S. 114, and the Terzetto in D major M.S. 69. Within this group, the Terzetto M.S. 116 and the Serenata M.S. 116 make up a small diptych for two violins and guitar that can be traced back to Paganini’s juvenile period (1796-1804). In addition to using the same musical formation, the two pieces also share some compositional features, regarding general formal characteristics as well as the order and the number of movements. Despite their simplicity, the two compositions still have features typical of Paganini’s writing from this period such as their spontaneous cantabilità, the freshness of their musical ideas, pleasant (if perhaps a little naive), and the well-defined sense of form that comes out in these small compositions.

SEK 286.00
1

Il Flaminio : Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé

Il Flaminio : Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé

Some few months after returning to Naples from Rome, where he had gone to follow the premiere of L’Olimpiade at the Teatro Tordinona during the 1735 carnival season, Giovanni Battista Pergolesi –– notwithstanding the quickened pace of the disease that would soon bring his brief life to a close — presented the public with a new work, Il Flaminio, a “commedeja pe’ mmuseca” set to a libretto by Gennarantonio Federico. The opera was staged as the second of season that fall at the Teatro Nuovo sopra Toledo (one of three traditional venues, together with the Teatro dei Fiorentini and the Teatro della Pace, dedicated to the production of opere bu e), where it met with a generally favorable reception. The edition includes a historical Introduction, a description of all the sources considered and a Commentary with critical notes and information related to specific problems of performance practice.

SEK 444.00
1

Legato espressivo : Esercizi giornalieri sulla sonorità per flauto - Daily sonority exercises for flute

Legato espressivo : Esercizi giornalieri sulla sonorità per flauto - Daily sonority exercises for flute

When discussing flute performance practice, the term “legato espressivo” (“expressive legato”) is used to refer to fluidity of phrasing and naturalness of expression, both fundamental aspects in the search for a good sound. The goal of this method is to offer a daily training plan that will help to improve this aspect, through 10 series of exercises, each aimed at solving a specific technical challenge (speed control, wide leaps, high notes, evenness of sound, slurred scales, etc…). Carlo Morena’s work has the advantage of being pleasing and manages to avoid the usual repetitiousness of technical exercises, drawing upon the student’s own musical sense.

SEK 256.00
1

La musica vocale da camera per voce e pianoforte : A cura di Chiarastella Onorati

La musica vocale da camera per voce e pianoforte : A cura di Chiarastella Onorati

This volume brings together all of Giuseppe Martucci’s (1856-1909) works for vocal ensemble: from the Romanza he composed as a young man in 1872 (dedicated to the tenor Gaetano Fraschini), to his Canzone dei ricordi from 1887 (dedicated to the mezzo-soprano Alice Barbi); from the Sogno d’amore, Sogno di morte and Pagine sparse written in 1888 to his Tre pezzi op. 84 of 1906 by way of the 1889 Ballando! These pieces are marked by a constant search for new musical solutions, from both a harmonic and formalistic point of view, drawing some inspiration from the Lieder repertoire north of the Alps while still maintaining a natural, completely Italian, lyricism that manages to generate intense emotions without giving in to decadent excesses.

SEK 296.00
1

La fille du régiment : Edizione critica a cura di Claudio Toscani (testi in italiano e inglese)

La fille du régiment : Edizione critica a cura di Claudio Toscani (testi in italiano e inglese)

La fille du régiment, always one of Donizetti’s most popular stage works, was first performed at the Thé tre de l’Opéra-Comique in Paris on 11 February 1840. It was composed by Donizetti, to a libretto by Saint-Georges and Bayard, in 1839, for the French debut of soprano Juliette Bourgeois. Later on, Donizetti prepared an Italian version as well, using a libretto adaptation by Calisto Bassi, and making several alterations to the French version of the score (the premiere of the new version, entitled La figlia del reggimento, took place at La Scala Theatre in Milano on 3 October 1840). The opera enjoyed tremendous success at the Opéra-Comique alone, more than one thousandperformances were given between 1840 and 1917 , and was widely staged in the major European and American opera houses. Owing to the lack of available autograph music sources only a few score sketches and fragments survive, kept at the Bibliothèque Nationale de France , the principal source for this edition is the printed score prepared by the Parisian publisher Georges Schonenberger during the spring of 1840. Together with the full score, Schonenberger also engraved and printed the orchestral parts. Previously, the publishing house had printed the piano vocal score of several selected numbers from La fille du régiment, as well as the complete score reduction of the work. The Schonenberger edition constitutes, however, a problematical source. The engravers had to work under great pressure - the score was assembled in less than a month -, and the final product turned out to be of mediocre quality, abounding in imperfections, errors, and inconsistencies affecting both the literary and the musical texts. This critical edition has therefore been realized, first of all, through a careful reconstruction process: the text handed down by tradition was compared with a number of sources (including the manuscript scores of the Italian version) that have enabled the editor to address the multiple problems posed by the principal source. The spoken dialogues, missing in the printed music sources, are derived from the libretto used for the première. The critical edition of La fille du régiment reinstates Tonio’s romance «Pour me rapprocher de Marie» from Act Two, included

SEK 4627.00
1

Brazilian Portrait : Villa-Lobos, J. S. Bach

Brazilian Portrait : Villa-Lobos, J. S. Bach

This series presents some of the most significant works of European and Latin American music from the last three centuries transcribed for chamber guitar ensemble (in formations ranging from duo to quartet). The works contained in each volume have been selected both for their intrinsic artistic value and their potential to enhance sound production and playing technique. All of the transcriptions are strictly faithful to the original texts and have been reworked in order to make them suitable for players at all levels, from novice to professional. “Guitar Ensemble” is therefore an effective aid for the study of ensemble music from middle and high school up to a conservatory level. Brazilian Portrait is a selection of works of the foremost Latin American composer Heitor Villa-Lobos (1883-1959) and the great genius of the Eurpean Baroque Johann Sebastian Bach (1685-1750).

SEK 286.00
1

Spanish portrait : Vol. 2: Albéniz, Granados, Turina, De Falla

Spanish portrait : Vol. 2: Albéniz, Granados, Turina, De Falla

This series presents some of the most significant works of European and Latin American music from the last three centuries transcribed for chamber guitar ensemble (in formations ranging from duo to quartet). The works contained in each volume have been selected both for their intrinsic artistic value and their potential to enhance sound production and playing technique. All of the transcriptions are strictly faithful to the original texts and have been reworked in order to make them suitable for players at all levels, from novice to professional. “Guitar Ensemble” is therefore an effective aid for the study of ensemble music from middle and high school up to a conservatory level. Spanish Portrait is an anthology of the works of the most important Iberian composers of the late eighteenth and mid-nineteenth century: Isaac Albéniz (1860-1909), Enrique Granados (1867-1916), Manuel De Falla (1876-1946), and Joaquín Turina (1882-1949).

SEK 286.00
1

Spanish portrait : Vol. 1: Albéniz, Granados, Turina, De Falla

Spanish portrait : Vol. 1: Albéniz, Granados, Turina, De Falla

This series presents some of the most significant works of European and Latin American music from the last three centuries transcribed for chamber guitar ensemble (in formations ranging from duo to quartet). The works contained in each volume have been selected both for their intrinsic artistic value and their potential to enhance sound production and playing technique. All of the transcriptions are strictly faithful to the original texts and have been reworked in order to make them suitable for players at all levels, from novice to professional. “Guitar Ensemble” is therefore an effective aid for the study of ensemble music from middle and high school up to a conservatory level. Spanish Portrait is an anthology of the works of the most important Iberian composers of the late eighteenth and mid-nineteenth century: Isaac Albéniz (1860-1909), Enrique Granados (1867-1916), Manuel De Falla (1876-1946), and Joaquín Turina (1882-1949).

SEK 286.00
1