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Romanza Sin Palabras : Homage to Enric Granados

White Sonata

This work is called White Sonata because it is played on the piano only on the white keys (C major - A minor). The subtitle refers to the child in all of us, regardless of age, who never wanted to grow up, but was forced to do so.With reference to the title of Peter Pan, the theme has to do with the shattered innocence of children who are subjected to abuse and decide to take refuge in themselves. Written around a lullaby, it refers to how to build aninner world to survive.

Durward: To You And For You! for Piano

Fernando Sor: Variations On A Theme Of Mozart (Magic Flute)

A staple of the serious Guitar reportoire, Sor's Variations On A Theme Of Mozart is both beautiful to listen to and rewarding to play. Mozart's contribution is relatively minor, Sor having only made use of the basic melody from the theme of The Magic Flute as the basis of the piece; the work as a whole has to be attributed to Sor. It is testament not only to Sor's groundbreaking mastery of his own instrument, but also to his general musical genious; this with the brilliant simplicity and familiarity of a Mozart melody blended in.

Etude No. 1 - We Are The Forthcoming Past

The name came from the thought that unless all of us make something to help to build a better world, we will be remembered only as dust. Now all of us have access to what in the world is happening. Don’t be quiet. Don’t be silent.This work cycles around only two notes to show you how with a little thing you can give the most to others. It is also an etude to relax the arms when playing with octaves.

Francisco Tarrega: Capricho Arabe

Dedicated to D Tomas Breton.

Rodolfo Halffter: Laberinto (Labyrinth) Op.34

Four attempts to locate the exit.

MacDowell: To A Wild Rose (R Sainz De La Maza) for Guitar

Estudio para Uracilo, un príncipe genómico

Commissioned by the CNDM (Centro Nacional de Difusión Musical), it was composed between March and April 2016. Dedicated to the pianist Eduardo Fernández, he was also commissioned to premiere it in February 2017. The work, which isa tribute to the memory of the forgotten scientist Rosalind Franklin, is released on the Naxos label.

Antonio Cano: Doce Estudios Para Guitarra Ambas Manos (Balaguer) For Guitar

Antonio Cano composed about a hundred pieces and exercises for the guitar. It is probable that he gave lessons to Francisco Tárrega and contributed to the development of the technique of the tremolo.

Joan Albert Amargos: Homenatge A Lorca

A homage to Federico Garcia Lorca, composed for Alto Saxophone and Piano.

Romero: Los Maestros Tres Canciones Para Tres Principales for Guitar

Celedonio Romero (1913 - 1996) was a classical guitarist and composer. Born in Cuba to Spanish parents, he studied music at Malaga and Madrid, but never had any formal Guitar lessons. Having became well known within Spain, he was refused permission to perform outside the country by Franco’s government. In 1957, he moved to the United States, and founded the distinguished Guitar quartet Los Romeros with his three sons. Los Maestros (The Masters) is a collection of three songs for solo Guitar, dedicated to "Three Teachers": Copla - La Rueda - Baile (Couplet - The Wheel - Dance).

Emilio Arrieta: Marina (Vocal Score)

The two-act zarzuela Marina was premiered on September 21 1855 at Madrid's Teatro Circo. Despite a cool initial reception, many musicians could sense its popular potential. Gaztambide wrote to the poet López de Ayala:'Emilio's new zarzuela Marina is most outstanding; a true Spanish Opera sure to please the crowd; it will, I'm sure, be much liked'. Indeed it was, and when the tenor Enrico Tamberlick expressed a wish to play Jorge at the Teatro Real, Arrieta had no hesitation in agreeing to expand it into the through-written, 3-act form familiar today.

Georges Roy: Metodo De Piano

This is a comprehensive method and guide to the various styles of Jazz Piano, as written by Georges Roy. The styles covered in this book include: boogie-woogie, blues, ragtime, fox-trot, slow, rock 'n roll, charlestón, pasodoble, tango, vals, cha-cha-cha, bolero, samba, rumba, baiao, calypso, mambo, and more...A fantastic introduction to Jazz Piano, particularly for the already learning classical pianist wishing to branch into jazz.

Graciano Tarragó: Guitar Works - Volume 1

For the first time, this edition presents work for Guitar solo and for Guitar duet by Graciano Tarragó, grouped into different collections. Despite the fact that the composer published the set of works separately (with the exception of the collections of studies and the Catalan Christmas songs), it is not difficult to see that a natural classification surges from its formal structure, from its source of inspiration and from its intent upon observing the works as a whole.The main objective of this revision was to update its presentation to meet the demands of the Guitar world today and to offer scores that ease the introduction to the study of this copious collection of works. The works hold an indisputable musical beauty and demand technical virtuosic knowledge of the highest level.

Graciano Tarragó: Guitar Works - Volume 2

For the first time, this edition presents work for Guitar solo and for Guitar duet by Graciano Tarragó, grouped into different collections. Despite the fact that the composer published the set of works separately (with the exception of the collections of studies and the Catalan Christmas songs), it is not difficult to see that a natural classification surges from its formal structure, from its source of inspiration and from its intent upon observing the works as a whole.The main objective of this revision was to update its presentation to meet the demands of the Guitar world today and to offer scores that ease the introduction to the study of this copious collection of works. The works hold an indisputable musical beauty and demand technical virtuosic knowledge of the highest level.

Graciano Tarragó: Guitar Works - Volume 3

For the first time, this edition presents work for Guitar solo and for Guitar duet by Graciano Tarragó, grouped into different collections. Despite the fact that the composer published the set of works separately (with the exception of the collections of studies and the Catalan Christmas songs), it is not difficult to see that a natural classification surges from its formal structure, from its source of inspiration and from its intent upon observing the works as a whole.The main objective of this revision was to update its presentation to meet the demands of the Guitar world today and to offer scores that ease the introduction to the study of this copious collection of works. The works hold an indisputable musical beauty and demand technical virtuosic knowledge of the highest level.

Jesus Guridi: Escuela Espanola De Organo

A set of twenty teaching pieces from easy to moderately difficult and including a Toccata.

Jesus Guridi: El Caserio (Vocal Score)

The full vocal score to Jesus Guridi's opera El Caserio (The Homestead). A lyrical comedy in three acts.

A. Andres: Metodo De Mandolina

The book, Método de Mandolina, begins at the very beginning of learning to play the mandolin, starting with the basic tuning of the instrument, how to sit, position one’s head, and hold one’s hands. There are many pages of exercises that lead to easy pieces and more difficult short works, all in Spanish style.In this age of the Guitar, it is remarkable to know that the mandolin was the most popular instrument throughout the Western world at the turn of the last century, at the time of the publication of this book. For the most part, at that time the virtuosi were considered to be Italian and the best instruments from Italian makers, though many other companies were involved in the production of many forms of the mandolin. This is ironic, however, as it is frequently asserted that the earliest form of lute or mandolin entered Europe with the Moors onto the Iberian peninsula in the shape of the oud. In the late 19th and early 20th centuries, serious composers included lute parts in their major works and wrote pieces expressly for mandolinists and for the thousands of mandolin Orchestras that sprang up throughout Europe and in the New World. That Método de Mandolina remains available is a testament to its usefulness and the expertise of its author in giving teachers and students a volume from which to teach and learn.

Espla: Psalmo 129 - De Profundis

Psalm 129, set to music by Oscar Espla, for four soloists, mixed chorus and piano reduction of the orchestral score.

Montsalvatge Self Parafrasis Clarinet/piano

Xavier Montsalvatge (1912-2002) was a consummate Spanish composer who explored many 20th century styles including Impressionism, Serialism, Modernism, and Wagnerism, while maintaining a distinctive Catalan character. He first came to prominence in 1940, after the Spanish Civil War, and is seen to represent the “lost generation” which was active in the second half of the 1900’s. He helped to advance Spanish music from the Nationalistic style that dominated before the war, and began to introduce West Indian influences into European music. Self-Parafrasis for Clarinet and Piano was written around 1968, when Montsalvatge was just coming into the height of his compositional prowess. It is presented here in a high-quality glossy cover, and would make the perfect gift for any clarinettist.

Gustavo Pittaluga: Canciones Del Teatro De Garcia Lorca

Canciones Del Teatro De Garcia Lorca is a collection of songs from the stage works of the Spanish playwright Frederico Garcia Lorca . They have been set to music by Gustavo Pittaluga and arranged for Voice and Guitar by Jose Caballero . Frederico Garcia Lorca (1898-1936) was a Spanish writer of plays and poems, and is one of Spain’s most widely recognised contributors to the visual and textual arts. He came to epitomise the generation of ’27, and as such was also one of the leading cultural icons of his day. Gustavo Pittaluga (1906-1975) was a Spanish composer and writer. He was influenced by Falla , but fought to overcome the Nationalism that had defined Spanish music, modernising it and bringing it into the post-war era.

Albeniz: Aragon Fantasia for Piano Four Hands

This work was written early in Albeniz’s life, when he had established himself in the musical life of Madrid, had toured to Paris and London and was well-known as a pianist and composer. The Aragón Fantasia is an idiomatic work, the sort of delightfully inspired salon Piano piece he was able to compose quite quickly.Spanish composer and pianist Isaac Albeniz (1860 - 1909) was one of Spain’s foremost musicians, a world-renowned soloist, contributing to the rebirth of Spanish musical nationalism and gaining international recognition for the music of Spain.

Romero (celedonio) Gavota Guitar

Celedonio Romero (1913 - 1996) was a classical guitarist and composer. Born in Cuba to Spanish parents, he studied music at Malaga and Madrid, but never had any formal Guitar lessons. Having became well known within Spain, he was refused permission to perform outside the country by Franco’s government. In 1957, he moved to the United States, and founded the distinguished Guitar quartet Los Romeros with his three sons. Romero wrote over 100 compositions for Guitar. His ever-popular Gavota (Gavotte) was first published in 1980, but was probably written much earlier.