236 resultat (0,24297 sekunder)

Visa alla filter

Märke

Butik

Pris (EUR)

Nollställ filter

Produkter
Från
Butiker

The Ragtime & Blues Guitar of Big Bill Broonzy

The Ragtime & Blues Guitar of Big Bill Broonzy

In this double DVD lesson of over 4 hours of instruction, Ernie Hawkins teaches ten of Big Bill?s greatest guitar solos and arrangements. Each tune is taught phrase by phrase and then uses the split-screen so you can carefully study what each hand is doing.Detailed tab/music booklets are included as PDF files on both DVDs. Also included is rare footage of Big Bill as well as bonus audio tracks of Big Bill?s recordings of the tunes on this lesson. Big Bill Broonzy (June 26, 1903 ? August 15, 1958) was an incredible American blues singer, songwriter and guitarist. His career began in the 1920s when he played country blues to mostly black audiences. Through the 1930s and 1940s he successfully navigated a transition in style to a more urban blues sound popular with white audiences. In the 1950s a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star. He was one of the first bluesmen to tour in Europe and his performances and records influenced folk guitars from John Renbourn, Martin Carthy, Stefan Grossman and Davey Graham to rock guitarists as Eric Clapton (who recorded several Big Bill tunes on his Unplugged CD) to Ron Wood of the Rolling Stones who said: "Big Bill?s Guitar Shuffle was one of the first tracks I learnt to play, but even to this day I can't play it exactly right."

SEK 382.00
1

Fred Sokolow: The Music Of Bessie Smith

Fred Sokolow: The Music Of Bessie Smith

In the 1920s and 30s, Bessie Smith was "empress of the blues." Her passionate singing and performing style and her songwriting influenced all the blues and jazz singers that followed. Many of the songs she popularized, both blues and ?tin pan alley? tunes, have become standards in blues, jazz, rock and pop music. Songs in this collection have been recorded by artists as diverse as Eric Clapton, Leadbelly, Billie Holiday, Chet Atkins, Bing Crosby, David Lee Roth, Big Bill Broonzy, B. B. King and Sam Cooke.They?re great tunes for guitar pickers, and Fred shows you how to back yourself up singing them, and how to fingerpick instrumental versions of six classics. With his explanations of the arrangements, split-screen, slowed-down versions of the songs, and with the tab and music in the accompanying booklet, you?ll learn how to play St. Louis Blues, Nobody Knows You When You?re Down and Out, Backwater Blues, After You?ve Gone, I Ain?t Got Nobody and the sensational Send Me To the Electric Chair. The songs sound terrific on guitar, and with Fred's instruction, the arrangements are easy to follow. A 1920s film of Bessie Smith singing St. Louis Blues is featured at the end of the lesson.A detailed tab/music instructional booklet is included as a PDF file on the DVD.

SEK 301.00
1

Beginner's Blues Guitar

Beginner's Blues Guitar

Fred Sokolow takes you from tuning up and your first chords, to rockin' the Blues in one 70-minute tutorial! Sokolow teaches the Blues in several keys, including Boogie Woogie basslines, Blues turnarounds and simple fingerpicking patterns. You will discove the elements of Blues soloing and lick-building in the styles of Lightnin' Hopkins, Big Bill Broonzy and Mississippi John Hurt. The lesson is complete with some classic Blues standards for you to develop your new techniques and knowledge, including Key To The Highway and Hesitation Blues.

SEK 301.00
1

Stefan Grossman: Ragtime Blues Guitar

Stefan Grossman: Ragtime Blues Guitar

The guitar styles and techniques of Blind Blake, Big Bill Broonzy and Rev. Gary Davis combine blues and ragtime techniques into a style that can be best described as raggin' the blues. This exciting and challenging approach to fingerstyle playing combines complex right hand picking with intricate left hand fingerings, single string runs and rhythmic licks. In this lesson, Stefan Grossman illustrates and explains seven famous ragtime blues instrumentals. A detailed 44-page tab/music booklet is included.

SEK 301.00
1

Scott Joplin: The Entertainer - Classic Rags Arranged For Six String Guitar

Scott Joplin: The Entertainer - Classic Rags Arranged For Six String Guitar

The 1960s ragtime revival was the coming of age of a generation of fingerpicking guitarists. In ragtime, they found a music that was vastly challenging, great fun to play, and one that adapted well to the instrument. These were, for the most part, players who had taken up the guitar during the '60s folk revival and learned how to fingerpick Elizabeth Cotten or John Hurt tunes and were looking for more demanding material. Ragtime more than filled the bill - even 'easy' guitar ragtime is a workout.The first guitar ragtime recording, by Dave Laibman and Eric Schoenberg, was released in the late 60s and shows how high a level of skill young fingerpickers had reached in their attempts to master the idiom. This present collection features arrangements by a slightly younger Europeans inspired by Laibman, Schoenberg and Stefan Grossman. The Swedish team of Johansson and Palmqvist are possibly the most accomplished guitar duo to play ragtime. As with tennis, playing duos requires a particular skill.Two Dutch soloists are presented here - Ton Van Bergeyk and Leo Wijnkamp Jr. - two of the finest fingerpicking virtuosi of the day. The United Kingdom is represented by Welshman John James, who has gone on to a very active career on the British folk scene and Englishman Ton Engels, who has, like most of the performers here, gone off into other pursuits. This is also true of the fine Canadian guitarist, Jim McLennan. Dick Fegy has remained very much on the scene as David Bromberg's most dependable bandmember over the years, playing mandolin, fiddle, banjo, and acoustic and electric guitars. He is also a first-rate solo fingerpicker, as you will hear. He must toss off Paganini encores in his spare time!

SEK 152.00
1

Woody Mann: Fingerstyle Blues Guitar

Woody Mann: Fingerstyle Blues Guitar

Woody Mann's Fingerstyle Blues Guitar illustrates how traditional country blues guitar techniques and styles can be extended and explored to create new textures and feelings. Woody demonstrates blues in the keys of A, D, and E and shows how variations and improvisational ideas can be developed. The playing ideas of Blind Boy Fuller, Big Bill Broonzy, Lonnie Johnson, Blind Lemon Jefferson, Rev. Gary Davis and Scrapper Blackwell as well as other blues ledgends are discussed.Woody combines these playing techniques and styles into a series of instrumentals that will illustrate new possibilities for playing fingerstyle blues. A 24 page tab/music booklet is included.

SEK 301.00
1

Movable Shapes in Fingerpicking Guitar : Level 2/3

Movable Shapes in Fingerpicking Guitar : Level 2/3

This lesson is intended for players who are seeking a greater understanding of how to get beyond basic open chords, or first position, use the full fretboard. We will do so by understanding the concept of a movable shape. The tunes selected will slowly introduce you to a variety shapes commonly used by the old-time masters to unlock the neck. In addition to learning these examples, I’ll talk about the logic that makes movable shapes work, empowering you to create your own uses for them. You will learn tunes that have become standards in the fingerstyle repertoire by Sam McGee, Big Bill Broonzy and Maybelle Carter. As well, I teach two arrangements I have put together of an old-time fiddle tune and a Jelly Roll Morton piano blues.

SEK 292.00
1

The Music of Motown : for the Fingerstyle Guitarist

The Music of Motown : for the Fingerstyle Guitarist

We all grew up with the sounds of Motown. In this double DVD lesson Alberto Lombardi puts his fingerstyle talents to arrange four all time Motown great hits.You Can’t Hurry Love: What a happy uplifting song! The key is to get a good groove! An alternating bass reminiscent of Chet Atkins was perfect for most of the song. Alberto uses a tiny bit of percussion on the guitar to capture the original bass groove. Being an up-tempo tune, a few blues licks are added to give an electric guitar feel. Harmonics are introduced in the chorus to replicate the background vocals of the Supremes.How Sweet it is (To Be Loved By You): This arrangement is based primarily on James Taylor’s cover of Marvin Gaye’s original version. Alberto replicates Taylor’s tenderness and subtleties of his voice with embellishments, slides and legatos.My Girl: This song has a killer guitar riff! You can’t loose it in the arrangement. Alberto starts only with the riff and bass and then blends the riff with the bass part leaving room for the melodic vocals. As for all Motown vocal parts it’s full of subtleties and the arrangement preserves these.I Heard it Through the Grapevine: Marvin Gaye sang like an angel! Alberto captures this expressiveness, both using the same refined lines and also the rough sweetness of his attitude. Very close attention was focused on building a bass line that works, very close to the original but appropriate for the “fingerstyle transformation” of the song. You got to keep it snappy and grooving. Harmonics impersonate the breathy vocals of the female background singers while the bass keeps the groove riff going.

SEK 529.00
1

Stefan Grossman: Blues, Rags And Hot Fiddle Tunes

Stefan Grossman: Blues, Rags And Hot Fiddle Tunes

Advanced Fingerpicking Guitar Techniques. Contains solos that will challenge intermediate and advanced fingerstyle guitarists. These arrangements show the broad musical textures, fingerstyle techniques, and styles available to fingerstyle guitarists. Right hand rhythmic patterns, counterpoint lines, single-string runs, and alternating bass techniques are used throughout the arrangements. Many of the tunes are Stefan's original compositions, however, the arrangements of music by Big Bill Broonzy, Reverend Gary Davis and other fingerstyle guitar gurus are showcased. All of these arrangements are presented in standard notation and tab. A thorough explanation on how to read tab is included in this text. An essay by Dale Miller in Stefan Grossman's colossal role in world of fingerstyle guitar is included in this text. This book comes with three CD's which contain performances of these arrangements. Fingerstyle guitarists will enjoy playing and listening to these challenging, but workable, arrangements.

SEK 424.00
1

Bob Brozman And Woody Mann: Country Blues Guitar Duets (DVD)

Bob Brozman And Woody Mann: Country Blues Guitar Duets (DVD)

While slowly illustrating classic country blues guitar duets in the styles of Big Bill Broonzy, Blind Blake and Lonnie Johnson, Woody Mann and Bob Brozman explore the techniques and thinking that go into creating cohesive duet guitar parts that compliment each other. Each part is taught separately. They explain and illustrate how you can arrange a simple song through the use of new chord positions, simple picking syncopation ideas, and open tunings as well as walking you through the basics of how to select a key, use of a capo, and listening to the song in new ways. The duo presents effective techniques for improving improvisational skills while jamming with other musicians. Each guitar part is a solo tune in itself. The ideas and techniques covered in this lesson offer creative approaches to expanding all aspects of your playing. Titles include: Lazy Blues, Tampa Slow Grind, Mr. Blake, Long Gone Blues and TAB Guitar Rag.

SEK 301.00
1

Fred Sokolow: The Music Of The Grateful Dead

Fred Sokolow: The Music Of The Grateful Dead

There'll never be another band like the Grateful Dead, but the Dead's music lives on. Now you can start to play and sing nine classic Grateful Dead tunes from start to finish with Fred Sokolow's 92-minute instructional DVD. For each song Fred shows you how to fingerpick backup while singing, how to play an instrumental solo, and how to begin and end the tune. Along the way you'll learn a lot about fingerpicking, backup patterns, soloing ideas and chord positions.

SEK 301.00
1

The Guitar Of Lead Belly

The Guitar Of Lead Belly

The life and music of Huddie 'Lead Belly' Ledbetter is the stuff of true legend, and you can discover the secrets of his style and sound with Harry Lewman in this unique DVD tutorial.Widely regarded as one of the most influential folk musicians in America's history, Lead Belly's career spanned the era of minstrel shows, the Blues explosion of the 1920s, and the dawn of the singer/songwriter. His influence upon Woody Guthrie and Pete Seeger would shape the way in which all American singer/songwriters write and play to this day.In this special DVD presentation Harry Lewman explores the stories behind the songs, and explains in detail the unusual way in which Lead Belly tuned, strung, and played the 12-string guitar. Rare footage of Lead Belly is also featured in this lesson.

SEK 301.00
1

Fun on The Frets

Fun on The Frets

The more you play the guitar the better you'll become and the more fun and enjoyment you'll have. When I asked Rev. Gary Davis when and how I should practice on my guitar his answer was clear. He told me to play first thing in the morning and then last thing at night. He said I should keep my guitar out of its case so that I could play it whenever I wanted. The message was to play and enjoy yourself. This collection of blues, jug band tunes, rags and novelty songs should present you with hours, weeks, months and even years of enjoyment and challenges. The arrangements vary from easy to difficult. Includes access to online audio. The tunes presented include: Going To Germany,Walk Right In, My Money Never Runs Out, Cocaine Habit Blues, KC Moan, Stealin', Stealin', You May Leave, Mississippi River Waltz, He's In The Jailhouse Now, Show Me The Way To Go Home, Guitar Stomp, Mississippi Blues, Blues For The Mann, Shine On Harvest Moon, Creole Belles - March & Two Step, The Teddy Bears' Picnic, Nola, Dallas Rag, At A Georgia Camp Meeting, St. Louis Tickle, Mabel's Dream, Powder Rag and Silver Swan The more you play the guitar the better you’ll become and the more fun and enjoyment you’ll have. When I asked Rev. Gary Davis when and how I should practice on my guitar his answer was clear. He told me to play first thing in the morning and then last thing at night. He said I should keep my guitar out of its case so that I could play it whenever I wanted. The message was to play and enjoy yourself.This collection of blues, jug band tunes, rags and novelty songs should present you with hours, weeks, months and even years of enjoyment and challenges. The arrangements vary from easy to difficult. Includes access to online audio.

SEK 314.00
1

Fred Sokolow: Jamming The Blues

Fred Sokolow: Jamming The Blues

Playing the blues is a great way to lose the blues, and jamming with other people is one of the most fun things to do in life! Using blues classics like Stormy Monday, The Thrill is Gone, Keys To the Highway, Big Boss Man, Come Back Bay and Every Day I Have the Blues as examples, Fred teaches all the skills and info you need to jam with other blues players. This lesson covers accompaniment techniques for many different rhythm grooves (shuffle beat, straight 8ths, straight 4 and rock and funk beats) and soloing strategies (key-of-E licks, four moveable blues boxes and some chord-based licks). You'll also learn intros, turnarounds, the twelve-bar and eight-bar blues forms and more. Fred has been jamming with other players and leading jam classes most of his life, and his practical tips are sure to give you all the tools you need to get out there and play the blues with other people. Along the way, you'll learn some blues history and hear stories about some of the great players. Plus, all the scales, blues boxes, licks, chord shapes and tunes in this lesson are written out in tab and music in an accompanying book in the form of a PDF file. Titles include: 'Baby What Do You Want Me To Do', 'All The Love I Miss Loving', 'Stormy Monday', 'Big Boss Man', 'How Long Blues', 'Hesitation Blues', 'Stagerlee', 'As The Years Go Passing By', 'Corrine Corrina' and 'Every Day I Have the Blues'.

SEK 293.00
1

Duck Baker: Kid On The Mountain

Duck Baker: Kid On The Mountain

Long before the current boom of interest in Celtic music fostered a generation of aspiring Celtic guitarists, Duck Baker recorded Kid On The Mountain, which remained the only solo guitar recording of Irish and Scottish music for over a decade. A familiar figure at Irish sessions around London, where he lived in the late 1970s, Duck applied his considerable arranging talents to the music he heard around him, extending the American fingerpicking vocabulary as he delved into the roots of Celtic music. Duck Baker's arrangements strive to maintain not only the melodic elegance of Irish music but also its drive and passion. Considered a classic by guitar aficionados since its original issue in 1980, Kid on the Mountain remains a high point in the career of one of the most important contemporary fingerstylists.

SEK 157.00
1

Duck Baker: The Music Of Turlough O'Carolan

Duck Baker: The Music Of Turlough O'Carolan

The compositions of Turlough O'Carolan, born in 1670, have a special place in the story of Irish music, as does the figure of Carolan himself, a blind itinerant harper living at a time of significant change in Irish history. Carolan seems to embody the image of the old bards in whom resided the last vestiges of the ancient music and the lost art of extempore poetry. His music is often seen as a link between traditional Irish melodies and baroque music but more importantly it includes some of the most striking melodies ever composed in any tradition. Originally written for harp, these compositions lend themselves perfectly for the fingerstyle guitarist. In this lesson, Duck Baker teaches a wide variety of Carolan pieces from the simple folk-like air Blind Mary to the stately Hewlett. The mysterious Planxty Kelly and the deeply melodic The Fairy Queen are presented as well as Carolan's Concerto, a complex folk-baroque arrangement of the bard's most celebrated composition.

SEK 301.00
1

Masters Of The Ragtime Guitar

Masters Of The Ragtime Guitar

Ragtime guitar is one of the most exciting and complex styles for a guitarist to master. The techniques involved can become very complicated and for a novice these can sometimes interfere with the spirit of the music. But in the hands of a talented and experienced guitarist this music can capture a unique texture as well as being one of the most rhythmic and attractive musical forms known. This album presents four of the leading exponents of ragtime guitar. Their approach to ragtime differs, yet each one manages to capture that all important element called "feel."Duck Baker's playing on his nylon strung flamenco guitar has excited audiences throughout Europe, Japan and America. He brings an energetic spirit to each tune that he plays. His right hand technique coupled with the use of a flamenco guitar creates a strong and rhythmic sound.Tim Nicolai also uses a nylon strung guitar though his technique is more classical oriented. His rendition of Solace - A Mexican Serenade demonstrates clearly how well classic rags can be adapted to a classical guitar approach. The shades and tones of Tim's arrangements show a gentleness and true understanding for the music.Likewise the Dutch Wizard, Ton Van Bergeyk brings his own touch and humor to two original ragtime oriented instrumentals. Ton's command of the steel string guitar is very impressive. His arrangements combine many elements and clearly show his love for the music of Scott Joplin to Glenn Miller! Ton has recorded several solo albums on as well as being heavily featured on the album I Got Rhythm (SGGW133).Lasse Johansson adds another approach to ragtime guitar with his four solos. His version of Creole Belles is very interesting and demonstrates how successfully a brass band arrangement can be adapted to the guitar. It is also interesting to hear this composition as one of the sections has become very popular through the playing and recordings of Mississippi John Hurt.Lasse's duets with Claes Palmqvist are fine examples of the art of duet guitar arrangements.Together they have created delicate and yet spirited version of two well known rags. Both arrangements are highly successful and each adds a different dimension to their collaborations.This collection is an exciting tour de force in ragtime guitar. Duck, Ton, Tim, Claes and Lasse are truly masters of this style. And as usual the guitar players who are eager to try to pick up these tunes will have a happy time with the PDF tab/music booklet that has been prepared to go along with this project and can be found on the CD. This booklet presents many of the tunes played.

SEK 152.00
1

The Guitar of Robert Johnson

The Guitar of Robert Johnson

It was rumored that Johnson sold his soul to the devil and this is what gave him the power to play the blues so well! Here, Woody Mann has carefully prepared this three CD series to describe and illustrate many of Robert Johnson?s amazing guitar techniques and musical ideas. Includes the tunes: ?Kindhearted Woman Blues?, ?Me and the Devil?, ?Hellhound on My Trail?, ?Ramblin? on My Mind?, ?Crossroad Blues? and ?Terraplane Blues?. For intermediate to advanced guitarists; all in standard notation and TAB.

SEK 331.00
1

From The Woodshed To The Stage - Volume Two

From The Woodshed To The Stage - Volume Two

?Buster B. Jones is an acoustic player, a fingerpicker, a country flavored soloist - and he?s one of the finest players we?ve heard in years... His technique is only a means to an end. His true gifts are his melodic sense, innate musicianship, unfailing human, and brilliant improvisational powers. He can drive a tune with fluid rhythmic force or stroke it with sensuous, loving touch... He?s a monster player with chops galore, great ideas and an encyclopedic reservoir of guitaristic influences.? ? Guitar Player Magazine Buster B. Jones is a master of hot fingerpicking guitar solos. He has combined his love for the styles and techniques of Chet Atkins, Jerry Reed and Merle Travis to create an original and exciting approach for fingerstyle guitar. In this series of lessons, Buster presents and teaches guitar solos that he plays in the woodshed as well as on stage. Each instrumental has evolved from its basic form to a complex arrangement featuring melodic variations, chromatic rolls, rhythmic licks and lyrical runs. These instrumentals will challenge the talents of any intermediate to advanced student.

SEK 301.00
1

From The Woodshed To The Stage - Volume One

From The Woodshed To The Stage - Volume One

?Buster B. Jones is an acoustic player, a fingerpicker, a country flavored soloist - and he?s one of the finest players we?ve heard in years... His technique is only a means to an end. His true gifts are his melodic sense, innate musicianship, unfailing human, and brilliant improvisational powers. He can drive a tune with fluid rhythmic force or stroke it with sensuous, loving touch... He?s a monster player with chops galore, great ideas and an encyclopedic reservoir of guitaristic influences.? ? Guitar Player Magazine Buster B. Jones is a master of hot fingerpicking guitar solos. He has combined his love for the styles and techniques of Chet Atkins, Jerry Reed and Merle Travis to create an original and exciting approach for fingerstyle guitar. In this series of lessons, Buster presents and teaches guitar solos that he plays in the woodshed as well as on stage. Each instrumental has evolved from its basic form to a complex arrangement featuring melodic variations, chromatic rolls, rhythmic licks and lyrical runs. These instrumentals will challenge the talents of any intermediate to advanced student.

SEK 301.00
1

The Guitar Style Of Wes Montgomery

The Guitar Style Of Wes Montgomery

Wes Montgomery has proved to be one of the most popular and enduring guitarists of in Jazz history. His accessible but sophisticated style has become the foundation of the modern Bebop guitar style. In this unique lesson, Jazz guitar authority Adrian Ingram moves beyond the famous Thumb-Octaves, dissecting the tonality and personality of Montgomery's melodic vocabulary. You will receive a step-by-step guide to this unique soloing style, with substitutions, chords and concepts fully explored. Furthermore, the disc features vintage and rare footage of the man himself, as well as several demonstration performances by Ingram.

SEK 301.00
1

Stefan Grossman/John Renbourn: Under The Volcano

Stefan Grossman/John Renbourn: Under The Volcano

"The material is a mix of traditional and original, the playing superb. Grossman and Renbourn combine their talents and mix of styles here to produce appealing instrumental music of rare beauty and taste." ? AllMusic.comOn their duet records, John Renbourn and Stefan Grossman meet on the common turf of American blues and Celtic fiddle tunes and airs. Under The Volcano is a collection of seven duets. Including an extended four-part work for which the album is named, and one solo by each of the players, the album has what has come to be the characteristic sound of the duo. Reflecting what Stefan quite accurately describes as "an interweaving of styles," it is quite difficult, and somewhat pointless, to tell which of the two is playing the lead in most parts of the album. The original compositions are at once down-home and high-flown, brimming with contrapuntal funkiness, and the music manages to sound both loose and precise. Grossman and Renbourn contribute equally to the composition and arrangement of the traditional material. They aren't uptight about overdubbing or using the occasional electric guitar texture. But the lingering impression is one of crisp, snapping strings and air being moved by wooden-boxed guitars.Track Listing:1. Idaho Potato2. Medley: Sheebeg An Sheemore & Drunken Wagoner3. Under The Volcanoa) Resurrection of Blind Joe Deathb) Four for the Rosesc) Montagu's Pactd) Rights of Man4. Medley: Bonaparte's Retreat & Billy In The Lowgrounds5. Swedish Jig6. Water Gypsy7. All Things Parallel Must Converge8. The Blarney Pilgrim9. Mississippi Blues No. 3(All tunes except for "Bonaparte's Retreat" have been transcribed and included in a pdf tab/music booklet on the CD)

SEK 159.00
1