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George Dyson: Three Songs To Julia

George Dyson: Three Songs To Julia

Sir George Dyson, composer, teacher, organist and administrator was born in Halifax, Yorkshire, England in 1883. Sir George was very committed to composing simple pieces for amateur musicians to perform and thiscollection of three songs are a fine example. Dyson's texts were taken from the works of some of the greatest poets- John Bunyan, Shakespeare, Masefield, and in this case, Robert Herrick. The words are well set, the music sounds fresh and simple and the melodic lines are attractive.

SEK 167.00
1

Dedications (Medium/High)

Dedications (Medium/High)

This set includes To Daffodils, To the Virgins (‘Gather ye rosebuds while ye may’), To The Willow Tree, To Music and To Phillis in a changing palette of musical colours.Twentieth century English composer, singer and actress Madeleine Dring wrote songs that frequently employed jazz chords in their accompaniment which has been compared in the US to Gershwin, though these warmly lighthearted songs recall English baroque style in some of their Vocal lines and rhythms. The accompaniment is melodic and tonal with many subtle freedoms in the harmonies.

SEK 196.00
1

Betty Roe: The Miracle Masque - Script

Betty Roe: The Miracle Masque - Script

The Miracle Masque is a morality play with music, set in mediaeval Italy, and follows in the tradition of Morality plays stretching back to the Middle Ages when they were a much need mixture of satire, drama, comedy and tragedy. In both the words and music the aim has been to balance with robust humour, the more serious questions which trouble mankind. The play is not confined to one season or festival and is suitable to be performed throughout the year and can easily be adapted to fit and suit the number of performers and the abilities of those involved. This script to this versatile play contains all the text and lyrics for all the songs.

SEK 102.00
1

Michael Pilkington: English Solo Song Volume 3 - Delius, Bridge And Somervell

Michael Pilkington: English Solo Song Volume 3 - Delius, Bridge And Somervell

This series, which aims to cover the whole repertoire of English song, is designed not merely as a practical guide for singers and teachers but also to be of use to the ever-increasing number of students wishing to study particular areas of the subject - the music, the poetry or both.Each piece features a full description and commentary, providing detailed information of the song's origin and nature. This is an invaluable anthology, presenting the enormous repertoire available but unfortunately little known to those who should be most concerned - English singers themselves.This edition is a comprehensive guide to the songs of Bridge, Delius and Somervell.The description of each song includes its tonality, range, meter, and duration.

SEK 186.00
1

Michael Pilkington: English Solo Song Volume 1 - Campion, Dowland, And The Lutenist Songwriters

Michael Pilkington: English Solo Song Volume 1 - Campion, Dowland, And The Lutenist Songwriters

This series, which aims to cover the whole repertoire of English song, is designed not merely as a practical guide for singers and teachers but also to be of use to the ever-increasing number of students wishing to study particular areas of the subject - the music, the poetry or both.Each piece features a full description and commentary, providing detailed information of the song's origin and nature. This is an invaluable anthology, presenting the enormous repertoire available but unfortunately little known to those who should be most concerned - English singers themselves.This edition is a comprehensive guide to the songs of Campion, Dowland and the Lutenist composers.The description of each song includes its tonality, range, meter, and duration.

SEK 186.00
1

Michael Pilkington: English Solo Song Volume 5 - Parry And Stanford

Michael Pilkington: English Solo Song Volume 5 - Parry And Stanford

This series, which aims to cover the whole repertoire of English song, is designed not merely as a practical guide for singers and teachers but also to be of use to the ever-increasing number of students wishing to study particular areas of the subject - the music, the poetry or both.Each piece features a full description and commentary, providing detailed information of the song's origin and nature. This is an invaluable anthology, presenting the enormous repertoire available but unfortunately little known to those who should be most concerned - English singers themselves.This edition is a comprehensive guide to all the songs, whether in print or not, of 2 of the most important composers of English song: Parry and Stanford.The description of each song includes its tonality, range, meter, and duration.

SEK 236.00
1

Michael Pilkington: English Solo Song Volume 2 - Gurney, Ireland, Quilter And Warlock

Michael Pilkington: English Solo Song Volume 2 - Gurney, Ireland, Quilter And Warlock

This series, which aims to cover the whole repertoire of English song, is designed not merely as a practical guide for singers and teachers but also to be of use to the ever-increasing number of students wishing to study particular areas of the subject - the music, the poetry or both.Each piece features a full description and commentary, providing detailed information of the song's origin and nature. This is an invaluable anthology, presenting the enormous repertoire available but unfortunately little known to those who should be most concerned - English singers themselves.This edition is a comprehensive guide to all the songs, whether in print or not, of 4 of the most important composers of English song: Ivor Gurney, John Ireland, Roger Quilter and Peter Warlock.The description of each song includes its tonality, range, meter, and duration.

SEK 186.00
1

Peter Warlock: Hush My Child / Welcome The Spring

Peter Warlock: Hush My Child / Welcome The Spring

Two SATB arrangements of Pieds En L'Air from Warlock's Capriol, the first being a slumersome lullaby, and the second an optimistic springtime song.Tomlinson's first arrangement, Hush My Child, was intended to take advantage of Warlock's sumptuous harmonies in the original string orchestra version of Pieds En L'Air, but with voices. This setting was then shown to John Bishop, who responded by creating the text Welcome The Spring to provide a more optimistic and forward-looking interpretation of the same piece.Both versions are featured in this edition, leaving the choice to the singers and choral leaders themselves!

SEK 87.00
1

Ian Venables: Venetian Songs Op.22

Ian Venables: Venetian Songs Op.22

Venetian Songs Op.22 is a cycle of four songs for High Voice and Piano by Ian Venables, setting the inspiring texts of John Addington Symonds.Venables has allowed the texts of Symonds' poetry to guide these sensitive settings, rich in musical imagery to illuminate the words. The music moves between moments of intense anguish and despair to expressions of pure beauty and allusions to the delicacy of nature.The cycle received its first performance in March 1995 at Clifton Hill House, Bristol - formerly the Symonds' family home and now Bristol University's principal Halls Of Residence. The performance was organised as part of the formal celebrations marking the opening of the Gothic Library.

SEK 236.00
1

Peter Warlock Society Edition: Volume 3 Songs 1920-1922

Peter Warlock Society Edition: Volume 3 Songs 1920-1922

This society edition contains fourteen songs, chronologically arranged and each with a detailed preface giving the relevant historical background to the composition. Warlock was very pedantic about original keys. He deplored transpositions but bowed to their necessity in performing editions. In this edition keys have been chosen to suit the medium voice. This generally means a range of about an octave and a fifth, with nothing below B flat and nothing above F sharp/G flat.

SEK 236.00
1

Peter Warlock Society Edition: Volume 4 Songs 1922-1923

Peter Warlock Society Edition: Volume 4 Songs 1922-1923

This society edition contains fourteen songs, chronologically arranged and each with a detailed preface giving the relevant historical background to the composition. Warlock was very pedantic about original keys. He deplored transpositions but bowed to their necessity in performing editions. In this edition keys have been chosen to suit the medium voice. This generally means a range of about an octave and a fifth, with nothing below B flat and nothing above F sharp/G flat.

SEK 236.00
1