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Frank Martin : Das kompositorische Werk

Frank Martin : Werdegang und Musiksprache seiner Werke

Mastering The Fretboard : Harmonics, Fretboard-Knowledge, Scales and Chords For Guitarists

This is the ideal new path to confident navigation, freedom and absolute control on the guitar fretboard. Professional guitarist and experienced educator Frank Doll explains the basics of rock and jazz music in a practical andeasily-to-follow way. Exercises at progressive levels of difficulty train a general view of strings, frets and interdependencies and will also provide advanced players with a new approach to the instrument.

The Entertainer : 100 Unterhaltsame Klavierstücke Von Klassik Bis Pop

The Entertainer by Hans-Günter Heumann is ideal for beginners, returning musicians and music aficionados. The entertaining and well-known melodies from classical and pop music are fun to play and can be used both in musiclessons and while playing the piano in one's spare time. The Entertainer contains the scores of 100 entertaining pieces and songs which are easy and fun to play. The volume is divided in three sections, comprising almosteverything a pianist might wish to have in his repertoire: The Popular Highlights include popular piano pieces like The Entertainer, the soundtrack from Amélie, My Heart Will Go On from Titanic, Memories from Cats,MyWay by Frank Sinatra, and many other surprises. The titles in the chapter Classical Highlights are real favourites of the audience from the area of classical music which easily have the same effect like the pop and jazzpieces: Mozart's Turkish March, Wagner's famous Bridal Chorus, Brahms' Hungarian Dance No. 5, and many more. The chapter Song Highlights contains absolutely catchy tunes from the areas of blues, gospel and folk music, likeOh Happy Day, Down By The Riverside or Matilda.

Tagebuch

Georg Kröll (born 1934), studied composition with Frank Martin and Bernd Alois Zimmermann, piano with Else Schmitz-Gohr - herself a student of Max Reger -, he also attended courses and lectures by Pousseur, Boulez and Maderna. His ‘Tagebuch’ consists of a series of short piano pieces, their key notes are based on a twelve-note series from Schönberg’s Suite for Piano Op. 25 and are reached via a series of permutations. ‘Just as one can, with a little imagination, see pictures in cloud formations, or discern human or animal shapes in rocks weathered by the wind and the rain, so the sounds inherent in any given material trigger associations. These then crystallise into an inspiration, a structure, a form, or a chord reminiscent of Beet-hoven, a motif by Stravinsky, a clausula by Dufay, a theme by Frescobaldi - the gradual shaping of an idea. The great store of existing material inspires the imagination and a certain joy of discovery, while the external limitations of pre-existing material provide the freedom for internal creative exploration. This is how parodies, homages, paraphrases and quotes are created, shaped from blocks of sound, fragments and aphorisms.’ (Georg Kröll)