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Joaquin Rodrigo: Estudiantina (Pasacalle Y Coplilla)

Joaquin Rodrigo: Estudiantina (Pasacalle Y Coplilla)

Written for 'Rondalla' (a band of street musicians), this soulful and lively piece evokes the scene of a busy Spanish market place, with the music being heard over the jostling crowd. Composed by Joaquin Rodrigo in 1962, Estudiantina (Pasacalle Y Coplilla) is orchestrated for Bandurrias 1 & 2 (A Bandurria is a Spanish instrument of the Lute type), Lutes and Guitars, and can be played by either four solo players or by a small ensemble of players.The score and parts are included.

SEK 167.00
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Moreno Torroba: Madronos for Guitar

Moreno Torroba: Madronos for Guitar

‘Madroños’ is the Spanish word for ‘arbutus’, a small tree native to Spain that fruits and flowers simultaneously.Twentieth century Spanish composer, conductor and critic Federico Moreno Torroba produced many zarzuelas and other works, but it was his early friendship with master Guitarist Andrés Segovia that inspired him to produce what is considered his best work, a host of pieces or solo Guitar. This one, Madroños, was published in 1954, and was performed and recorded by Segovia. It displays Torroba’s commitment to Spanish idioms, as he believed that only by embracing Iberian music inspiration would Spanish music receive the international recognition it deserved.

SEK 167.00
1

String Quartet No.4 Widmung

String Quartet No.4 Widmung

The String Quartet no. 4, subtitled "Dedication", was commissioned by the CNDM of Madrid to celebrate the 250th Anniversary of Beethoven and was written for, and dedicated to, the Cuarteto Casals (2017). This one-movement work,lasting some 11 minutes, is based on a small motif from the op quartet. 130 as a tribute to the German master. The work, that explores the full range of the technical, musical, and emotional scope of the quartet medium, has aternary arrangement, with a slow introduction and a conclusive stretta on the B-flat note (like the one that opens Op. 130). Its course includes marked contrasts between the contemplative, lyrical, static and suspensive sections -in the manner of stagnations - and those with a more lively tempo, playful and occasionally festive.

SEK 434.00
1

Xavier Montsalvatge: Habaneras De La Costa Brava

Xavier Montsalvatge: Habaneras De La Costa Brava

The style of the Habanera was born in Cuba a century ago as a descendant rhythm of the european country-dance, known in the island since the XVII centuary. The country-dance was an English dance from England in the XVI century. Cuban musicians adapted new rhythmic fomulae in the original melodic structure influenciated by negro caribean tradition.Their songs were of varied styles, but the nostalgia of many sailors that were in Cuba, made of the Habanera the most popular rhythm. The songs were learnt using only ears and the lyrics using only memory. This is the reason why there are so many versions. The tavern?s song was a way to understand the long winter nights, specially in small villages of difficult access like the ones in the Costa Brava.This book contains 20 of these songs for two part vocals.

SEK 286.00
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